But fill that slot for more than five years in a row and it will all strobe out of focus. Flea markets morph into four alarm fires, stand-offs coagulate into frothy potboilers, protest rallies march down long dark alleys. Most stories I forget before they even air, but untold images still seethe and fester inside my head, at least until I write about them. For others, that insider's vista never dims; instead it distorts the horizon until said veteran is at the end of his tour, the owner of a bad lower back and a drawerful of faded station logowear. If that seems dark, see the Complaints desk down the hall. It's just past the photog's lounge - that seedy little room where the shooters stew in their juices. That's not discontent you're smelling; it's the scent of arrested development.
Which is why so many photojournalists opt out halfway through their careers. TV news is a young man's game and growing old is ill-advised. Whereas reporters become anchors and producers become managers, photogs simply become disenchanted. That's what happens when your career ladder is a lowly stepstool held together by gaffer's tape. Sure, the gear gets lighter but the pace only quickens and all that running and gunning never really gets you anywhere. Which is my incoherent way of saying another hearty soul is bracely leaving the rat race. Photogguy's been shoving life through a tube for 19 years. That's alot of broken news. Very soon, he'll log his last logo'd mile, before escaping to a life of community college projects. No shame in that game. Nor is their any dishonor in returning to the fold, should reasonable working conditions prove too difficult for a self-admitted deadline junkie. Congratulations, Brian...
1 comment:
Thanks, Stew.
It's eerie sometimes to ready your posts, because your mood very often mirrors mine.
Gets kinda hard to slog through the BS sometimes, huh?
Brian
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