Requiem for a Scene

Standing in the doorway of my office, I thought about what I’d just done. For Sale. How long would that sign sit in my yard before my bosses started asking questions? I did not know, but as I watched the late day sun stretch down the hallway, I found I did not really care. Just then the newsroom door burst open and a pretty young producer rounded the corner in her high heels, headed for the studio. I followed her, um - form, until she ducked left under the red ON AIR sign and disappeared. How in the hell had I become so miserable inside a TV station? I asked myself for the seventeenth time that day. Was a time I’d lick the wallpaper of a local affiliate‘s break room, if I thought it would share its secrets with me. But after two years of churning out weak station promos for an impetuous overlord of a boss, I was ready to flee this backwaters broadcast shack - even if it meant chewing my way through the sheetrock. Or worse, shooting news.

Shoo. Ting Nooz. Did I really wanna go there? Back to the scanners and the pagers and the ass-hats? Back to the structure fires, incumbent liars and funeral pyres? Did I really want to wear a groove in the driver’s seat of some wheezing news unit as I ran down yet another case of smoking sheet-metal? Hadn’t that been the exact kind of drivel I blamed for everything just two years before? The insane pace, the lack of respect, the soul-eroding tone of living life by the newscast … these were things I truly didn’t miss - even if they did surround the coolest job I ever had. Still, I hadn’t climbed my way up this wobbly corporate stepladder to back-flip off of it without at least looking first. This promotions gig wasn’t all bad. There was the office and the assistants and the business card with ’Manager’ on it. Down the hall, another manager stepped out of the office he’d held for twenty years and rock back and forth on his heels as he eyeballed the bulletin board he’d read earlier that morning. Yeah, I was ready to shoot news again…

That was 1997. Eleven Septembers later, I rarely ever regret my decision to come back to news. Sure, there are days when I’d rather smuggle pinecones under my eyelids than shoot another bloodmobile, but overall I’m glad to be living life out in the open. Studios and newsrooms are for people who want to trade movie quips all day. That’s cool, but I’d still rather merge into the breakdown lane of life and snake my way up to the flashing lights. So, yeah - I guess I’m glad I spent the turn of the century chasing silly news stories, I don’t even regret all those Y2K horror stories I foisted on the public. Well, there was that one with the survivalist and his homemade trail-mix. I’m telling you, those weren’t chocolate balls. But I digress - something I’d do a lot of were it not for the fresh set of deadlines I face every day. I know - YOU got deadlines too - but do you turn on the car radio to hear some yak urging viewers to watch a story you’re not even finished shooting yet? It’ll make you run a stoplight…

Speaking of stoplights, I don’t run them and, as far as you my 14 year old know, I never have. What I will admit to is not enjoying every shift. Any reporter I’ve ever worked with has watched me rage at the machine before falling into a sullen funk. Usually it’s the kind of thing a good story or Chinese food can fix, but on occasion I’ve leaned into the wheel and through gritted teeth, dared the News Gods to smite me once more - just because some producer wanted me to swing by an impound lot and shoot video of some crunched up church bus. Sorry about that. You should see me other days - when I’m all alone and walkin’ the Earth like that guy from Kung-Fu, looking for kooks and imbroglios to put on the evening news. It ain’t the priesthood, nor is it as noble as your average city bus route, but it is what I feel good doing and that cannot be said of the time I spent shilling tripe, lies and videotape for the fat man of Chocowinity.

Not that I'm bitter...I'm bitteriffic!