But I wasn't there to get off on the decor. I was there to work. So Madelyn - who I wasn't surprised to learn enjoyed a local following as a burlesque dancer - ushered me to an inner room. There, a mysterious figure stood hunched over a slender blonde woman and slathered paint on her far from repulsive stomach. Actually, 'slather' is the wrong word. Rather, Scott Fray applied deliberate dabs of color like the incredibly talented artist he is. About that time, Madelyn squeezed in the room, said something I didn't hear and joined her fiance in turning an attractive young woman into the kind of creature you might see spinning in circles outside Burning Man. Slowly I looked around at my three new friends and smiled. Clearly, these people needed a cameraman in their lives...
So, I did what I always do: I made small talk while convincing the trio to ignore me. Once I'd set up a single light (it was late and I was feeling lazy), I shouldered my miniaturized axe and moved in. As Fray and Greco worked on their art, I worked on mine - though fatigue, distraction and one tiny ass workspace prevented me from obtaining the kind of wide shots I'd yearn for later in an edit bay. Oh well, if I didn't match the creative duo's advanced technique with my own, I more than made up for it in the interview. Actually, that was on them too, for Scott and Madelyn displayed a trait not often found in unbridled artistic types. They were ... lucid, tangent-free, cerebral. Best of all was Scott, who - when not deferring to his more telegenic partner - let loose with a treatise so reasoned, so focused, so cogent, it was the kind of verbiage you'd expect from a court-appointed attorney, not some dude who paints otherworldly splendor on ingenues' private parts. As for slathering anything on ME, there's only one problem...
Too furry.
2 comments:
i wanna see the pics of you trying to pin the mic on the model.
I coukd have never got the still pic of the modle on our air... Rad
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