Wednesday, June 07, 2006

Bruised Fruit of the Eternal Pursuit

“Stewart - we got a high speed pursuit!”

The Unblinking One‘There goes lunch’ I thought as I dropped the Explorer into drive and pulled out of my hard-earned parking space. Hungry as I was, all culinary quests would have to wait as long as my Assignment Manager was bandying about those three words. The very syllable combination throws down a spot news gauntlet that the even the worst responder cannot ignore. Why, even I leaned into the steering wheel as I shook off the last vestige of cross-town traffic. Somewhere to the South, several Greensboro Police cruisers were chasing an alleged bank robber in a red SUV down Highway 421. But they weren’t the only ones hurled into the void. Behind them, an itinerant detachment of paramedics, investigators, firefighters and journalist raced in their wake - each pushing themselves to personal limits, just so they can be ringside when the shit goes down. Welcome to my Wednesday.

Not as PlannedAt no time did I harbor any hope of catching the pursuit on camera. Though I’ve seen it done, capturing footage of a high speed chase without a helicopter is tricky at best. I do remember a priceless few seconds of videotape obtained by the great Kevin O Brien, who had the energy and forethought to set up his camera and sticks along the path of a cross-county chase. When the late-model sedan screamed into view, the underage occupants waved to K.O.’s camera like they were the lead car in a parade. In essence, they were. Since then, I’ve drafted after my own share of squad cars and never came away with much more than the bruised fruits of so many pointless pursuits. For a while Sheriff Gerald Hege kept things interesting, what with his habit of chasing offenders out of his jurisdiction and opening fire. (No doubt about, it that guy was good for business.) With the renegade sheriff now concocting his memoirs somewhere far off the highways, sustained chases have been hard to come by. Hey, this ain’t L.A.

At the OfficeIt is however, d-e-e-e-e-p in the heart of NASCAR Country, and many a man in uniform considers himself worthy of his very own HANS device. So it didn’t surprise me when the next breathless phone call reported that Phase One of the chase was already over. Seems the squad cars rubbed a little paint in Turn 2 and the red SUV now simmered upside down with a possible fuel spill. Ahead of me, the ambulance I’d been closing in on killed his lights and let off the gas. I followed the rolling box all the way to the cop-car convention in question. When the driver snaked through a phalanx of fire trucks, I pulled my news unit over to the shoulder and hit the flashers. In the distance, I saw the red SUV resting on its roof, surrounded by cops, firefighters and road-kill groupies. Grabbing my gear I schlepped forward and scanned the horizon for whatever may be left of the driver.

Nelson Kepley, ProMine wasn’t the only lens aloft when the stretcher did appear. Thirty seconds after I arrived, competitors, rogues and allies emerged from the mist. As a pesky deputy scanned the menagerie of news-gatherers for whom to hassle next, we all fell into easy conversation, picking up on topics we’d delved into the last time the lot of us were stranded by calamity. Of course all talk stopped when the paramedics in the distance wheeled the gurney into view. Like snipers lying in wait, we took to our crosshairs and silently tracked the status of the patient in question. Strapped into the stretcher, he lay perfectly still as two beefy medics steered him toward the ambulance. When the highly-reflective doors slammed shut a few moments later, chatter in the press gallery resumed.

Roadkill PaparraziAbout what, I don’t really recall. A little technical minutia here, a few salacious rumors there - you know, just the kind of thing you yammer on about when standing around bored in your workspace. It’s this water-cooler chat of the roadside variety that has long held your lenslinger in great sway. Something about chewing the fat in the face off all that bent sheet metal reminds me of the good ole days - when every squawk of the scanner brought with it a new kind of adventure. These days I’d far rather wax poetic than drive like a fireman, but since I still serve at the pleasure of the News Gods, spontaneous ditch-bank servitude can only be expected. Perhaps when I retire, I’ll buy an old ambulance and stock it with food, scanners and drink - thus ensuring no working stiff with a wide angle will ever have to listen to his stomach rumble by the fluttering crime tape again...

Naaah, I’ll probably just move to the coast.

Tuesday, June 06, 2006

Order of the Fork

I was mentally willing a stoplight to turn green today when, inexplicably, I whispered a long-buried refrain:

“We are, we are, we are, we are the Order of the Fork…”

Suddenly I was thirteen again, sweating profusely in a Boy Scout t-shirt as the older guys took up their forks and marched around the mess hall while singing at the top of their hairy lungs….

“We are, we are, we are, we are the Order of the Fork…”

Every Wednesday after the noon meal, the more muscular staff members of Camp Tuscarora struck dread in the hearts of their less developed campers with this most unsanctioned of initiations. For three long weeks in a row I’d sighed with relief as they’d passed me over for some other squirming unfortunate.

“We are, we are, we are, we are the Order of the Fork…”

But I was living on borrowed time. As a junior camp counselor, I was a prime target for the older guys’ abuse. I’d held up pretty well so far, but as a bookish dork not good at anything but reciting Steve Martin comedy albums, I deeply dreaded this inevitable ritual.

“We are, we are, we are, we are the Order of the Fork…”

Their voices grew louder with each new burly member that joined the chant. Marching around the crowded mess hall, they slammed their fist in unison on passing tables to punctuate their mantra. Then they’d poke some feeble young schmuck in the ass and drag him to the center of the cavernous hall.

“We are, we are, we are, we are the Order of the Fork…”

I knew I was in trouble when I spotted Steve-O leering at me with unmitigated glee. Steve-O was a big, rangy farm boy who took special delight in my lack of athleticism and penchant for difficult words. When he and his thug buddies drew near, I knew the jig was up - even before the dull tines pierced my tender flesh.

“We are, we are, we are, we are the Order of the Fork…”

Instantly, I was on my feet, surrounded by a crush of Jamboree ’76 shoulder patches and chest hair. Behind me, straggling members of the Forked Brotherhood reached over and got their own tardy jabs in. I barely felt a thing as I was locked and loaded on the industrial size stainless steel pitcher being held above the crowd.

“We are, we are, we are, we are the Order of the Fork…”

Their off-kilter hymn increased in volume and tempo as a beefy pair of hands poured the pitcher’s grisly contents into an oversized mug and thrust it into my reluctant palms. Though I knew better, I couldn’t help but examine the swill within. The color of pancake batter and the consistency of kindergarten vomit, the gritty bile glistened and sloshed as the crush of counselors pushed the vile mixture to my lips…

“We are, we are, we are, we are the Order of the Fork…”

Afraid I’d dry heave in front of God and everybody if I didn’t get it over it with, I allowed the mess hall rotgut to be poured down my throat. Despite being a committed finicky eater, I swallowed and gasped as thick streams of chunky scum poured down both sides of my mouth. What little cross my tongue tasted like liquid cigarette butts and purified cat litter. But with out-ranking giants all around me, I had no choice but to force it down - knowing for certain that, if it didn’t kill me on the spot, this abominable concoction would somehow make me a man…

“We are, we are, we are, we are the Order of the Fork…”

-------------------------

I hate long stoplights.

Monday, June 05, 2006

Stripes of a Lifer

George HarrisonLadies and Gentlemen, put your hands together for George Harrison! Not the late Beatle, mind you - but the laidback, laconic photog who's been a steady presence amid Piedmont camera circles for almost thirty years. That's right. Thirty years. For the same station. In his time at WFMY, George Harrison has served under fifteen News Directors, four General Managers and three station owners. As for how many reporters he's carried over the daily deadline, the math gets a little fuzzy - but it's safe to say hundreds of talking hair-do's have made their bones with ole George by their side. That kind of longevity is the stuff of fiction in a business rife with turn-over, skullduggery and discontent. How he's managed his sanity all these many moons, I don't know, but I'll chalk it up to his endless reservoir of calm, his quiet knowledge that today's shriek and bombast are just trumped-up echos of broadcasts past. Of course, George will just tell you he's just doing a job he loves and he hopes everyone can find their true calling. That said ... once he wins the new N.C. Lottery Powerball, HE'S OUTTA HERE!

(This Just In: "Ain't gon' be no live shot...")

The Ever Elusive Applebee's Opus

"Hey boy...is your bride in bed?"

What a strange question, I thought as I stared at dim blue light creeping across the bedroom ceiling. Beside me the woman in question shifted under a twisted knot of covers and cat. Through the phone, I could hear muffled voices barking on a crackling police scanner.

“Yeah...Why?”

"Some jackass is holdin a girl hostage at AppleBee's," my father said with that matter-of-fact tone of a first responder. "Thought for a minute it might be Shelly."

Suddenly I was up, standing on the second-hand bed's crappy mattress and almost hitting the broken ceiling fan. Below, my young wife sat up in bewilderment and the cat shot out of the room. In the distance, the voices on the distant scanner were arguing.

"Say that again." I said, dodging the fan's dead, dusty blades.

"There’s a gunman inside AppleBee‘s, with a girl from last night’s shift. Turn on your TV, boy and call me back." CLICK.

And thus begins my adventure behind the lens. A cinematic tale of a chilly morning in 1993, 'The Applebee's Incident' has served me well at cocktail parties and camera clusters. But proper documentation of my very first news story continues to elude me. That bites, as it's the opening scene in the book I'm still not writing. 'All I gotta do is overhaul this opus and the rest of my short stories fall in order', I tell my project coach and myself. We both know it won't be that easy, but it's evident I have to work through this long, complicated, conflicted tale before I get to the not so simple business of pruning and collation. So, why am I telling you this? I dunno - beats straining my melon trying to remember ancillary facts of my punk-ass past. Besides, a few of you out there know the incident of which I speak. One or two of you were even there beside me that day. What do you recall of March 5, 1992?

Friday, June 02, 2006

Meeting Hugh Morton

I have to admit I didn't really know who Hugh Morton was when "Roy's Folks" producer David Weatherly introduced me to him eight years ago. At the time I was marveling at a magnificent sunrise over Grandfather Mountain, unaware the kindly gentleman beside me was the man behind the majestic view. He certainly didn't give it away. Instead, he nodded happily as I gushed about the breath-taking blue ridge vista that was, literally, his backyard. With a producer squawking in my earpiece, I soon turned my attention back to my upturned viewfinder, while the rumpled old guy wandered back down the rocky pass - apparenly satsfied the young photog fella manning the live shot camera wasn't going to topple off the mountain.

Later that morning, I ambled through the Grandfather Mountain museum and found myself humbled by what I saw. All along the walls, jaw-dropping photographs hung in testament to the power of the still image. A viaduct winding across a rugged landscape, hummingbirds frozen in flight, a backlit deer posing in a sun-dappled stream - incredibly iconic imagery, all bearing the name of the white haired grandfather I'd barely given the time of day hours before. As one who spends alot of time squinting through a lens, my silent stroll through Hugh Morton's portfolio was an awful lot like going to church. Later, I learned what an effective statesman Hugh Morton was; how he turned a land inheritance into N.C.'s loftiest tourist mecca, how he helped save the USS North Carolina from becoming an artificial reef, how he'd been key in establishing Wilmington's enduring Azalea Festival. In short, Hugh Morton enriched every inch of North Carolina he visited and he created lid-tripping photographs of it all along the way.

Now he's gone, dead at 85 from cancer. What a loss for the state I love. Though his spirit will always drift over the austere blue peaks of Grandfather Mountain, I'm guessing he's now somewhere even higher. Here's hoping he's got his camera with him...

Thursday, June 01, 2006

Waiting on the Avians

Casing the JointIn the movies, TV news crews are always dashing from one late-breaking locale to the next. In reality, things don't always move so fast. Take today. Stymied by unanswered phone messages and a 'No Trespassing' sign, our quick-turn bird-disturbed story turned into a sweltering, slow motion stakeout. Not to worry, I told Jeff Varner, if sixteen years of meeting deadlines has taught me anything, it's that 85 percent of electronic image acquisition is being in the right place at the right time. Vaguely aware I was talking again, our weekend anchor rifled through his phone's text messages and willed the thing to ring. Eventually it did, resurrecting our inconvenienced avian storyline from the ash heap of yesterday's newspaper article.

Hawk WatchFifteen minutes later Jeff, a rather eloquent land-owner and I craned our necks upward. Far above, a smattering of wildlife stared down at the news crew and nice lady, no doubt wondering what all the fuss was down below. I hardly knew myself, only knowing the empty hawk's nest at the top of the tree stood in between me and lunch. Properly motivated, I zoomed in, locked down and pressed 'Record'. In my earpiece I could hear the steady patter of Mrs. Landowner as she unspooled a saga involving her own personal wildlife preserve, the city's aim to bulldoze it down and a catch-phrase known to strike dread in the hearts of property holders everywhere: eminent domain. Of course none of that mattered if we didn't capture a glimpse of the cursed birds above.

Hawk at RiskFor the longest time, we didn't. Apparently Mr. and Mrs. Hawk didn't receive our fax and were unaware we wished to interview them. So, we were forced to wait, to hurt our necks, to make whispery small talk while scanning the canopy for furtive movement. A veteran of stalking the many North Carolina Zoo exhibits, I knew just what to do. I let my camera battery run out, sent Jeff back to the car for a fresh one and counted to ten under my breath. Sure enough the hawk couple swooped in on cue, fed their babies the back half of a woodchuck and posed defiantly for my lack of lens. Mercifully, Jeff returned with a fresh battery just in time for me to center up and roll. Fifteen seconds into my viewfinder the large hawk smirked at the terrestrials, stepped off the limb and vanished - leaving me with just enough feathered footage to limp across our afternoon deadline.

I love it when a plan comes together...

Dull Day Dissected

In an effort to make the insatiably dull seem somehow intriguing, I offer you the weird-but-true present tense timeline:

9:30 AM Stroll into morning editorial meeting only to be told you’re on ‘VoSot Patrol’ (like ‘Soul Patrol’ - but even worse). Spend next hour and fifteen minutes working the phones, chatting up co-workers and casing the last two Payday bars in the break-room’s rather persnickety snack machine.

11:15 PM Pull up to nearby convenience store, where two lottery wonks are busy fastening ‘Powerball Today’ placards to their state-owned vans. Pull out camera and wait for ensuing bum-rush. Enjoy the high-decibel stylings of incredibly loud gangsta rap group emanating from idling low-rider.

11:28 PM Cell phone begins vibrating, followed by a familiar voice telling you there’s a ‘working apartment fire’ on the other side of High Point.. Jump in Unit 4 and drive ever so safely across town, scanning the horizon for tell-tale smoke plume and wondering what a ‘working apartment’ may look like.

11:35 PM Pull up to address and park behind a small fleet of hastily-parked fire engines. Judge from lack of flames and firefighter body language that little rush is needed. Schlep gear to perimeter. Frame various shots from sole position and press ‘RECORD’ sporadically. Reflect on 1, 673 previous apartment fires you’ve attended.

12:20 PM Return to convenience store and mingle amid lunch hour crowd as lottery wonks whip them into Powerball frenzy. Gather shots of free t-shirts, carnival-barking pitchmen and downtrodden clientele. Answer ’When will this be on?’ a dozen times. Retreat as loitering prostitute offers unprintable services in exchange for close-up.

12: 45 PM Return to station to find out you’ve inherited three more assignments, all of them in neighboring Greensboro. Bite tongue as other colleagues hold up pesky air conditioned walls as you grab two fresh batteries and hit the door. Spend next few minutes convincing yourself a studio job would drive you nuts Good luck with that.

1:00 PM Take shelter in favorite diner with the last chapter of “A Death in Belmont”, Sebastian Junger’s highly satisfying tale of a youthful interlude outside Boston, when an old white lady neighbor was murdered, a local black man went to prison for the crime and a drifter soon to be known as ‘The Boston Strangler’ did odd jobs around his house.

2:00 PM Enter Sam’s Club and explain to greeter the manager is expecting you. Pin lapel microphone on manager and interview about the collection they’re taking up for co-worker’s son who was killed in Iraq. Stare through viewfinder at Adam Lucas’ picture and wonder if the young Marine ever saw it coming.

2:40 PM Arrive at Elon University’s new law school building in downtown Greensboro and shoot video of construction workers milling about the exterior. Keep eye on ticking catch and illegally parked news unit. Scarf copy of ‘Yes Weekly’ from nearby box. Answer ’When will this be on?’ a half dozen times

3:00 PM Meet local missionary outside Natty Greene’s to discuss the horrible plight facing the survivors of Indonesia. Listen as interviewee tells how the worst is yet to come for Indonesians if the volcano that usually erupts after earthquakes begins to spew. Make mental note to pull file video of said volcano. Thank God you were born in America.

3:45 PM Enter newsroom and spend next ninety minutes, picking sound-bites, assembling footage and writing scripts. Enjoy snack machine’s last Payday bar as you whittle a full day of shooting into five separate computer timelines. Send to server down the hall and leave the building as the first of your stories air. Don’t look back.

5:15 PM Climb into personal car, pop in Etta James CD for maximum relaxation and pull out of parking lot. Spend next twenty five minutes battling for supremacy on crowded interstate. Stare through windshield and wonder how people with desk jobs spend their day. Worry that you’ll have nothing to blog about after the kids go to bed...