Friday, February 03, 2006
Open Up and Say Cheese
Thursday, February 02, 2006
The Grand Revision
Wednesday, February 01, 2006
Mojo Denied
As the old folks moved in determined unison, I tried desperately to get into the groove. Still, I couldn’t seem to get in synch with my viewfinder and it was beginning to piss me off. It certainly wasn’t due to a lack of visuals. Before me, everything a student of the moving image could want played out in slow motion: repetitive action, staccato sound, fat shafts of morning sunlight. The subjects of my lens were even ignoring me, lost in thought as the burly personal trainer guided them through movements they used to take for granted. Parkinson’s disease had robbed the dozen senior citizens of coordination and the broad shoulder man who looked like he should be pacing the sidelines of a football game was determined to recover their dignity. I was determined to capture it all with my camera, if only I could find my mojo somewhere in my fanny pack.
Electronic News Gathering is fraught with small complications. Spent batteries, dying bulbs, finicky lenses: tiny maladies that can bring the show to a crashing halt, despite the best of intentions. Very often the news shooter spends more time trouble shooting than composing magic. The trick is to never let the viewer know that things are going South, be it through quick thinking or slow editing. Thus, nothing’s more frustrating when every gadget is working but you. As a camera-malady, it’s impossible to predict. Be it a picturesque car wreck, a swirling blizzard, or solemn prayer vigil, everything you line up in your sights feels flat, off kilter, unworthy of broadcast. Worst of all, there is no cure, and show producers rarely grasp your sudden lack of photog feng shui
Sometimes, only a cinematic tragedy can snap you out of it. That’s what happened yesterday, as the trainer instructed the Parkinson’s patients to form two single-file lines. Turning into face each other, the seniors stood at stooped attention as the trainer walked down the center of the sunlit aisle. I leaned on a mirrored wall, cracked my knuckles and thought about the two cups of Guatemalan java I’d downed over my morning e-mail. As I did, two old fellows on the end broke rank and rubbed it in. Slowly, they raised their weathered arms and shook each other’s hand. The small, silent act illustrated their plight in a way words cannot. Worse yet, the backlit sun rendered them in perfect silhouette. In my corner, I fumed – irate with myself for missing what surely would have been my story’s piece de resistance. Grumbling under my breath, I shouldered my axe and waded into the fray, determined not to miss another visual touchstone…
Truth be told, I never did get my groove back. But I captured enough of the room’s atmosphere to properly portray it on screen. Now, every mistake I made on that pockmarked dance floor will come back to haunt me in the edit bay. Maybe that’s where I left my mojo.
Electronic News Gathering is fraught with small complications. Spent batteries, dying bulbs, finicky lenses: tiny maladies that can bring the show to a crashing halt, despite the best of intentions. Very often the news shooter spends more time trouble shooting than composing magic. The trick is to never let the viewer know that things are going South, be it through quick thinking or slow editing. Thus, nothing’s more frustrating when every gadget is working but you. As a camera-malady, it’s impossible to predict. Be it a picturesque car wreck, a swirling blizzard, or solemn prayer vigil, everything you line up in your sights feels flat, off kilter, unworthy of broadcast. Worst of all, there is no cure, and show producers rarely grasp your sudden lack of photog feng shui
Sometimes, only a cinematic tragedy can snap you out of it. That’s what happened yesterday, as the trainer instructed the Parkinson’s patients to form two single-file lines. Turning into face each other, the seniors stood at stooped attention as the trainer walked down the center of the sunlit aisle. I leaned on a mirrored wall, cracked my knuckles and thought about the two cups of Guatemalan java I’d downed over my morning e-mail. As I did, two old fellows on the end broke rank and rubbed it in. Slowly, they raised their weathered arms and shook each other’s hand. The small, silent act illustrated their plight in a way words cannot. Worse yet, the backlit sun rendered them in perfect silhouette. In my corner, I fumed – irate with myself for missing what surely would have been my story’s piece de resistance. Grumbling under my breath, I shouldered my axe and waded into the fray, determined not to miss another visual touchstone…
Truth be told, I never did get my groove back. But I captured enough of the room’s atmosphere to properly portray it on screen. Now, every mistake I made on that pockmarked dance floor will come back to haunt me in the edit bay. Maybe that’s where I left my mojo.
Tuesday, January 31, 2006
The Level of Discourse
I was sitting at my desk the other day, wondering what in the world I might blog about next, when a conversation between a nightside reporter and a photographer caught my ever so jaded attention.
"Hey, we got a find something else," the reporter said with more than a little disappointment in his voice, "the murder didn't work out."
"Really? What happened?"
"Turns out it's natural causes."
"Dude, that SUCKS!"
About that time they noticed me staring from across the cubicle. "What?" they asked in near unison.
"Nothing, nothing..." I sputtered as they turned back to figure out what they'd now pursue in the name of news. But I could only smile as I scribbled the phrase in a worn notebook. 'The murder didn't work out.' Five simple words that would strike most people as incredibly callous; a declarative sentence that wouldn't raise the first eyebrow in a working newsroom. In fact, I wouldn't have given the remark a second thought, had I not recently dedicated myself to collecting such oddities of the trade.
It's not that my friends and colleagues are unfeeling. Quite the opposite, actually. But when the trials and tragedies of a region are your daily commodity, you quickly adopt a shorthand to beter manage the never-ending influx of salacious suffering. Like Slick Willy Clinton, we know how to compartmentalize. Each week I find myself uttering profanity-free yet unthinkable exchanges that I wouldn't dare repeat around my children.
"Hey, remember last summer, when that kid died in the hole? The Mom's on the phone. She wants to talk." OR "Yo, turn the live truck around. The old folk's home ain't on fire after all. Seems some grandpa just likes to pull the alarm when they don't serve jello." OR "Why do I care if a plane's comin' in on half an engine? My Easter Egg piece airs in thirty minutes!" OR "Hey dude, we can't do Mexican after all. Some jerk stabbed his wife in Burlington and the suits are goin' nuts!"
Most of the time, I don't notice the unusual verbage inherent in news-gathering. But then I'll visit some hushed cubicle farm, where the overdressed denizens speak in whispers cloaked in political correctness. Only then do I realize that my line of work isn't nearly as normal as I assume it to be and that, for better or worse, I'm damn lucky to have found my calling at an early age. Now if you'll pardon me, the Sheriff's gonna announce charges on some shady childcare center. Can you believe that? I mean, who schedules a press conference at four o clock in the afternoon anyway?
"Hey, we got a find something else," the reporter said with more than a little disappointment in his voice, "the murder didn't work out."
"Really? What happened?"
"Turns out it's natural causes."
"Dude, that SUCKS!"
About that time they noticed me staring from across the cubicle. "What?" they asked in near unison.
"Nothing, nothing..." I sputtered as they turned back to figure out what they'd now pursue in the name of news. But I could only smile as I scribbled the phrase in a worn notebook. 'The murder didn't work out.' Five simple words that would strike most people as incredibly callous; a declarative sentence that wouldn't raise the first eyebrow in a working newsroom. In fact, I wouldn't have given the remark a second thought, had I not recently dedicated myself to collecting such oddities of the trade.
It's not that my friends and colleagues are unfeeling. Quite the opposite, actually. But when the trials and tragedies of a region are your daily commodity, you quickly adopt a shorthand to beter manage the never-ending influx of salacious suffering. Like Slick Willy Clinton, we know how to compartmentalize. Each week I find myself uttering profanity-free yet unthinkable exchanges that I wouldn't dare repeat around my children.
"Hey, remember last summer, when that kid died in the hole? The Mom's on the phone. She wants to talk." OR "Yo, turn the live truck around. The old folk's home ain't on fire after all. Seems some grandpa just likes to pull the alarm when they don't serve jello." OR "Why do I care if a plane's comin' in on half an engine? My Easter Egg piece airs in thirty minutes!" OR "Hey dude, we can't do Mexican after all. Some jerk stabbed his wife in Burlington and the suits are goin' nuts!"
Most of the time, I don't notice the unusual verbage inherent in news-gathering. But then I'll visit some hushed cubicle farm, where the overdressed denizens speak in whispers cloaked in political correctness. Only then do I realize that my line of work isn't nearly as normal as I assume it to be and that, for better or worse, I'm damn lucky to have found my calling at an early age. Now if you'll pardon me, the Sheriff's gonna announce charges on some shady childcare center. Can you believe that? I mean, who schedules a press conference at four o clock in the afternoon anyway?
Monday, January 30, 2006
Phone Tag, Firefighters and Floor Wax
All in all, it was a pleasant midday interlude I'd gladly waste forty-five minutes on again - even if I did have six unanswered phone messages waiting for me when I got back to my desk. Beats a real job.
Sunday, January 29, 2006
News Crew Injured in Iraq
They were in the lead vehicle of that convoy, apparently standing up in a hatch and filming a report, when a large IED exploded nearby. The explosion was followed by small arms fire. Both men were wearing body armor and ballistic glasses. The men were medevaced to the Green Zone to receive treatment. They were then flown by helicopter to Balad which is about a 20-minute ride from Baghdad," ABCNews.com said. Woodruff was reportedly in surgery at 8:15am ET. Both men have head injuries.
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