Thursday, September 29, 2005

The REAL Pros of the CCG



Ever wonder what it's like to cover a PGA golf tournament? Me neither, but you gotta check out the calvacade of images my co-worker Chris Weaver brought back from his first trip to the Chrysler Classic of Greensboro. Rather than focus solely on the overdressed out-of-towners, Weaver turned the lens on his fellow camera-schlubs working the circuit. In doing so, he captured the real pros of the C.C.G. For example...

TIMMM-EEEEE! Meet T. Wayne Hawks, a man who could easily be called the patron saint of Piedmont TV sports coverage. Be it a Nascar race, a Final Four game or a Superbowl, you'll find Timmy on the sidelines, peering through his baby and capturing all the action with exactitude and flair. Not only is he the most experienced and gifted sports shooter I know, but Timmy also possesses one of the sunniest dispositions I've ever encountered. Over the years I've tried to emulate this man's bright outlook on life, but my curmudgeonly tendencies always get in the way. So while I may never unearth the cosmic wonders that keep this cat so happy, I really respect his attitude, as well as his camera acumen. Others do too - of all the people I'm asked about while cruising around in a marked news car, Timy Hawks is at the top of the list.

Yo Wrenn-Dawg! Kevin? Yoo-Hoo! Okay, we'll let this seasoned pro finish his edit. While he has a few choice words with an ornery laptop, I'll tell you what I now about this wiry Siler City native. He is the ultimate sports fan, a fierce competitor who's attended every kind of athletic event there is. Twice. Like all sports shooters, Wrenn takes his craft just as seriously as those on the the field - if not more so. All of this makes Wrenn pound-for-pound the strongest shooter I know. He also knows his news, feeling just as at home at a drive-by shooting as he deos on the sidelines of an NFL grudge match. A few years ago, Kevin and I huddled together at the foot a windlashed fishing pier and giggled like school girls as Hurricane Isabel did her best to drive an entire sand dune up our collective nostrils. Good times...

But of course life behind the camera isn't all fun and games. There's also an awful lot of hurrying up and waiting. Here, Chris Weaver demonstrates the proper press room ettiquette, wolfing down a free lunch and dissing the freebies with the competition. Though I wasn't present, I'm fairly certain there was a good amount of idle gossip and half-true war stories being bandied about over the picnic table. In fact, it was just these types of impromptu gatherings that first inspired me to start writing a few of my favorite tall tales down, for nothing is more interesting than chewing the fat with a bunch of battle-hardened lenslingers who've been there and back - even if half the stories are steeped in lies and embellishment. But enough of my babbling, head over to TVPhotogBlog for the real deal...

Wednesday, September 28, 2005

Two Guys Named Chris


Hey look - it's two guys named Chris. No, really - it's Two Guys Named Chris, those wacky morning deejays who make listening to stale classic rawk downright bearable at times! If I'm too harsh, forgive me - but having listened to their on-air evolution, as well as pointed a TV camera at them a time or two, I feel entitled to my opinion. Truth is, I'm a P-1 listener (radio talk for a die-hard fan) of Rock 92's popular morning show. It all started back in 1997 when, new to my current station, I was paired up with a big dopey ex-radio guy by the name of Chris Kelly. Kelly admittedly didn't know diddly about TV news, but his endless wit and irreverent on-air antics made him a blast to work with. Our surreal encounter with a jumpsuited Garth Brooks remains one of my favorite twisted showbiz memories. When the big oaf (Kelly - not Garth) fled back to his radio roots, I was truly bummed.

But then he teamed up with the far-more-erudite Chris Demm for a risky venture as a local morning team in a crowded market. At first, the radio they made was less than spectacular, but in recent years they've really hit their stride. With the addition of the insatiable Deidre James (a young lady I once chased through a Kernersville family's home as she bestowed surprise Christmas gifts on them), Two Guys Named Chris have earned a righteous preset on every radio I own. Today when I saw them at the Chrysler Classic of Greensboro's Pro-Am Tournament, I happily snapped this frame before wisely ducking for cover - lest Kelly's infamously uncontrollable backswing take out my high-dollar camera. Hey, a man's gotta eat...

Happy Anniversary, WITN!

Via ENCDTV, news of Eastern Carolina's News Channel's 50th anniversary! This logo may look pretty primitive, but when I was a boy it stirred my imagination and set my soul on fire. I still remember watching the great Lee Kanipe deliver the noon news with paternal authority. Back then Channel 7's signal flickering on my parents set seemed to emanate from some glitzy broadcast center millions of miles away from my rural home. In reality, it originated from a dusty studio just an hour way in little old Chocowinity.

Little did I know then I would one day work for WITN as a photographer, reporter and eventually, Promotions Manager. Shortly after I obtained that not-so-lofty title, I realized I was in fact, a newsman through and through. Needless to say, I ran screaming from the building the first chance I got, swearing to all who would listen I'd never, ever return. Eight years have passed since I left in a huff and in that time my bitterness has faded like an old photograph. Perhaps I should take this opportunity to make amends with my old employer, to beg forgiveness for fleeing Westward in desperation, to apologize for calling the station's hard-charging GM an evil jackhole every chance I got...

NAAAAAH! Why try to rebuild a bridge I so gleefully firebombed long ago? Life's too short for that kind of insincerity. Instead, let me offer my heartfelt congratulations to (most) everyone involved at WITN, with special props to David Cowell, Fred Anderson and Tom Midgette, three class-acts who taught this then-young punk a thing or three about small-market broadcasting. Thanks, fellas!

Tuesday, September 27, 2005

Return of the Grumman Goose

First produced in the late 30's for wealthy industrialists, the Grumman Goose flew to glory in World War II, delivering generals and supplies to the most remote backwaters under the unfriendliest of skies. With its unique ability to land and take off in a mere three feet of water, these hull-nosed airboats earned a distinctive place in the pantheon of aviation. After the war, 300 of the remaining Gooses (Never Geese!) were absorbed into the civilian market, often working as small passenger airlines in the Caribbean, California and Alaska. But by 1990 only a few Gooses remained...until very recently, when a group of Guilford County businessmen went shopping for a seaplane.

"The goose we found was in Miami, owned by a 96 year old man named Dean Franklin," said V.L. Manuel as he led me around the spotless warehouse. "Franklin had all the parts in the world to a seaplane, he told us he would sell it all to us instead of a plane, so we took it."

I know where they brought it, I thought as I poked around the neatly-lined engines, stacks of sheet metal and rows of rivets. In the center of the cavernous space, two Goose hulks sat on squat, dusty wheels - their trademark rounded hulls far from gleaming. At the far end of the warehouse a half dozen men in orange t-shirts worked in silence, scrubbing metal and bending rubber like the aviation surgeons they were. Despite my bright lights, they barely looked up. Instead they remained laser-focused on the procedure before them, intent on bringing an old bird back to life.

For all the mechanics' reticence, their avuncular CEO was more than happy to chat. With a twinkle in his eye, Mr. Manuel filled me in on-camera and off about every facet of the quirkly aircraft. Halfway through his laidback pitch, I realized my steely newsman's exterior had melted into a big dopey grin. Not one to usually succumb to the lure of mere machinery, I wanted nothing more at that moment than to climb aboard a shiny new Goose and fly it off to some exotic, watery locale. When I told Mr. Manuel of my overwhelming desire, he laughed knowingly and leaned in close.

"They're addictive,' He whispered, as if revealing a delightful secret, "Everyone that comes in here gets all charged up and wants to play on the sea with the airplane."

No doubt. I don't remember getting this pumped by a inanimate object since I first discovered the betacam. By the time I left the Gibsonville headquarters of Antilles Seaplanes, I felt I'd made some new friends - ones who invited me to come back and fly with them once they got the Goose up in the air. You got a DEAL, fellas! I'll bring both my lenses, a half dozen readers and my newfound love for this righteously nautical piece of aviation history. Now, is there an in-flight movie?

Monday, September 26, 2005

On Being Invisible...

Over at Under Exposed, WRAL Chief Photographer Richard Adkins delivers his best post yet with 'Invisible', complete with nifty photo illustration:



'Harry Potter needs a cloak to disappear but I can walk right in front a million people and no one seems to notice me. My invisibility is by design… but also is a double edge sword.'

Go read the whole thing, as it explains how a good photog blends into the background to bag the story only to end up dodging the glory.

I myself love nothing more than lurking on the edges of some big event with my camera, working the crowd with zoom lens and steady tripod. But even if I shoulder the beast and stroll to center stage, the only thing the crowd sees is the brightly-logoed fancycam floating across the stage. It's what I adore about the modern TV news camera. Not only are they magical devices that open any door, but they're great shields to hide behind. While I'm somewhat ill-at-ease during certain social functions, give me my camera and I'll wade into ANY crowd. How else could I explain penetrating a throng of angry protesters at a heated Klan rally, hobknobbing with tuxedo'd politicos at a five hundred dollar dinner, keeping it real with the fellas down on the breadline? Simple, I was...invisible.

Sunday, September 25, 2005

A Look Ahead

After a much-needed weekend of delberate decompression, I find myself tidying the Viewfinder BLUES home office in preparation for the flurry of fodder about to come my way. If only Mother Nature would stop hurling malevolent cyclops toward our shores, we all could all get back to the business of our busy fall schedules. I for one am fairly flummoxed at the onslaught of activity on the horizon and wish to tighten ship before the real scupper-washers start breaking over the bow. With a firm promise of no more nautical analogies, I give you the following odds and ends.

Though I've already spent way too much bandwidth on my recent hurricane trip, there is one piece of unfinished business jostling about the sandy floorboards of my still rather gritty news cruiser. Barely an hour into our satellite truck encampement at Carolina Beach, none other than Ken Corn himself walked out from behind a giant logo. The Charlotte shooter and I had a fine time shooting the breeze while the wind blew sheet-metal across the parking lot. Remember that scene in 'Pulp Fiction' where the two grease-ball hitmen lurk outside a future victim's door and idly discuss TV pilot trivia? If so, you have the exact vibe of a couple of hooded lenslingers huddling in a windswept parking lot at four in the morning, trading tips on site meters and other blogging minutiae while hard-target rain drops pockmarked our ponchos. Thirty hours and a Class 1 hurricane later, we paused for a photo before bugging out to our respective destinations. To find out where the good Colonel bivouaced later, check out the first of his debriefs here.

It's fair to say I don't get golf. I get the 'good walk spoiled' bit , but I've always been a bit wary of a sport where the players look like their wives laid their clothes out for them. No, I'd much rather hit the single-track with my brilliantly weird mountain bike buddies than stroll to the next overpriced hole with a bunch of pastel-clad blowhards. If that's too broad a brush - sue me (it's MY blog!), but my blue-collar roots have never allowed me to feel all that comfy on the back-nine. Still, I've ridden in an awful lot of golf carts, usually in hot pursuit of some club-packing celebrity. Michael Jordan, Charles Barkley, Richard Petty, Richard 'Shaft' Roundtree and that ballroom dancing dude who played Elaine's boss on Seinfeld are just a few of the famous faces that have chatted up my lens while on the links. The celebs at this week's Chrysler Classic of Greensboro will be of the PGA Type, thus rendering themselves virtually invisible to my untrained eye. Nonetheless, I fully expect to be amid the patricians and duffers of Forest Oaks sometime over the coming days and will report in as soon as I wash all that Polo cologne out of my sinal passages.

In less than seven days, a ragged army of talented vocalists, overconfident hopefuls and starry-eyed psychopaths will descend on the Greensboro Coliseum, bathing the area in a white-hot spotlight of off-key ambition and way too much body glitter. When I covered the American Idol auditions in D.C. last year, TWENTY THOUSAND songbirds showed up for a chance at world-stardom, assured humiliation and as many parking lot showtune showdowns as they could warble a Celine Dion ditty at. Somehow the Capitol survived, but not before legions of highly-excitable troubadours roamed the streets and swayed in unison for the better part of a week. Greensboro should count itself lucky at the exposure the auditions will bring; I just hope Coliseum officials are ready. They may have hosted every event under the sun, but they've yet to experience the cut-throat delirium of America Idol up-close. Just wait 'til Simon Cowell rolls into town and there's not a baby blue muscle shirt to be found in Gap Stores for fifty miles. Don't say your friendly neighborhood lenslinger didn't warn ya.


Even before Ryan Seachrest and his squad of stylists jet back to L.A., the biggest names of the blogging world will gather in the Gate City. I'm talking about ConvergeSouth of course, that inaugural summit of push-button publishers scheduled to take place at N.C A&T October 7th-8th. I'm looking forward to the networking and newsgathering possibilities of this esteemed happening, be it through the workaday lens of my TV news camera, the tiny viewfinder of my pocket digital or the distorted reflection of an evening-event adult beverage. Whatever the format, there will be enough fiends and heroes trolling the grounds to foster the kind of in-depth off-key coverage that transcends all platforms - which is kind of what this un-conference is all about. Many thanks to Blogfather Ed Cone as well as Dr. Sue Polinsky for assisting me in maintaining a homefield advantage in image-gathering and analysis of this seminal event. Now where the heck are those extra business cards I stashed somewhere...

Friday, September 23, 2005

Surfing the Satellites

Most days I make the news. Today, I pretty much just watched it. Moments before joining Jeff Varner in a hard-target search for Rita evacuees lurking in the Piedmont, I was summoned to the conference room where a cabal of well-dressed news managers paced about like the hopped-up news junkies they were.

"Change of plans, Stew. Matt's gonna take Varner to the airport. We want YOU to monitor all the satellite feeds and pull the best stuff for the early shows."

I stared back at the clutch of nervous news executives, waiting for the catch, When they only stared back, I heard myself ask feebly, "Ya want me to...go watch TV?"

Their enthusiastic nods told me they were indeed serious so I immediately turned on my heels and left the room before they could see me roll my eyes. On the way out, I swear I heard two of them clumsily high-five each other.

A few minutes later, I was firmly ensconsed in my station's 'Sat Center'. Okay, so it's just a corner of our tape room where the outdated beta decks hang out, but branding is everything in television, so allow me that. Whatever you call it, I took to my new assignment with considerable enthusiasm. With cold soda and notepad in hand, I leaned back in my low-sitting chair and stared up at the bank of monitors, wondering exactly which News God I'd recently appeased to score such a cushy gig. Little did I know then the Earth was about to spin a little slower.

On screen, a torrent of images poured forth. A wide shot of the Galveston shore took up one monitor; the one next to it showed miles and miles of stagnant headlights. A few screens over, a battered black and white screen displayed aerial footage of a bus full of elderly evacuees parked underneath a billowing tower of smoke and flames. Not so long ago, such nightmare scenarios could only be found in the climactic chapters of a Stephen King novel, now they're readily available on the evening news - but not before some poor schlub seperates the easily-sequenced wheat from the reams of broadcast chaff.

Which is exactly what I proceeded to do. Utilizing the penmanship of a third-grader I scribbled times and tape numbers as reporter stand-ups and sweeping chopper shots fought for my diminished attention. Just when the horrible bus fire seemed like the top story, a breeched levee in New Orleans' ninth ward became the marquee event of the day. Almost instantly, shots of elderly people on stretchers vanished, replaced by slightly less disturbing footage of water gushing through man-made walls. Shortly after that, time...stood...still.

Well, maybe not totally still - but the hands on my freebie FOX watch moved a heckuva lot slower than if I'd been out somewhere chasing the daily deadline. Of course I can't complain when so many other Americans are so displaced and downtrodden. Instead, I found myself counting my many blessings as the different scenes from the same sad passion play unfolded before me. By the end of the day I'd filled several pages with my chicken-scratch vernacular, handing off cued-up tapes to colleagues in need of a certain shot. Overall, not a hard way to spend the day - but a damned depressing one, nonetheless. While nine out of ten newsdays aren't one -tenth as troubling, I'll know better than to rejoice inside the next time the suits want me to spend the day staring at the tube.

Is it any wonder I don't watch TV at home?

Thursday, September 22, 2005

All That Jazz



One of my favorite things to point a TV camera at is live music, so you can imagine my delight when the incredible jazz ensemble Four For One treated yours truly to a private concert last night. Having rendezvoused with the quartet at their subterranean recording studio, I watched through the lens in awe as they tore through the intoxicating lilt of a lost John Coltrane refrain...again, and again, and again. Hey - it's TV, I need lots of takes!

Luckily, Matt Kendrick, John Wilson, Fred Pivetta, and the incomparable Wally West are not only top-flight musicians, but really fun guys to hang out with. When not gracing my microphones with their sonic stylings, they held a scintillating discourse, spewing forth on such widely varied topics as comic book alter-egos, global geopolitics and of course, Coltrane. Thanks guys, let me know where you're playing next and I'll come running. This time I won't even point hot lights at you and make you repeat the same thirty seconds of music until your muscles seize up. Promise!

Tuesday, September 20, 2005

Inside Ophelia: Day Three (Finally...)

“...Stewart Pittman is standing by live in Carolina Beach and joins us now, Stewart?”

I opened my mouth and began talking, but didn’t really listen to what I had to say. I’ve found that, for me, there’s no quicker way to mangle a live shot than to over-prepare or concentrate too hard. Back when I first began going live in the early nineties, I’d make the rookie’s mistake of writing out a script, only to fumble on a word, lose my place and somewhere in the process forget to breathe. This rarely made for a good performance and as a result, I have nothing but painful memories of my earliest attempts at live reporting. But time heals all wounds they say - even botched TV remotes. By the time the proverbial red light came on last Thursday morning, I tackled the assignment with nary a nerve on display. As I scrunched my toes in the sand and talked to Wes Barrett’s camera some two hundred feet away, my only real regret was that I’d rushed out of the hotel room without visiting the Little Photog’s Room. As a result, it was all I could do to stand and deliver the news without dashing offscreen to go desecrate the nearest sand dune.

Instead, I stayed on my mark and filed live updates for my own station, as well as Fox affiliates in Orlando and D.C. There really wasn’t too much to tell: Ophelia had taken her sweet time moseying through town the day before, toppling signs, ripping up shingles and flooding streets. But as anyone with functional vision could tell, that had all changed. With the sun poking through the clouds, a light breeze rippling off the ocean and seagulls swooping down on crustaceans, the day after Ophelia had all the markings of a beautiful day at the beach following a bad storm - which is exactly what it was. I’m not sure if it’s solely a matter of comparison, but the immediate daylight hours following a hurricane are some of the most tranquil displays of dazzling nature you’ll find on this heartless orb. Too bad you’re usually ready to pass out from sleep deprivation by the time it arrives. This time though, I was pretty well rested. Having made a beeline for the hotel as soon as I got my orders the evening before, I endured an ice cold shower in a pitch black bathroom before crawling on top of the covers for a fitful night of feigned rest in a humid room. By hurricane coverage standards, I was livin’ large!

Which is why I tried not to complain as I loitered on the boardwalk between live shots. Further up the coast, Eric White and Brad Ingram manned a similar post at Atlantic Beach, not far from where Ophelia had made a fine mess of my childhood vacation spot of Salter Path. I didn’t envy them, for while this latest hurricane was less than cataclysmic, covering the aftermath of even a Class 1 was work indeed. I’d much rather work the front end of a storm; as setting up electronic camp and screaming ’Here it comes’ is far less drudgery than churning out round-the-clock coverage of a community’s broken dreams. Been there, thank you very much - got the t-shirt, only to realize it smelled like feet thanks to being balled up in the corner of a sweatbox hotel room for three days.

No, I fared pretty well in the storm this time, I realized as I watched the sun‘s ray appear for the first time in days. Waiting for the voices in my head to prod me, I watched stalwart locals poke their heads outside, pick up shingles and carve one more defiant notch on their hurricane belts. That goes for me too, though I’m not quite as brazen as those crusty fishermen smoking discount menthols at the local store. I’m just a TV geek, one who loves nothing more than to suddenly race Eastward only to complain once I got there. I did plenty of that this time, though there in retrospect, there wasn’t THAT much to bitch about this time. Chances are, I’d once again toss my packed bags on the bosses’ desk the next time a marquee wind came our way. Until then, I’d man the sand at Carolina beach, tell the good people of the Piedmont what little I knew of Ophelia’s visit, before repeating the same message for Orlando, Atlanta and whatever other Fox affiliate that was jonesing for a satellite hit. I just hoped the Broadcast Gods would soon cut me a bathroom break, before I lost all control of my innards and made ‘The Daily Show’.

Brace Yourself, Greensboro...

News Flash! The twisted circus that is the American Idol Audition process is coming to Greensboro! Memphis was the original location, but when that city went into Katrina Relief overddrive, Idol Producers wisely backed off. Now, through luck (and a little synergy) thousands upon thousands of karaoke champs and divas-in-waiting will invade the Gate City beginning October 2nd. Those in the area can expect no hotel rooms and busy restaurants, not to mention a roving army of delusional songbirds up and down High Point Road. For me, it means I haven't got to crawl into a pressurized tube to once again witness and record the madness of American Idol up-close. Stay Tuned...

(We now rejoin the previously scheduled plodding hurricane epic.)

Inside Ophelia: Day Two Point Five

As the slow-motion hurricane scoured every crevice of Carolina Beach, we TV geeks got our broadcast on. Riding point was Chad Tucker, pushed out on a rain-lashed balcony bathed in electric light. As streaks of water strobed behind him, the young reporter held a finger over his earpiece as Wolf Blitzer asked him a question. Just inside the third story room, Wesley Barrett reached from behind the camera and wiped the lens. In his ear, Blitzer moved on to CNN’s meteorologist for yet another look at the radar. ’Not bad, Chad...’ Danny said, breaking into the line from the satellite truck parked downstairs, “Next up is Fox News -”. A series of telephone beeps and boops followed as Chad wept water from his brow. Inside, I was drying off too, back from another excursion through quickly flooding streets for images to accompany Chad‘s narration of the storm. Taking off my windbreaker, I flicked water on Joe McCloskey, who - still wrapped in bedcovers - manned the motel’s remote control. When Fox News Channel popped up on the TV, I grabbed my digital and waited for the right moment to click the shutter. Seconds later it arrived, with Chad’s image filling up the motel’s 19 inch set. The resulting image captured the satellite delay and satisfied me greatly. Unfolding my laptop, I plugged in the camera and uploaded the picture. A minute later it was on my blog. “Is that cool or what?” I asked the others, excited about what I may post on-line throughout the day. I did then realize we were about to lose power for the next twenty hours.

But humid hotel rooms, long hours and lousy food are hallmarks of hurricane coverage and Ophelia did not fail to hold up these long-held traditions. While only a Class One, the swirling Cyclops of wind, rain and debris inched through town at a wino’s pace, tipping over gas station canopies, downing power lines and sending heavy manhole covers floating down the streets. Through it all, I plowed through the flash-floods in trusty Unit Four, parking strategically into the wind and using the Explorer’s tailgate lid and overstuffed cargo bay for cover. As dim morning light shone through the thick layer of clouds, I was able to find humans to interview. All around the island, stalwart locals hunkered down. A hunched over old hippie behind the only open counter in town scoffed at Ophelia as he counted back my change. At his suggestion, I drove to the marina to interview his fishing buddies, but the gruff men standing in a circle under a fish shack’s roof and sharing a lumpy cigarette didn’t seem to want to talk. Three blocks away, a woman in a pick-up proved far more gabby and I soon had her in the crosshairs of my lens. A few minutes after I left her idling in a rain-swollen parking lot, her answers to my questions ricocheted through outer space.

As did Chad’s drenched image. Throughout the morning, the King, North Carolina native’s face appeared on TV sets across the nation. From L.A. to Orlando, viewers stopped to watch as the young man told in dulcet tones of the worsening conditions along North Carolina’s Crystal Coast. But by noon the producers and suits back at the shop had tired of Chad’s third story high wire act. From a fleet of soggy pagers came the terse order: ‘Get him off the balcony. Get him on the beach.’ With a good deal of eye-rolling and a wee bit of bitchery, we did just that - breaking down our camera, lights, tripod and three floors of cable all so we could set it up a half mile down the coast. Our new broadcast home wasn’t as palatial as the electricity-free Marriott. Instead, we holed up by a dilapidated oceanfront apartment complex, parking our sat truck close against the salt-encrusted building for protection from the wind and pushing Chad out onto the boardwalk as far as our broadcasting common sense would allow. In the process of all that moving, Wesley’s news unit sprung a flat tire, courtesy of a screw-laden piece of gutter pipe that attacked the underside of the Explorer. As a result, I ferried my co-workers from hotel to sat truck; light duty indeed - except for having to traverse a flooded intersection that rose a few inches with every passing. While one colleague would recommend I cross the swollen intersection at a snail’s pace, my next passenger would insist I merely ’punch it’ to get across. I found both methods worked fine - as long as I kept my but-tocks clenched in the driver’s seat.

By six o clock, we were firmly ensconced in our new locale. The wind and rain still roared but not quite as ferociously as before. It could still send sheet metal flying through the air, but it probably wouldn’t drive a pine needle through your skull like they used to talk about on those grade school filmstrips. We even got chance to break a little bread, in the form of frozen ham sandwiches and Pringle’s purloined from the hippie’s convenient store freezer down the road. Having been up and wet since 4 a.m., we were all delighted to hear our bosses’ plans of letting us sleep in the next morning, while our crews in Atlantic Beach covered their portion of Ophelia’s path. This news lifted everyone’s spirits, as while we all prided ourselves as swarthy news warriors, a little downtime in a pitch black hotel room that smelled of sweat socks was more than welcome. With only the ten o clock show to execute before we could all go get some sweaty shut-eye. I was hunched down by the sat truck ladder, catching rainwater while polishing off a Ham-sicle sandwich and a few soggy potato chips, when those glorious plans changed.

“Hey Stew,” my assistant news director said through the antiquated cell phone in my ear, “CNN won’t play ball with our guys in Morehead. Can YOU do live shots in the morning?”

Monday, September 19, 2005

Inside Ophelia: Day Two

It took the motel alarm clock several beeps to convince me to open my eyes. When I did, I wasn’t exactly sure where I was. But the rumpled co-workers shaking off sleep in the lamplight along with the freaky howl of the wind triggered some inner synapses and it dawned on me I was finally inside Ophelia. Then a colleague clocked me with a pillow and someone snapped a towel, setting the tone for the rest of the day. The four guys I’d rendezvoused with the night before - seasoned professionals who took their craft very seriously, were like myself equally capable of Grand Larceny Grab-Ass. I wouldn’t have it any other way personally, but I don’t always get a say. This time though I felt lucky, as all the jokers assembling gear and cracking wise around me were most agreeable - even at this ungodly hour in the morning. With the first of Ophelia’s Class 1 winds lashing the balcony, Wes squeezed through a gap in the sliding glass door to power up the lights he’d bungee-corded to the railing the night before. When he did, the a curtain of horizontal raindrops lit up like a theatrical backdrop - which of course it was. When Danny opened the hallway door to head for the sat truck downstairs, a slicker-clad Chad Tucker entered the room rubbing sleep out of his eyes. Meanwhile I donned my own protective suit of shorts, shirt and sandals. Joe, not due to run the truck for several more hours, lay in bed and questioned everyone’s lineage. Sensing all was well with my colleagues, I jammed a soggy ball-cap on my bed-head and hit the stairwell.

The heavy metal door on the ground level almost broke my nose when I tried to push it open. It gave way at first before a sudden gust of saltwater and warm air slammed it back in my face. I cursed as the driving rain soaked one side of my face, pointed my chin to my chest and jogged across the dark, wind-scoured parking lot. As I did, Danny poked his hooded head out of the sat truck’s rear door, half eaten Pop Tart in one hand, the other wrapped around a cell phone. He shouted something, a smart remark probably, lost in the din of the approaching hurricane. I answered with a one-fingered salute as I ran past, before stopping in front of trusty unit four to fumble with the car keys. By the time I climbed behind the wheel, I was soaked from head to toe. Jamming the key into the ignition, I thought of how I used to dress for hurricanes: heavy boots, two piece raingear, hood pulled tight. Since then, I learned that trying to stay dry during sideways rain was as annoying as it was futile. So I embraced a certain minimalism, choosing a wardrobe much like that of any other beachgoer. It was all gonna cling to me like a second skin anyway I reasoned as I dropped the Ford Explorer into REVERSE and backed out of the spot. Besides, I thought as I pulled out onto the deserted, rain-choked streets.

Zipping up and down the streets of a deserted beach town while a Class 1 hurricane whips sheet metal and shingles across the hood of your two-door SUV is nothing less than intoxicating, affording one the type of buzz familiar to hardcore video-gamers. But since there were more than pixels flying through the air, I leaned into the steering wheel and tried to stay focused. Back on the third floor of the hotel, Chad manned his windblown balcony perch and talked into Wesley’s lens. As he went live (!) for our station back home and countless affiliates across the country, I squinted through a bleary windshield and looked for icons.

It didn’t take long to find them. Stop-lights wobbling in the wind, fountain-worthy water formations arcing off the corners of shuttered buildings, flashing traffic signals swaying on their wires like laundry snapping on the line: everywhere I looked I saw the images I needed, so I parked my news unit’s nose into the wind and with a just a tinge if hesitation, leaned into the door. Outside, stinging darts of rain peppered my face and legs as the screaming wind tried to rip the raincoat off my body. Under the tailgate, I found solace, as well as quite a bit of camera equipment. I grabbed my tripod, plopped it down in the fives inches of stormwater swirling around my feet and placed the Sony on top of it. With a flip of a switch, light erupted from the viewfinder, bathing the camera’s eyecup in a soft blue haze. Leaning in, I squinted through the lens, trying to decide which water droplets were on the front of the lens, which were pooling up in the eyecup, and which were streaming down my fogged-up glasses. I twisted the focal tube and dabbed the lens with a balled-up t-shirt. As I did, a loud metal screech rang out behind me, snapping my head in that direction.

Twenty feet ahead , a twelve foot section of gutter piping skittered across the pavement, driven by the winds toward my truck. Yelping out a curse, I hopped up into the back of the cargo bay as the razor-sharp piece of sheet metal passed a few yards by me. As it clattered out of sight, I sat there in the dark, knees to my chin, laughing nervously. I was wet, sleepy hungry - yet pumped - the exact conditions I’d dreaded as I crossed the bridge the evening before. Climbing back down to my camera, I popped off a few bleary shots of windblown streetlights and flash-flooded streets As the wind drove raindrops up my nose, I couldn’t help but think the same thing I did the first day of boot camp:

‘I volunteered for this?’

Saturday, September 17, 2005

Inside Ophelia: Day One

I cant really explain why I like chasing hurricanes, as it is a thoroughly miserable endeavour. But whenever one of these churning monsters takes aim at the Carolina coast, I jones to be there when it slams ashore. Perhaps I wouldn’t feel this way if I fixed copiers for a living, but after fifteen years of habitual storm coverage, I’ve developed quite the nasty hurricane habit. Like a junkie who knows he ain‘t living right, I could barely look at myself in the rearview mirror of my news unit Tuesday as I made one more mad dash into dirty weather. Bright sun in the Triad disappeared by Raleigh. By the time I reached the edge of Wilmington, a long line of evacuating traffic choked the oncoming lanes while angry raindrops turned my windshield into an abstract painting. It was then I realized just what I’d volunteered for again and I spent the last few miles to Carolina Beach squirming in my seat with adrenaline and regret.

I blew into town around the same time Ophelia’s outermost rain-bands did. Snaking through the flashing yellow traffic signals, I scanned the storefronts for makeshift plywood and spray painted defiance. I found only the former, a sunglass shop with all her windows sheathed in expertly erected wooden planks. Swooping into a parking spot off the main drag, I threw the Explorer in PAR K, leaned on the door handle and tumbled into the drink.

Outside, shimmering curtains of rain showers undulated across the deserted intersection. I kept my head down, but still took on quite a bit of water in the two seconds it too me to pop the tailgate. Crawling into the overstuffed cargo stash, I grumbled under my breath and fumbled with Velcro straps. Only when my Sony was encased in tailored blue canvas did I venture back out, knowing all the electronic bravado I brought would all be for naught if water got inside my camera. As I poked my head out of the back of the truck, two shirtless surfers pedaled by in slow-motion, their tattooed necks twisting shaven heads toward the emerging newsman.

“Hey guys,” I shouted over the roar of the storm, “Ya got a minute?”

Bill and Ted were friendly enough types but had trouble putting more than three words together at a time. As they roped to express how stroked they were to ride out the storm, I searched for a way to blow them off quickly. Chewing my lip, I stared at the quickly dimming daylight behind Bill’s (or Ted’s) head. On my hip, an ancient cell phone rang.

“You got time to call this yacht guy?”, Wes asked from the cockpit of his own news cruiser. “We‘re about a half hour out.”

“Sure” I said, not knowing who the‘ yacht guy’ was. Six minutes later I stepped aboard the vessel in question; it sunk a bit under my weight, making it more of a boat than a yacht. Inching along the narrow walkway outside the cabin, I held my camera in a death grip and thought about a storm named Gordon. I was halfway around the starboard side when a older man in a lighthouse t-shirt and white beard slid open a door panel and beckoned me inside. Once belowdecks, I pinned a microphone on my host, a retired state trooper who’d spent the last ten years cruising the Caribbean. In a corner of his potted plant-filled cabin, his gray haired girlfriend giggled at his every on-screen retort. Less than ten minutes after boarding the boat, I gathered my tools and disembarked. I couldn’t help but giggle nervously as I gripped the railing of the bobbing boat. Nary a slip around the small harbor was empty, paint-peeled fishing vessels and gleaming pleasure crafts pitched and yawed along side each other, the sounds of rope rubbing on wood echoing underneath the slapping patter of the hard-falling rain.

‘The places I find myself’ I thought as I stepped off the boat and onto a floating pier of lashed-together boards. In the distance, I saw Unit Four parked by the condo entrance, its hazard lights still flashing in the downpour. Holding my head down to avoid a face full of rain water, I ran around across the Yacht Club’s yard with my camera lens pointed behind me. I was almost to the other side when I heard them.

“Woo-Hoo! TV Dude! Wanna Beer? C’mon on man, make us famous”

I looked up and squinted through the deluge. Three stories up a small group of young locals loitered and grinned outside the condo’s covered porch. Cigarette smoke hung over their heads, mingling with the smell of a nearby grill’s sizzling contents. Low voices and raucous laughter rang out from behind the screen, punctuating the sound of the wind howling through the breezeway. Climbing the condo‘s steps, I smiled and waved, grateful to have found a bonafide hurricane party to put on the ten o clock news. When I stepped onto their landing, the inebriated foursome clapped and cheered, welcoming me to their gathering like a guest of honor. As they all began talking at once, I pinned a lapel microphone on the soberest one’s shirt and peppered him with questions. Through fumes borne of an Old Milwaukee can, he spoke of how the boats berthed below would float up over their slips should the water level rise enough. I made a mental note to check back later on the area as drops of rainwater slid off my eyebrows and straight into my upturned viewfinder, distorting the drunk man‘s image. I was wiping off the water with a rain-soaked sleeve when my cell phone rang for the fifteenth time that day.

“Stewie, we’re at the Marriott. Chad needs your disc so he can log it. Didya get anything?” I could hear tinny audio playing at fast speed in the background, along with a considerable amount of trash talk.

“Yeah...good stuff too”, I said, fumbling through my run-bag for the feel of my small digital camera. Across the screened-in porch, the guy I‘d been interviewing convulsed with tipsy giggles as his friends fought to high-five him. I ran my fingers under the soaking wet station ball-cap and pressed the old phone to my ear. “Lemme say goodbye to my new best friends and I’ll be right there -”

(To Be Continued...)

Redemption in Thibadoux

With my own sudden jaunt to the coast this week, I’ve neglected updating you on the ‘Cajun Country Convoy’. The last time we checked in with these crusty volunteers, they were erecting a makeshift grocery store in Thidaboux, Louisiana for the mountain of merchandise donated by the good people of Pitt County, North Carolina. Since then they’ve hit the road, ferrying truckloads of supplies to the many Bayou towns nearly wiped off the map by Hurricane Katrina. Yesterday they rolled into Pointe Aux Chenes, a backwaters island isolated from most relief supplies. From his shotgun seat in the caravan, The Daily Reflector’s Paul Dunn files another splendid dispatch:

Crawling at a parade's pace, the convoy's six vehicles wound its way past Cajun camp homes raised 9-10 feet above bayou level. Some volunteers rode, others walked alongside. At each home, enthusiastic, tireless men and women rushed to front doors asking people what they still needed. Most asked for water, baby things, medical supplies and paper products. Nerf balls and plastic jewelry thrilled the kids, who raced out with their mothers to see what was going on.

"Thank you very, very, very much," residents repeated as they received goods.
Our Father's House of Fellowship and Restoration assistant pastor Leon Brunet III marveled at the relief effort.

Riddle retrieved a Nerf football from his truck, reared back and fired a wobbly spiral toward a boy standing by the open window of a parked car. The ball missed the boy, but nearly landed in the car's window. No matter. With quick reactions, the kid grabbed the bouncing toy and raced away toward his home.

At another stop, Gonzalez jumped out of the truck, ran up to an idling school bus and popped a couple of Nerf footballs into the open windows. The kids grinned. Gonzalez grinned back. The Greenville building contractor had been waiting for this day, he said. "Today, I felt great, and it was the reason we were down here: to help the people," Gonzalez said. "I'm tired, but I'm tickled to death that we were able to help them, here. This makes you realize how lucky we are, doesn't it?"

After visiting just about every home in the area that still needed supplies, the group decided to call it a day. The trailer they'd been pulling was considerably lighter than it had been two hours before.

A final stop at the church, a quick prayer, heartfelt thanks in both directions, and the relief workers headed back to Thibodaux, sweaty and exhausted, but happy.

"I wasn't sure we'd ever get back today," said Carney, who'd rode the entire distribution route on the back of the open-bed trailer. "This was a lot of work, but we did what we set out to do, and the appreciation from the people here was just wonderful. I'm grateful we were able to help them."

This morning, three of the four men will begin the long drive back home. Dick Carney, organizer of the relief effort and my once estranged father, will stay in the area for at least another week. I love Dunn’s description of the Old Goat riding on the open bed trailer, offering help and humor to those who really need it. Wish he’d answer his cell phone...

Friday, September 16, 2005

A Sure Sign of the Apocalypse


VIA ENCDTV, A SHOCKING IMAGE OF WORLDS COLLIDING!!!

Okay, so it's just two dudes sitting on a news set. Still, as anyone who's watched local TV news East of Raleigh can tell you, this is a most incongruent duo. For years Allan Hoffman and Gary Dean anchored the evening news on opposite channels, their nightly images seperated by a hefty click of the remote control. I've been lucky enough to work with both these local legends; though they are starkly different men, they both taught me a thing or three about broadcasting. But to see them co-anchoring the same newscast sorta boggles the mind, like that goofy Star Trek movie where Captain Kirk kicked back with Captain Picard. But that's how it is in the incestuous world of local TV News. Old colleagues and ex-competitors never die, they just switch logos. Now if you'll excuse me, I have to go prepare for the End Times.

Thursday, September 15, 2005

Crew-Call at Camp Ophelia

Having spent the better part of the last 48 hours awake, wet and windblown, it’s awful nice to be back in the Viewfinder BLUES home office. But as I sit here with my feet up, listening to ‘Texas Flood’ and perusing digital images, I’m still a bit storm-struck. I suspect that’s due to sleep deprivation, as I’ve found lack of slumber kills creativity almost as quickly as power-inhaling live truck generator fumes (not that I‘d recommend either). Whatever the reason for my dearth of narratives, I sit here with great material, lots of pictures and not a clue as to where to start. After some thought (and a tumbler or two of highly restorative Maker‘s Mark), I’ve decided to break up my Hurricane Ophelia epic into a few separate posts. Look for diverging storylines and a semblance of clarity in the days ahead. For now, there’s some fellas I want you to meet:

Meet Chad Tucker. Sometimes known as the King of King, this intrepid young reporter was the face of our Ophelia coverage. While the Gods of TV News demand reporters bare themselves to the elements, they’re a bit more reticent when it comes to their fancy electronics. Thus, Chad was the wettest one of the crew - though I contend that once your skivvies are soaked, comparative moisture levels are pretty irrelevant .But Chad didn’t just have to eat sideways rain for hours on end; he had to make sense while doing so. Always the pro, Mr. Tucker did just that, filing rain-soaked coastal reports not only for our Piedmont viewers, but also for Atlanta, Orlando, Los Angeles and many points in between. Here he’s pictured going live on Fox News Channel, minutes after doing the very same for Wolf Blitzer on CNN. That may sound like strange bedfellows, but in the incestuous world of TV News, nothing’s too kinky. Yes, Chad’s drenched visage ricocheted all over outer space before bouncing back to this troubled orb in the most unlikely of spots. But not without some help…

It may look like a pimped-out moving van, but this vintage satellite truck is just as much a character in our story as any of her smelly occupants. Lovingly referred to as the ’Santa Maria’ by her Captain, this rolling TV station is a damn welcome sight when it‘s raining up your nose. Just yesterday, I huddled in its less than vast interior, chopping tape (disc), eating Pop Tarts and talking a good deal of smack while the old girl rocked like a sailboat out to sea. Good times! Equal parts control booth, storm shelter and locker room, our beloved mobile headquarters has traversed the state (and the country) in the name of news a time or nine. I once heard a competitor sneeringly refer to it as ’The Death Star’ for its ominous black paint job, I think of it more as the ‘Millennium Falcon - a battered old vessel still capable of impressive jaunts into hyperspace, even if you do have to occasionally get out and push. If this kind of dated ‘Star Wars’ reference induces your eyes to roll, go get your glasses, as in a couple of paragraphs, we’re going to meet her Han Solo…

But first let me introduce you to one Wesley Barrett. Originally from Roanoke Rapids, N.C., Wesley is everything I’m not: highly-organized, laser-focused, nattily-attired. Hell, the guy dresses like a pro golfer, for cryin’ out loud! That’s no slam, as I’m almost certain it beats the loser-photog cabana loungewear I so favor. When not out bedecking his fellow lensmen, you’ll find him feeding his lifelong obsession with the N.C. State Athletics Department. Here though, he’s hard at work manning the balcony cam as he expresses frustration at the strange voices in his head. No he’s not schizo; he’s simply listening to the producers back at the shop - a great group of folk who would do well to get outside the station once in a blue moon. Exasperation aside, Mr. Barrett is a damn fine photog - a term of respect I don’t bandy about lightly, though it should be noted that my opinion and four dollars will still only get you one cup of coffee at Starbuck’s.

Speaking of coffee, you’ll find none of my beloved blog-juice inside the old Sat Truck. What you WILL discover are hidden caches of snack foods, coolers of bottled water and an illicit supply of assorted tobacco products. Somewhere among all this contraband you’re sure to stumble across one intently-distracted Truck Op, in this case the battle-proven yet baby-faced Joe McCloskey. A solid shooter himself, lately Joe-Joe has taken it upon himself to learn the Ways of the Satellite - a mysterious discipline rewarded only with a steady succession of sudden road-trips and some seriously righteous overtime. That the young newlywed would embrace this monumental task in the first place brings me great joy - for there’s nothing more valued than a cool cat who can tune in the bird. That’s some kind of lame vernacular for a most affable chap who can fathom satellite coordinates under pressure. Joe is that and more - and I’m not just saying that because his saucy spitfire of a wife would bend me into a pretzel if I badmouthed her man. Really.

Last but not least, it is my pleasure to present you with a local legend among sat truck clusters. I give you Danny Spillane. At first glance you may think the guy washing the Santa Maria’s windshield is a mere truck driver. Not true. Highly experienced yet under-appreciated, this veteran of a thousand media circuses cut his teeth shooting every kind of news there is before joining the Sat Side many moons ago. Since then he’s logged a staggering amount of miles in a variety of dish-bearing vehicles. Think of a major news story in North Carolina and the surrounding states over the past ten years or so, and chances are Danny was not only there, but he probably held the day together with his calm yet volatile leadership style. He’s saved my bacon a number of times, from fixing my attempts at fancy lighting to loaning me pair of dry socks once a storm named Bonnie drenched every pair I brought. Simply put, if Danny ain’t at the helm, I don’t wanna go.

So there you go - four friends, who along with your trusty neighborhood lenslinger, drove into the very teeth of a category one hurricane, all while telling tall-tales of the last big storm that got away. As for this most recent misadventure, there were enough snack crackers, peril and mayhem to fill quite a few posting son this humble bog. Perhaps tomorrow, I’ll have a better idea of where to begin. For now though, I gotta get some sleep.

Hard to Blog...

Wow! It's awful hard to blog when the entire island loses power! Nonetheless I have images and stories galore. As soon as I make it back to High Pockets this evening, I'll more than share. Stay Tuned...

Wednesday, September 14, 2005

Hotel Live Shot


Chad Tucker goes live from Carolina Beach hotel room...

Tuesday, September 13, 2005

Dirty Weather

The trip was long,

the weather dirty -

which meant SOME people were ready to party!

More tomorrow...

Reach for the Beach

Ophelia is still just a tropical storm spinning off the Carolinas' coast, but the suits here at the shop feel it warrants up-close coverage anyway. Ater a hard-target search of their top-shelf talent, they've come up empty and decided to send me. Thus, I'm hurtling toward the shore even as you read this, with plans to blog about it along the way, (provided I get a wee bit of down-time and a little wi-fi). Stay Tuned...

Interview With a Cowboy

His name is Wesley Hopkins, but I’ll always think of him as the Marlboro Man. Not because he smoked (he didn’t), but because of the careworn creases in his cheek, the no-nonsense cowboy hat and gravely, matter-of-fact demeanor. It took me the better part of an hour to reach the sprawling acres of Southwest Randolph County he called home, but within seconds of shaking Mr. Hopkins leathery hand, I knew it was worth the trip. Before I could even crawl out of my news unit, the veteran rancher began pointing out facets of his compound previously unnoticed. The split rail fence in the distance, the thatch of junipers over there, the stone inlay of a winding walking path - all carefully constructed by the 65 year old grandfather using his grade school education and his complete mastery of the rolling, wooded land. As the old chap showed me a small but beautiful chapel he built from the parts of a storm-damaged church, I smiled and nodded - thinking how it took me all weekend to organize my garage.

But I hadn’t traveled so out of my way to compare job-jars; I was there on business. Mr. Hopkins knew it too and agreed to ride with me to the pasture where the dreadful thing happened. A half mile from his modest house, this land-rich patriarch pointed me to a narrow, rutted path. He made grandfatherly small talk as I steered the Ford Explorer around the deep impressions in the gravel. Right around the middle of nowhere, Mr. Hopkins motioned for me to stop, hopped out rather spry-like for a man of his vintage, and unfastened a drooping metal rope from a post the size of a flag pole. Before I could tell him my citified SUV was only two -wheel drive, the grizzled landsman pointed to a ridge across a grassy field. Glancing down at the fuel gage needle as slipped below the bright shining ‘E”, I picked a path through the tire-high grass of the sloping terrain and hoped I had enough juice to get back to the nearest gas station - wherever the hell that might be.

From the top of the grassy ridge I could make out the silhouettes of a couple dozen black cows against the meadow. They took in my presence with their usual languor, but the sight of the man in the cowboy hat caused their heads to bob and their moos to thicken. As the herd began sauntering over in hopes of something to eat, Hopkins pointed to a spot of land near an electric fence.

“We found him right here...”

With little to no emotion, the old farmer told me of hearing tires screech just after dusk on Saturday, of checking on his 250 head of cattle, of finding a black angus bull shot through the heart with a bow and arrow. “I ‘spect it was hunters. They problem hunted all day and just wanted to kill something.” The bull in question was long gone, buried by Hopkins and his Bobcat the day before. Sheriff deputies had recovered the arrow and too it away to dust for prints. All I was left to shoot were the remaining cows, a beautiful rolling pasture and a taciturn landsman. While I framed up shots and hit the ‘Record’ button, Hopkins pointed out more features of the land. Every stump, rock and patch of trees had a back story - a hard-earned tale of sweat, labor and innovation. Where as I looked around and saw an inert meadow, Hopkins saw the breathing living components of a lifetime of labor. That impressed me and I told him so. He laughed as I remarked how all his efforts put a younger man like me to shame. Then he really looked at me for the first time, taking in my battered tripod, tropical shirt, my logo’d news unit idling in the background.

“Man, ride around, take pictures all day...you ain’t got NOTHIN’ to do…”

So true.

Monday, September 12, 2005

Thibodaux and Beyond

With its truck tires riding low under the weight of thousands of pounds of relief supplies, Greenville's "Cajun Country Convoy" rolled into this southwestern Louisiana town Saturday afternoon.

And so begins the first of two articles Daily Reflector reporter Paul Dunn has submitted from Thibodaux, Louisiana. Having hitched a ride with the group of grizzled Greenville men bent on assisting Katrina victims, Dunn is now documenting their progress as they unload the massive generosity of Pitt County residents.

After that, they will probably help distribute the mountains of food, clothing, paper products, tools, gasoline and other supplies that are growing daily in a Thibodaux warehouse. The Louisiana towns of Houma and Grand Isle, both on the Gulf Coast, have been particularly hard hit and may be the men's focus in the coming days.

"I don't really care what we do here as long as I know it's for a good cause," Dick Carney said. "I'm relieved to know a system has been put in place and that things are being taken care of."

When I spoke with him last night, Carney (my old man and the reason I’m following all this so closely) sounded positively exhausted.

“We’s whooped - but I think we’re doin’ some good.”

For two days now Carney and the rest have sorted and organized supplies, trying to brig some semblance of order to a warehouse designated as a staging area for donated goods. Thibodaux itself dodged much of Katrina’s fury, but victims from nearby towns and parishes have poured into the small town.

“The damage around here is minor, but you ain’t gotta go to far to see total wipeout.”

Two of Carney’s cohorts ventured into the community of Grand Isle, an area that bore the brunt of the class 4 hurricane. Residents on the small island are still without many necessities. Carney says the Red Cross hasn’t done much there yet, the National Guard just now has arrived and FEMA hasn’t even been heard from. That leaves the local citizens of Thibodaux and our hearty band of volunteers to siphon supplies to the storm victims, as well as the relief effort’s first responders. To that end, Carney and crew have purchased shelving for the supply warehouse in hopes it will help them organize the several tons of supplies that are piling up. It’s not very glamorous work, but these men didn’t make the 21 hour trip for just the photo ops. They came to help - if that means stocking shelves for eighteen hours - so be it. Monday morning, they’ll be back at it - but not before a night of rest.

“We’re gonna get a bite to eat and then get in the crib. We’s whooped.”

Sunday, September 11, 2005

The Lost (VoSot) Patrol

Between the half dozen reporter-voiced ’packages’ in your average newscast is a plethora of what we in the biz know as Vo-Sots. Allow me to elaborate. VO stands for Video, in this case 40 seconds or so of highly edited footage designed to run ‘under’ an anchor’s off-camera voice. This is followed by a Sot, or Sound On Tape, better known as a sound-bite. You know, those talking heads you see being interviewed on the evening news; the parade of grimacing faces that appear on the magic box in the corner of your living room right around dinnertime. TV News, it‘s called. Perhaps you’ve heard about it.

If not, congratulate yourself. Otherwise, stop pretending like you don’t know what a VoSot is, because it’s definitely gonna be on the test. Not just the structural breakdown of said line-up item, but the actual procurement of said species, for this is where the real learning begins. I have discovered more cosmic truths about the planet on the seemingly endless itinerary of this pointless pursuit than from any college syllabus. Then again, I never got very far past the syllabus, choosing instead to frequent the parking lot the for the very finest in whatever illicit bent was currently in season. It wasn’t long before I traded a half-hearted stab at academia form a job selling cars, a career I was so miserable at that I quickly abandoned it for the quixotic occupation of TV news-gatherer. That, my friend, is desperate.

Still, I took to the oddball crew of electronic town-criers like the aimless drifter I was. After I proved my mastery of the mid-seventies technology rusting in the studio, I shuffled through a few other in-house gigs, but always with my eye on the open road. Production vans were my first modes of transportation, but they only took to me to the used car lots and rich lady dress shops of the cheesy local commercial circuit. What I really yearned to pilot was a flashy news unit, lacquered to the gills with updated logos and bristling with the crackle of multiple scanner traffic. I’d watch the painted Blazers, low-rider station-wagons and newfangled SUV’s rumble out of the lot ever morning as I polished light bulbs in the back of my faded white Ford Aerostar. Oh to be a cowboy, I thought - dodging deadlines and tracking down news on the open road.

It all seemed very romantic back then, but from where I now sit - in the well-worn ass-groove of my umpteenth news unit, it feels quite pedestrian. Especially when I spend my days on VoSot Patrol - that time-honored tradition of assigning a lone photog several small news stories to gather throughout the day. Ribbon-Cuttings, Mug Shots, Dog-Shows and Drive-by’s - the flotsam and jetsam of daily drivel that warrants mention but not analysis (according to the twenty-something news producer that is, very often a nebbish type who’s been out of Momma’s kitchen three times now, thank you very much). No, after doubling back from town to town, I’ve begun chasing the trivial and the traumatic at about the same speed. Sure, I‘ll still goose the engine for breaking news, but don’t expect me to risk life and limb for the County Commissioner meeting. They’ll still be acting like third graders when I get there, don’t you worry.

So while I stare at the dust motes skittering across my office‘s dashboard, excuse me if I don’t crane my neck too hard at that fire truck that just sped through the intersection. Until I see a giant ape, burning orphanage or flying police car come across my windshield, I’m not about to get off schedule. After all, I got a group of school kids, a hopped-up principal and a cage full of ghetto-birds waiting on yours truly. It’s gonna take more than a toxic smoke plume twisting up from the horizon to keep me from my appointed rounds! Somewhere, back in the newsroom, there’s a metrosexual cracking open his third Diet Coke of the day and watching Judge Judy, who’s counting on me to fill 120 unrelated seconds of his show. One tap of my cell phone’s speed-dial feature and warm soda shoots out his nose and all over today‘s plaintiff. Don't make me do it!

Let the rookie chase the Bin Laden sighting on aisle five, I’M on VoSot Patrol…

Remembering 9/11

I was wrapping up an interview with a pair of visiting Russian cardiologists Tuesday morning when a pale-looking PR guy motioned me out of the conference room.

"You may want to reconsider waiting. A plane just crashed into the World Trade Center...."

The tone of his voice told me he was serious, and the implications of such an impossibility raced through my mind as I gathered up my gear. Minutes later I was behind the wheel of my marked news unit. As I weaved an angry thread through the maze of morning traffic, frightened voices describing unimaginable scenes poured from the Explorer's speakers. Leaning forward, I punched the accelerator and tried not to look at the speedometer. Suddenly the pager on my belt started humming and vibrating - an hourly occurrence that now sent chills down my spine. Not bothering to even look at it, I took a hard right and pulled into the TV station parking lot.

The smokers on the loading ramp were uncharacteristically quiet. A friend of mine from sales seemed to be crying as she fumbled for a cigarette. She made a point of looking away as I approached her. Before I could say anything the door burst open and a portly photog lumbered out, straining under the weight of his tripod and camera.

"Crazy-ass Bullshit", he muttered -- as he headed for the only remaining live truck in the parking lot.

Inside, the newsroom was an exercise in bedlam. Frantic staffers ran about in every direction - phones rang unanswered, tape machines reeled and screamed. Every one of the thirty or so TV monitors in the cavernous hall were on - all blaring impossible images of airplanes slamming into skyscrapers. In the feed room, two normally glazed-eyed young editors were yelling satellite coordinates with the fervor of sinking submariners. Just past them I could see anchor row was empty - the on-air talent having abandoned their desks for the studio down the hall.

"Where the hell are Hoyle and Donna?" shrieked a frazzled producer in
tie-dye as a nearby cluster of sharp-suited managers debated where to send the sat truck. I pushed past them all, feeling somehow impervious to the mad action all around me. Squeezing past another wide-eyed colleague fumbling with a handful of scripts, I ducked into the morning conference room.

It was empty, and that struck me as strange - though all my attention was drawn to the bank of televisions. Six 25 inch sets, set side by side flush in the wall above the giant dry-erase board. Below the screens small neat placards identified their permanent settings -- CBS, NBC, ABC, CNN FOX #1 and 2. Countless are the times I've drifted off during a morning meeting in that very room, scanning the row of monitors for something interesting as a co-worker pitched their story idea. But now as I collapsed into a chair and looked up, the usual parade of talk-show blather had been replaced by a surreal montage of mortally wounded skyscrapers.

From behind me a good friend's voice. "Did you SEE that shot?" Wick
plopped into a chair beside me and handed me a tape. Before I could answer - another voice, that of an assignment editor broke over the loudspeaker --

"Swensen, load up in five and meet Zander at the airport!" Wick snorted in contempt as we both took in the madness onscreen. Suddenly the room filled as the gaggle of suits stammered in, our stiletto-heeled news director leading the way. "Hell no we're not showing Queen Latifah, Layton says stick with network. Call Foster and Gina, get em on set and order pizza. Send whoever we got to the airport - Swensen why the hell are you still here?"

Looking over at my surly photog friend, I noticed for the first time just how punch-drunk he appeared. He opened his mouth but before he could utter a caustic reply, the sound of a woman's shriek filled the air. Heads snapped in direction of the sound and we all saw a colleague recoiling from the TV in front of her. Swinging back towards the bank of monitors above us we watched as a kaleidoscope of camera angles captured the incredible sight of the first great tower toppling. Frazzled voices trailed away as the rumbling descent of pancaking floors snuffed out thousands of souls. For once no human voices could be heard in the vast newsroom, with only the off-kilter ring of a dozen phones left to fill the void...

Friday, September 09, 2005

On the Road to Thibodaux

Dude...really do wish you could come with me on this adventure. We could do some serious good. Guard all them hens and I'll contact you via one of my e mail hook ups as soon as possible. -- Dad

The e-mail brought a smile to my face, as I knew Dick Carney was right where he wanted to be. Just last weekend, the man responsible for half my DNA recoiled from the images of anarchy radiating from the Gulf Coast. Desperate to help, he posted his wish to assist on a Presbyterian website. Twenty four hours later his phone rang. The feeble voice on the other end identified himself as the preacher of a 120-member church in Thibodaux, Louisiana. ‘Did he really wanna help?’ the preacher asked. Dick assured him he did, quickly agreeing to come spearhead recovery efforts and help locate the many missing members of the Thibodaux First Presbyterian Church. The preacher soon hung up, a bit relieved perhaps, but in no way aware of the force of nature he just released by challenging a Carney to come lend a hand.

But the Old Goat knew he couldn’t do it by himself. So he pressed friends and strangers into service, accosting everyone he ran into around Pitt County with a no-nonsense dare to help make a difference. By the end of the week, he’d coerced elementary kids, car dealership owners, local politicians and retailers big and small to donate something, anything to the cause. Boy did they. With more supplies than he thought he could transport, plus a growing pot of more than ten thousand dollars, Carney knew it was time to saddle up. First though, he had to upgrade his mission’s communications base, so he barged into the nearest Sprint store and declared a state of emergency. Thirty minutes later, he walked out with a sweetheart deal on a cell phone package and a discounted ‘air-card‘ for his trusty laptop. When the local newspaper sent a reporter over, he didn’t hold back when praising the people of Pitt County.

"When this thing first kicked off, we didn't expect this kind of response," Carney said Thursday. "The volume of what we've been given has snowballed. I usually have a pretty good feel for what the community will do, but I've been overwhelmed with what the community has done."

Friday morning, Dick Carney, three other volunteers from area churches and a reporter/photographer named Paul Dunn steered their small convoy out of town. Two hours into the 1,500-mile trip, Carney dialed up his youngest son’s cell phone number, reporting in from the rumbling cab of a dangerously-overstuffed Ryder Truck.

“What ya got in the truck?” I asked from my desk in the newsroom.

“What have I got in the truck? What ain’t I got? 600 pounds of laundry detergent, 40 cases of bleach, generators, chainsaws, boxes and boxes of canned food, Pampers, Depends, motor oil, clothes, shoes, toothpaste, toys, tarps, toilet paper…”

I laughed at the alliteration and he chuckled along with me.

“I’m telling’ ya boy - there ain’t no flys on this operation!”

‘No flys‘. That’s ‘Carnese’ for ‘quality endeavor‘. Enjoying the excitement in my old man’s voice, I listened a while longer before bidding him adieu. ‘Pace yourself’, I told him. ‘And be easy on that reporter dude ridin’ shotgun’. He assured me he would and hung up. Shortly after dinner, he called me again. He and his ‘Cajun Convoy’ were inching through Tuscaloosa, Alabama - with plans to bed down in Meridian, Mississippi before making the final five-hour leg Saturday morning.

Brace yourself, Thibodaux - you’re about to meet a character you’ll never forget.

'Five Days With Katrina'



Via one of my true gurus, Mark on Media, a potent piece of citizen journalism in the form of a 197-piece slide show from New Orleans hotel worker Alvaro R. Morales Villa.

Entitled 'Five Days with Katrina', the captioned images serve as a visual autopsy of a slain city. I'm especially struck by the above shot. It reminds me of the time I waded through the hip-deep floodwaters of downtown Grifton, gear held high and scanning the murky surface for that tell-tale slither of evacuating serpentines...

But enough about that. Go check out a sterling work of personal journalism.

Evacuee Watch: Still Waiting...

I was loitering atop a live truck the other morning when a colossal orange orb rose from the Eastern horizon and ruined my shot.

“Son of a --”, I muttered as I reached for the iris ring on the focal tube.

“What’s up?” Jeff glanced up from his notes, a look of concern on the edges of his telegenic brow.

“Sun’s killin’ us, man” I said, twisting the camera’s flip-screen so he could see his silhouette in color. “You look like the first alien coming off the ship in Close Encounters.”

Jeff glanced over his shoulder at the sun’s blinding rays eclipsing the runway behind him, then looked back at the feeble spotlight atop my wobbly stand.

“What can you do?”

“Not much”, I said, adjusting the blue gel wrapped around the bulb’s outer casing. “You can’t out-light God.”

Jeff’s forehead crinkled as the voice in his earpiece talked about a storm named Ophelia. “True dat,” he said under his breath, “True dat...”

And so went the most meaningful exchange between Varner and I yesterday, as we manned a lonely outpost on the outskirts of Piedmont International Airport. For four hours we paced around the corrugated metal deck of the brightly-painted van, keeping a vigilant eye on distant tarmac and broadcasting the monotony every thirty minutes. The first rumors of Hurricane Katrina refu -- evacuees headed to Greensboro had surfaced over the weekend. Since then a series of phone calls and subterfuge reminiscent of Deep Throat had plagued newsrooms across the Piedmont. ‘The evacuees are on the way…no flights are scheduled out of New Orleans until tomorrow…Expect at least 500, if any at all…THE PLANE IS IN THE AIR!

Soon, assignment editors across the region were popping antacids and scratching out flow charts as rumors, misinformation and innuendo reeked havoc on their daily planners. I’d successfully avoided any involvement in this scheduled chaos until a midnight caller informed me I had less than five hours to sleep.

“Rumor has it the refugee plane lands tomorrow at eight. We need you and Varner at the airport by six thirty.”

Thus, I spent a brisk morning stepping gingerly around the many TV gadgets I ‘d piled on top of our newest live truck as Jeff shook the last vestiges of a two week vacation. As predicted, there wasn’t much to report, but that didn’t stop us from breaking into the endless anchor banter for breathless updates on how nothing had changed at the airport. At one point, more than twenty Greensboro police cruisers filed into the lot, making us believe a planeload of desperate evacuees was surely making their final approach.

That ended twenty minutes later, when, after mustering in a huddle at the far end of the lot, the Gate City’s finest piled back in their Crown Vics, shot us a variety of dirty looks and sped off to fight crime elsewhere. So much for my well-honed journalistic instinct. In the end, we chewed up several minutes of air-time, killed at least two camera batteries and held a bracing discussion about the effect of strong coffee on morning constitutions. As we left, Jeff and I both agreed that we probably woouldn't be returning to this lonely stretch of asphalt.

Until the next frantic phone call, of course.

Wednesday, September 07, 2005

Dispatches from the Gulf Coast


b-roll.net, Kevin Johnson's globally-known website (and birthplace of 'Lenslinger') continues to showcase the very best in photog prose. New to the front page, a disturbing dispatch from Rick Portier of WBRZ in Baton Rouge, who tells of pillaged lives and plundered faces...

'Wednesday was truly the most emotionally draining day I have ever experienced -- even more tragic than 9/11. I was at the Baton Rouge Centroplex with 5000 refugees. The pictures from New Orleans were terrible, but they paled in comparison to the faces I saw there.

Imagine, if you can, 5000 people who have just lost everything they have ever known: homes, possessions, family. They paced the floors of the Rivercenter and the Arena with expressionless faces, like empty shells. All had harrowing stories of fleeing the storm with only the clothes on their backs.

One man told me of how he carried his nearly 300-pound neighbor across the street to his own house as the flood waters rose above his waist. He pushed him through a window into the house. When the water inside the house got waist-deep, he again loaded the neighbor onto his back and climbed to the second floor, the attic, and finally thru the roof where they waited to be rescued.

Another man told me he watched through his kitchen window as looters beat his neighbor to death then ran-sacked his home.'

Now go read the whole thing (click on Stories from Hurricane Katrina). It'll give you something to think about the next time you're peeking through your fingers at some horrible news footage you just can't bring yourself to ignore.

Tuesday, September 06, 2005

Operation Thibodaux: Loading Up

I’d simply be remiss in my duties as an honest blogger if I didn’t tell you about the efforts of one Dick Carney - a Pitt County man, who among many other things, happens to be my biological Father. He’ll be the first to tell you he’s no saint, but much like my older brother, the urge to help others is deeply engraved in his DNA. When he called me late last week in an uproar over what he saw on his TV, I knew the old goat might very well jump in his pick-up and head South. I just didn’t know how soon.

But don’t take my word for it, Check out what his hometown newspaper, The Daily Reflector says about him in their front page coverage.

Dick Carney, head of the mission operation at Peace Presbyterian Church, received a call for help last week from a church in Thibodaux, La., 45 miles southwest of New Orleans.

The preacher of the 120-member Thibodaux First Presbyterian Church has only heard from eight of his parishioners since Hurricane Katrina hit.

"We know there's a lot of damage to the homes of the members of this particular church," Carney said.

That's about all that Carney and three other men, who have nicknamed themselves the Cajun Country Convoy, know about the area. The group, including Randy Riddle of Hollywood Presbyterian, Danny Gonzalez of Covenant United Methodist and Homer Tyre, plan to stay at the church and work in Thibodaux for two to three weeks.

When they arrive, they'll start by recovering people who are still trapped in their homes. Carney, Riddle and Gonzalez are contractors, so they also plan to clear roofs, clean up demolished areas and build shelters.

Peace Presbyterian, Hollywood Presbyterian and local businesses began collecting money for the mission on Saturday. In two days, they received around $10,000.
"It's so rare that you find that kind of generosity blossom with that kind of speed," said Paul Lang, pastor of Peace Presbyterian.

They already have around 500 health kits and several cases of bleach and water. They still need a lot more, including generators, cleaning supplies, baby and child-care products, nonperishable food, paper products and medical supplies.

"We're getting some direction from the folks down there about what they're short of," Carney said. "Anybody that's bought a generator and feels like they can live without it, that's a definite need."

There are no doubt scores of people just like Carney who, tired of watching tragedy unfold on the tube, have decided instead to leap into action - but there are none I'm more proud of than My Old Man. Both a clever carpenter and trained medic, he is perfect for the task of rescue and reconstruction. He's also a gifted raconteur who promises to keep in touch with his prodigal son via e-mail while he’s down on the Gulf Coast - dispatches I plan to share with my half-dozen readers. Stay Tuned...

Media Redemption in New Orleans?

For days now, I’ve wanted to tell you how proud I was of my fellow journalists performance covering the aftermath of Hurricane Katrina, but with bodies still floating in stagnant water, the time didn’t seem right for a victory dance. Meanwhile, writers with many more zeroes on their paychecks have filed similar dispatches, from the New York Times to the BBC to the Washington Post to USA Today. Despite a variety of spins, all center on the same thesis: The media was KEY in exposing the madness that gripped New Orleans in the days following Katrina.

Like a lot of you, I’m still trying to figure out why leaders from every level of our government sat on their hands while a sat truck army moved into every reachable crevice of the Big Easy and began broadcasting. Never before have so many domestic U.S. journalists encountered such third-world conditions, all while politicians and generals tried to pretend it just wasn't happening. I’ll save that particular debate for the many other frothing bloggers out there, but suffice to say there’s no excuse for an elected official of any kind to feign ignorance of a national tragedy when the evidence to the contrary is blaring from every TV screen in the nation. What do you mean you can’t get help to the evacuees? Stone Phillips is down there with perfect three point lighting!

But I digress. All I really wanted to say was that for once, the electronic media worked as advertised. Long derided (rightfully so) as shallow, vain and celebrity-obsessed, TV reporters and their intrepid crews shone a much needed spotlight on a national disgrace - often at the tops of their lungs. I’m all for demanding neutrality among the Fourth Estate, but if you can point a camera at corpses and squalor withOUT getting worked up, well - I don’t want you in my camera scrum. That said, someone in Geraldo’s crew should have him with a face full of seltzer water the other night, for his eleventh-hour shrieks of outrage truly approached the clownish.

I much prefer the quiet wrath of Shepard Smith, who after days of touring his broken homeland, shut down confirmed ass-bag Bill O’Reilly’s proclamation that all was well with little more than a sour glare. Now THAT’S good TV…

Lord of the Corn

I kicked off Labor Day morning the way most Americans did, butt cheeks firmly clenched around the rickety scaffolding of a wobbly observation tower, fumbling with lenses thirty feet in the air while the sun broke over the rolling horizon of a freshly-groomed corn maze. What - you gonna tell me you slept in late? Not me. Having spent the better part of last week editing American Idol blather only to find out a planned trip to the Memphis auditions would not happen, I somehow found myself signed up for an early morning shift on this very last Monday of Summer. Bracing for balance atop my wavering perch, I scanned the rows of corn for Shannon, all the while repeating the two words that made me feel better for being up at work in the first place…

Double-time. Though truly, my level of recompense would mean little were to I pitch off my skeletal roost and land face first into the cornfield below. With that in mind, I wrapped my leg around a pole and gripped my camera tight as a familiar, folksy voice bled from my headset. ‘That’s your forecast, now let’s go to Shannon Smith - who’s lost somewhere in a cornfield...’ -- ‘Thanks, Roy...’ Shannon’s voice took over and I zoomed in ever so slowly toward where I thought she stood amid the stalks. As the lens pushed in, I picked up their forms, two ladies and having an early morning chat by the towering cornstalks. Thanks to the wireless microphone, I could hear the corn maze lady answer Shannon’s questions as clear as a bell. So too could viewers across the Piedmont. Now if only I could keep from taking a blind step into open air...


Which of course, I did. In fact, I got quite comfy atop my scaffolding as the morning wore on. When I wasn’t tracking Shannon’s distant form among the rows, I sat and watched the sunrise above the expertly groomed field of gold. A light breeze kicked up, reminding me of the promise of the Fall. Soon, the leaves on all those hardwoods would begin to wilt, and fabulously rustic colors would erupt from the trees’ final death throes. For now though, everything was still green and as I stared out over the rolling hills, I realized the smothering humidity of the Carolina summer was finally, mercifully, gone. Of course, I couldn’t help but think of the people down in Louisiana still trapped in their own sweltering hell. That’s when I realized my meager corn maze assignment was the first non-Katrina story I’d pursued in the past week. The Gulf Coast’s plight seemed a million miles away from up there, but I knew all I had to do was climb down to my live truck for a rolling update on the national nightmare. But I didn’t. Instead, I sat up there on my shaky corn-stand and allowed my self to daydream, knowing full well the cell phone on my hip would soon bring it all to an end.

Monday, September 05, 2005

Rescue Bus Fiesta

“Unit four…”

“Hi Stew - gonna need to send you to Winston. There’s a busload of evacuees comin’ into a shopping center off MLK. “

With that, all thoughts of sunrises evaporated. I sat up in my office chair, leaned into the steering wheel and goosed the engine. Any cornhusks still stuck to my bumper quickly took flight as I fell into the fast lane. Twenty minutes and three interstate exits later, I pulled into the strip mall in question. Or so I thought. The lot in front of the Shoe Shop was all but abandoned. My eyebrows crinkled in the rearview mirror as I threw the Ford Explorer into its third u-turn of the day. Halfway through my impromptu donut I spotted the unmistakable profile of a TV live truck speeding past the parking lot. Falling in behind my competitor‘s van, I smiled at the freebie and tried to drive casual - tough to do when you’re the last float in a logo parade. I thought about tossing a few lollipops out to pedestrians, but the wino talking to a tree made me think better of it.

“Actually, it’s only one refu -- guest, a young man from New Orleans by way of Baton Rouge. We had hoped to bring back thirty-five people, but red tape kept them there …”

I pressed a button and marked my shot. Leaning into the viewfinder I rode the iris and zoomed in. As the image of a diminutive politician spoke into the microphones thrust before her, I fought with the low, stubborn sunrays behind her. Every time she shifted from one foot to another, blinding rays took enveloped the tiny screen, causing her image to silhouette. Three inches to my left, a newspaper photographer scrunched face and fired his own weapon. With every pull of the trigger, the shutter‘s sharp bark drowned out the sound coming from the coiled headset around my neck. I wanted desperately to reach down and pull the tiny speakers up over my ears, but with a face full of camera and colleagues, I couldn’t spare a hand. Besides, any sudden movement would jar the pens and lenses of a half-dozen working journalists - not something you want to do before lunch.

By the time the bus wheezed into the far end of the parking lot, the press-knot had loosened; assorted shooters and scribes fanned out among the mostly African-American group of volunteer, church leaders and just plain curious. Six says ago, this ad-hoc committee of congregation members had dispatched six of it own to Louisiana, in a local tour bus full of donated food, bottled water and good intentions. Today, as the very bus glided in and hissed to a stop - it’s familiar flat windshield a good deal grimier, heartfelt applause broke out among both the grinning and the embittered. With an eye on the other camera-heads in the crowd, I glided forward, letting my square lens-hood part the throng. By the time the doors of the bus hissed open, I held the entire de-boarding process at point-blank range. As the wall of lenses, loiterers and looky-loos tightened behind me, I pressed my eye into the viewfinder and wondered what was exactly that was pressing into my kidneys.

"Welcome to Winston-Salem!”

A tall skinny black man in a pale green shirt stepped from the shadows of the bus and into the bright sunlight. Cupping a hand over his eyes, he surveyed the assembled masses: squinting cameramen, beaming choir members, fresh-scrubbed children holding hand made signs. Through the blue haze of my XD’s eyepiece, I tracked the nervous look on the young man’s face as he took in the crowd in slow-motion wonder. We had to be a curious sight to this beleaguered traveler, total strangers putting on a conqueror’s return. For a moment, I thought the guy was going to turn around and get back on a bus, but after a few hard gulps, Rendell Bartholomew of the west bank of New Orleans smiled and waved to the grateful crush of onlookers, who instantly roared in approval. Perhaps the displaced Wal-Mart employee with only a duffel bag to his name sensed how badly we all needed a hero to cheer for. Whatever his true thoughts, the exhausted and affable young man hugged old ladies, signed autographs, answered countless dumb questions from the media and generally lifted everyone’s spirits, before climbing into his brother-in-law’s car for a final leg to Virginia.

I, for one, hope he rests well tonight.

Friday, September 02, 2005

NBC Photog Speaks Out

NBC photojournalist Tony Zambado is receiving praise and derision from industry insiders for his outspoken assessment of the anarchy at the New Orleans convention center:

"There's no support here. There's no foundation. There's no Plan B, Plan A. These people are very desperate. I saw two gentlemen die in front of me because of dehydration. The sanitation was unbelievable. The stench in there, it was unbelievable. Dead people around the walls of the convention center, laying in the middle of the street, in their dying chairs, where they died, right there in their lawn chair.

"They were just covered up. In their wheelchair, covered up. Laying there for dead. Babies, two babies. Dehydrated and died.

I just tell you, I couldn't take it."


Of course journalists aren't supposed to voice opinions - especially those of us with cameras on our shoulders, so its no surprise that Zambado's remarks have sparked a debate at industry watering holes both real and pixelated. A brief sample:

"I don't need someone to tell me how to think or feel in a "news" report. I want the facts. The things he states as facts in the report, such as them not starting riots, no hostility, no plan b or plan a, are just emotional repetition of what he's been told or conjecture. They are things he could not know." - Frank McBride

"I do feel Tony Zambado's first person experience added to the understanding of what was going on during this tragedy. I don't feel "journalism" was compromised because he was no different than any other witness to an event we might interview for a story other than he had video and sound to back up what he was saying." - John "Lensmith" Dumontelle

"Tony Zambado is a hero. His pictures and words conveyed the despairity of the situation at the N.O. convention center. Thanks to him hundreds of lives were saved. If he overstepped his bounds as a journalist... I don't care. He conveyed the gravity of the situation in any way he could. Those people were running out of time. Thanks to his efforts those people finally have food and water today. Thank you Tony." - Fisher

Strong words from those who walk the walk. I myself haven't seen the clip yet (who watches TV anymore?), but I have no real problem with the transcript. As it reads, the piece is what we call a 'Nat Sound Package', an edited collection of soundbites and background noise devoid of narration. These type of reports can be very powerful as undiluted, first-person accounts. Here, Zambado plays the role of interview-ee, he is not the producer of the piece and harbors no responsibility for it's end content. If anyone's journalistic ethics should be called into question, it should be those of Zambado's higher-ups, who sanctioned the airing of an employee's passionate opinion. Personally, I'd like to buy my fellow photog a beer for having the grapes to tell it like it is.

Stroll through a flood shelter full of dying innocents and tell me how YOU feel.

Idol Auditions Cancelled

Due to the Hurricane Katrina relief efforts taking place in the city of Memphis, the producers of American Idol have cancelled the auditions scheduled for there next week. Thus, I WON'T be jumping on an airplane this weekend. Instead, I'll cut the lawn, hang out with the kids, do some reading. I was looking forward to Beale Street and all, but this just ain't the time to make a fuss over ten thousand delusional songbirds. But fear not Idol fans (Bueller...anyone?), producers will soon announce another audition city for the '06 season. Hopefully, I'll get to go, for after this incredibly grim week, prowling another arena floor full of clamoring, off-kilter wannabes doesn't sound so bad.

(Special thanks to esteemed Memphian Scott Hayes for the additional heads-up.)

Thursday, September 01, 2005

Misery Through A Tube

A fellow news shooter and old cohort of mine, Mike Durenberger of WNCT-TV, posts a valid question on my favorite message board:

How do we or can we separate ourselves or deal with the depth of emotions brought on by watching our fellow humans reduced to basic, primitive survival behavior. I've been through more than a dozen hurricanes including the aftermath of hurricane Floyd six years ago. That was one thing. What's happening in the Gulf coast region is deeper.

My response:

We don't. We keep our humanity at close range even as we zoom in on the devastated and the downtrodden. Otherwise we're truly the heartless jackals many people already think we are. Sure, we develop thick outer shells, hide our true feelings under a thick layer of cynicism as we make crass jokes with other journeyman shooters and scribes. But the day we don't allow the tragedies we document to shape our soul in some way is the day we become camera-toting robots.

I don't wanna be a robot. Instead I want to pay for my all-access pass to calamity by treating the subjects of my stories with wit and compassion. To do anything less is to betray those we point our cameras at. Am I sometimes a callous bastard? Sure - on the surface. But deep down inside, my heart goes out to each and every victim I witness - whether its through the wide-screen in my den or the tiny black and white screen at the end of that magical tube.

Like you Mike, I've covered countless storms. The one that left the deepest scars on my pockmarked psyche was without a doubt Hurricane Floyd. I will never forget standing amid the flood victims at the Tarboro High School gymnasium. Whole families hovering on government-issue cots, an old man brushing his teeth with a filthy rag, a little girl playing with an amputated Barbie doll...

Those scenes will follow me to the grave, which is how it should be. I use them to help me gain perspective when I find myself bitching about work, speeding past a panhandler or explaining life's many mysteries to my girls. I don't know what well of experience your average accountant draws from in times like these, but I know what the readers of this message board do. It's part of what makes me proud to be photog - and it's what makes me proud of you, too.

More responses to Mike's question can be found here. Read them, as they prove we're not the thoughtless leeches so often portrayed in movies. Most of the time, anyway...

Covering Katrina

As anyone who's been near a TV set in the past forty-eight hours can tell you, the images coming out of the Gulf Coast region are nearing the unfathomable. While the human suffering of the refugees deserves all the attention, I tend to see things through the filter of an overworked viewfinder. Thus, a quick glance at the unprecedented challenges facing many media crews covering the Katrina's aftermath (with a grateful nod to Lost Remote).

During the storm, Weather Channel stud Jim Cantore and crew found themselves scrambling for higher ground as floodwaters poured into a Gulfport retirement home:

"We're not even shooting [video] anymore. We're basically in self-preservation [mode] right now. We're helping people put up boards and sandbags to keep the water from coming in. We've become part of the crew."

A Washington Post article describes how state-of-the-art gear and top-shelf talent aren't always enough when traversing such a hostile landscape:

'NBC anchor Brian Williams got his satellite truck trapped in downtown flooding, a tire and the gas tank damaged. His team stayed as the water rose, reporting from the area and waiting for someone to come pull the truck out. John Roberts, the CBS News White House correspondent, spent Tuesday on an overpass over Interstate 10. He had to cut off the satellite feed between transmissions to save gas. Staffers for several networks are sleeping in trucks. Some NBC crew members have started suffering from digestive ailments.'

Of course, some broadcasters don't have to leave their workplace to experience Katrina's wrath. In Biloxi, WLOX continues operations, despite a damaged building and a fallen tower:

'While the station sustained heavy damage during the storm, they continued to broadcast and are continuing to broadcast at this time. They are also simulcasting through several radio stations in the market. Many WLOX employees have lost homes or their homes have suffered heavy damage.'

But what haunts me most is the following passage from a WWLTV blog, that describes a scene straight out of a Stephen King novel:

'Talked to Donny (news photographer Donny Pearce of WVUE) today for a while, he's in Shreveport with his folks, sounds very shaken up, had a horrifying escape from the city apparently, people hanging on his truck begging for help/food/money....'

I'm not asking you to feel sorry for the Fourth Estate. Save that (and your donations) for the downtrodden and the devastated. Just know that the reporters, photojournalists, sat truck operaters and field producers aren't just phoning it in. They're on the ground and in the water, filing heartbreaking reports that will hopefully galvanize a nation into action. Sure, when the flooding subsides they'll go home, but not without a few scars etched into their psyche. Trust me.