Hmm? Oh yeah...Schmucks!
Saturday, July 19, 2008
Schmuck Alerts: A Troubling Trend
Hmm? Oh yeah...Schmucks!
Friday, July 18, 2008
Photogs of Gotham
Thursday, July 17, 2008
Shooters on the Loose
"You didn't get my message?"
Indeed I hadn't, but when an assignment manager asks you that first thing in the morning, they may as well just say, "You're late!" Suddenly, I was. Thirty miles down the interstate, Elon University police officers swarmed the same dormitory over and over again - chasing the ghost of Virginia Tech from room to room. They'd been doing so for ninety minutes when I saddled up; in less than an hour they would promptly stop. Did I mention I was late? I was, and while I didn't break any new land-speed records, I'd be lying if I said I lollygagged. When I did arrive on campus, a trusty PR buddy handed me the dorkiest of eye protection and whisked me through doors of the aforementioned dorm. Inside, steely eyed professionals scanned my every feature while scratching the itch on their trigger fingers. And that was just the camera crews!
"You need to get behind the line, Tee-Vee!"
An oak tree in an SBI golf shirt pointed to a wall of photogs at the far end of the wall. They looked pretty miserable packed together like logo'd sardines, but as the last fish to arrive I had no choice but to join them. First though, I had to squeeze past a scruff of young deputies waiting their turn to terrorize Elon's first responders. With their backward ballcaps, high dollar shades and practiced thousand yard stares, they looked like deckhands from 'The Deadliest Catch'. I however resembled Jimmy Buffet's roadie and silently wished my tropical print was instead a manly shade of camouflage. It wasn't, so I dragged my happy ass past them with my chest ouffed up and joined the mass of elbows and zoom lenses behind the line. As I did the camera pack formed around me, until my Sony and I hugged enough sheetrock to steady my shot. At the other end of the hall, the SBI trainers loitered and joked as the campus cops took their position outside. Scanning the waistline of every participant, I performed a hard target search for any sign of flash-bangs and mercifully came up empty. I hate flash-bangs...
"Please, DO NOT do this now!"
I peered over my camera and spotted the owner of that request. A cable channel one man band who will remain nameless stood nose to nose with a print photographer from the nearest paper, their mutual displeasure showing in the scrunch of their shoulder blades. There they stared and mumbled for what felt like forever. I tried to look around to see if the cops had yet to notice this budding scuffle, but the crush of others all around me prevented any new perspective. So I looked back over at the bowed-up duo and muffled a chuckle. It ain't the first time I've seen two photogs threaten to throw down on scene, but it was the first time I've seen it happen in the presence of twitchy-fingered SWAT teams. Suddenly I heard a voice ring out and realized it was my own...
"Fellas, fellas..."
That seemed to settle the offensive. With a few mumbled curses, the two photojouralists turned their attention down the hall - just in time for last drill of the day to commence. I crawled into my viewfinder and steadied up my shot. When the campus cops began yelling commands from the other side of the door, I realized I wasn't rolling and jabbed at the RECORD button. As they poured in through the door and hoisted their handguns, I wished I'd captured the cameraman stand-off. Now THAT would have been a great Web Extra...
Pete on the Street
Such is the life of an overnight photog. But when his own 74 year old mother was found bludgeoned to death in her home, Pete O'Neal felt more than a loving son's heartbreak. He felt the accumulated pain of all those thousands who'd passed through his lens over the years. Losing his mom didn't change how Pete made a living, but it did alter the way he looked at victims. No more grief stricken faces at point blank range; O'Neal now keeps a respectable distance between himself and the inconsolable.
This epiphany is just one of the reasons I admire O'Neal - a shooter I would have never even heard of had it not been for the excellent work of the Baltimore Sun. Matt Simon's article - along with a dashboard confessional video - does more to illuminate the motives of a veteran photog than most of the drivel I post here. Aside from the tragedy of losing his mother, Pete tells how he came to be interested in cameras in the first place - an anecdote that closely mirrors my own. It's enough to make any shooter question why they do this silly job, and reconsider how they 'll do it in the future. Go read the whole thing, watch the video and think of Pete O'Neal the next time you watch midnight crime footage from the inner city. I will.
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A compelling addendum at b-roll.net, courtesy of Alex Lucas...
If you really haven't worked at nights for over a year, it's hard to explain how truly insane it is. You just know somebody's going to die that night, and you have to see grieving people. I thought I had a real good grip on what life was about until I did it for some time. Overnights are like a funhouse mirror set to reality after you really get to know it, it's very warping. All that time, all those murders, and I still can't explain what causes murder. No clue why a person kills. None. And it never stops. Never. There's a couple of days, and then it catches right back up to where it was in a night. And I work in Nashville. Little Nashville.
Wednesday, July 16, 2008
Squatting with the Competition
Now, you were saying?
Hero of the Day
So, why am I telling you all this? In hopes you’ll remember his name the next time you’re reaching for a hero.
Monday, July 14, 2008
News Crew Insouciance
I don’t know that Bill O’Neil and Doug Miller were having any kind of argument at all, but were I one of those cable news body language experts I’d make up some gibberish about the ‘confrontational cant’ of the photog’s posture; head defiantly cocked, his calloused hand on well-worn hip. From there, I’d segue into some spiel about the reporter’s icy stare, explain the disdain of his clenched hands and the animosity of his upper lip. But in reality they could have been discussing dinner plans, for all I know. It was around six in the evening, and the sound of my own live truck’s generator drowned out their verbal exchange. Still, you gotta give it up to O’Neil for that contemptible grimace. Dude could stare holes through battleship armor... Did I mention I like to work alone?
Who Cut the Cheese?
Sunday, July 13, 2008
Suitable for Framing
Nobody - NOBODY - captures the act of electronic newsgathering like the great beFrank. For proof, look no further than the above frame, in which a reporter puts on her face while the photog whittles away at the evening piece. I ... could pen an entire screenplay based on this photo: a live truck teleplay brimming with dated technology and timeless stereotypes. Since I don't know of these real life characters, I'll hold off - but I do hereby request to write The Intro for the coffee table book beFrank's belong in. Until then, I'll continue to peruse his Flickr photostream and look forward to the next time we break bread together. That doesn't make me a stalker, does it?
Triumph He Didn’t
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