Thursday, December 04, 2008
Jet, Reflected
For all the words I used trying to describe my ride on Flatbed One, Jerry Wolford summed it up in a single frame. Actually, I bet the News & Record photographer popped off more than one shot as he lay in front of that puddle of standing water. I myself watched him recline there for a good ten minutes, before turning my attention back to the jumbo jet in question. While I transmitted pictures that dissipated on impact, he triggered an image that'll last forever. The nerve of that guy...
Wednesday, December 03, 2008
His Cubicle a Kingdom
Our story begins in Little Rock, where local affiliate KATV 7 is trying out a new newsgathering tactic on their website. 'Choose Your News', they call it; an interactive feature that allows viewers to pick a two-minute news story from a pre-determined list. The story that scores the most votes will be covered on-air, via Twitter and anywhere else KATV sees fit to stick it. Is it revolutionary? Not really. Is it a little cheesy? Certainly - and for my liking, w-a-y too candy colored. But I'm guessing none of that bothers terminally cute Kristin Fisher who wrangles and fronts Choose Your News both on-line and on that magic box in your living room.
John Brummett, on the other hand, is stricken with indignation. Seems he's a Columnist/Reporter for some-thing called the Arkansas News Bureau and he doesn't cotton too well to the unwashed masses being in charge of their news line-up. I also have it on good authority that he's vehemently against ball-point pens as well, for they can't possibly compare to the old school etchings of a trusty No. 2 pencil. Okay, I made that last part up, but judging from Brummett's turgid dismissal of Choose Your News, I wouldn't be too shocked if he were anti-eraser as well. But enough of my derision; let the man speak for himself...
“I am so old that I remember when news professionals - trained news hounds who got called editors - beheld the contemporary landscape each day and decided with supposed professional and experience-seasoned expertise what to assign reporters to cover. We didn’t take a poll. We didn’t ask anonymous yahoos with laptops and BlackBerrys and other telephonic gadgetry to click on some icon and dictate our activities.”Uh, John? Those 'yahoos with laptops' are/were your readers. They've got Twitter accounts and magic Crackberries, blue tooth gizmos wedged in their ears and cell phones that can launch space shuttles. They've got home computers that can replicate the output of some TV stations I've worked for and Tivo's that know which episodes of 'What Not To Wear' they've already seen. What they probably don't have is a newspaper subscription. Even if they do, I doubt they have a dying need for some troglodyte in a clip-on tie to tell them what the world (or even Arkansas) looks like. That three-masted vessel has sailed, my friend and it took my job security and your overly-developed sense of entitlement with it. Surely they printed something about in your paper. Go grab it out of the drive-way... I'll wait
Oh - and just so you don't think I'm some Millenial in a spangly t-shirt, a little disclosure: At almost 42, I'm closer to your age than that of Ms. Fisher. While I do work for one of those crass television stations, I consider myself something of an ex-patriate. I've many friends in the newspaper industry and while I consider them some of the smartest people I know, humility ain't their strong suit. Even those few, who - as you apparently do - consider all this new media just a passing fad, are smart enough to keep their beliefs off the opinion page. Why, your printed assertion is about as silly as us TV folk getting all worked up over this. It's a new world, John. Everyone in corporate media is feeling the rub, from the bloated columnist who considers his cubicle a kingdom to the overly verbose cameraman who sits up all night surfing around for inspiration.
Just try not to make us look so bad, would ya?
Tuesday, December 02, 2008
Flatbed One
Hope he’s ordering a pizza.
Saturday, November 29, 2008
Book Review: Agent Zigzag
Thursday, November 27, 2008
Scenes from a Turkey Shoot
And what a photog! Scott Jensen is the National Press Photographer’s Association’s Photojournalist of the Year, a title even detractors of the polarizing NPPA cannot easily dismiss. He’s been lauded by industry press, turns powerful stories in major shops and enjoys legendary status among those who keep up with such things. But now a silly photo-op with the nation’s hottest hockey mom has thrust Jensen into a brighter spotlight. Among the chattering classes, he’s being both praised and villified for what he did - and - didn’t do. At b-roll.net, colleagues and strangers are debating the case with fundamental fervor, while over at Wonkette, they’re proclaiming him 'An American Hero'. That’s awfully strong mojo for what should have been a pretty forgettable gig.
So what do I think? I’m glad you didn’t ask. We’ll get to that in a minute. First, though, let’s review the facts:
By his own admission, Jensen horned in on another crew’s interview set-up and persuaded all involved to adjust the shot. That’s not the least bit odd; it’s a crowded field and I’ve sidled up to many a lenser from ‘across the street’ (though I usually settle for whatever background this lack of tactic affords me). Jensen then framed his shot just as it appears, even warning the Governor of the ensuing slaughter so clearly visible behind her. “That's fine,” Palin reportedly replied, “Let the people see where their food comes from." Did they! No sooner did the tape rolled than Alaska’s most ill-timed farmhand strolls into the shot and stares at the camera crew as if it’s an alien spaceship,all while wrestling plump, feathery fowl into the ole head remover. Alaska’s leader rambles on, the Grim Reaper of Turkeys earns his pay and yet another Alaskan bird meets its maker. Through it all, Jensen rides his wide shot. It makes for compelling television – but for all the wrong reasons. To his credit, the award-winning photog has not hidden from the onslaught of criticism. On b-roll.net’s raucous message board, he’s vigorously defended his actions, or lack thereof:
'I'm a photojournalist. It is my goal to convey every scene I shoot as close to reality as possible. I want truthfulness over tastefulness - every time. From my perspective the background dominated the scene. It wasn't way off in the distance. It was like ten feet away! Guess what?! It really was distracting! Askanyone who was paying attention. The video I made portrayed the scene exactly. I believe that is what we are supposed to do.'Mayhaps. But a bedrock principle of television interviewing is the avoidance of distracting backgrounds. Some bug-eyed goon beheading livestock easily qualifies as such. Alerting Palin to the carnage absolves one of responsibility, I guess – but it’s just bad tee-vee to let ancillary action dominate a talking head shot. NOT zooming in opens you up to a world of criticism; even if you wish the Governor’s already tarnished reputation no harm, it’s hard to explain why you didn’t follow every cameraman’s instinct and clean up the frame. That said, it’s difficult not to let walking cartoons prove themselves worthy of all that two dimensional scorn. Protecting her image (and future) is the duty of her staff, not some TV news photog, no matter how highly a decorated one. Me – I would have zoomed in, not so much to hide the turkeycide, but to rob the looky-loo of his unscheduled stare-down. While no real fan of Palin, I would have filed her further embarrasment under shit I don’t need. Scott Jensen’s deservedly sterling reputation will survive this flap, but I can’t help but wonder if he wishes he’d tightened up. Perhaps he’ll log in and tell us.
Now do you see why I avoid covering politics?
Wednesday, November 26, 2008
Searching for Pergola
Screw Indiana Jones. I wanna watch a movie about this guy!

Here's what we know...
Anybody know more about the late, great James Pergola?
(Photo on loan by Amanda Emily)
UPDATE from Emily:
Mr Pergola, who was thirty-seven years old, was one of the leading camera men of his concern, specializing in feature assignments. He joined the Pathe staff in 1918 as assistant camera man, and had been a full fledged operator since 1924. Previously he had been connected with motion picture studios in Long Island City, joining Fox Movietone with the coming of sound films. Mr Pergola was said to have been the first to make a sound film of the late John D. Rockefeller.
Here's what we know...
"James Pergola, 37, of Bronxville, New York, Pathe News cameraman, who was among the nineteen persons listed aboard the palatial 1937 cross-country airplane reported sighted at Evanston, Wyo. After being missing for more than twelve hours, the United Airlines westbound "mainliner" with 16 passengers and a crew of three, was last heard over Rick Spring the night of October 17. Mr Pergola joined Pathe News in 1930. In 1933 he spent five months filming the Cuban Revolution. In 1932 and again in 1935, he toured the United States during political campaigns with President Roosevelt."A cursory search of the interweb turns up little else about this pioneering lenslinger, other than the fact that he was aboard the flight that killed him because he was filming a newsreel on... airline safety. Ironic, yes - but I'm more interested in how this swashbuckler lived than how he died. What little we do know could already fill a few sequels...
Anybody know more about the late, great James Pergola?
(Photo on loan by Amanda Emily)
UPDATE from Emily:
Mr Pergola, who was thirty-seven years old, was one of the leading camera men of his concern, specializing in feature assignments. He joined the Pathe staff in 1918 as assistant camera man, and had been a full fledged operator since 1924. Previously he had been connected with motion picture studios in Long Island City, joining Fox Movietone with the coming of sound films. Mr Pergola was said to have been the first to make a sound film of the late John D. Rockefeller.
Tuesday, November 25, 2008
Bliss at the Abyss
What else could I do? My reporter for the day was in the corner pretending to take notes, I already had a dozen shots committed to disc and that creepy dude from the Free Weekly was looking’ at me funny. It was either float up there by the ceiling tiles in some transcendental state or attempt a flying dropkick that would no doubt land me in some manner of incarceration. Thus, I chose to chill, drilling holes in the highly-buffed mahogany tabletop with my eyes while willing my leg not to twitch too much and upset the sheriff’s deputy wedge there in the corner. Yeah, that one - the one mumbling all of Charleton Heston’s lines from Planet of the Apes. You think I’m dangerous. That cat’s got most of a Big Gulp on board and more than a few bullets in his right breast pocket. Drop anything heavier than a briefcase in here and he’ll pop up like that fat kid from Full Metal Jacket.
I’ll be hiding under the Mayor should the SWAT team ask about me.
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