Next Up: A.man.I -- The Urban Reporter
Tuesday, April 10, 2007
New Media Jim
Next Up: A.man.I -- The Urban Reporter
Monday, April 09, 2007
Mooning for Clooney
My mood improved when I spotted the logo. Until then, I wasn't sure I would get anything. But when I saw the News 14 truck parked by the entrance to the Transportation Museum, I knew I wasn't the only one on Operation: Overgroomed Goose Chase. Aaron Mesmer already had the museum's PR chick framed up when I sidled up beside him. A one man band himself, the young reporter and I exchanged cowboy nods as the lady with the name-tag prattled on for our cameras. Yes, Clooney and crew were just beyond the gate and no, lowly TV types like ourselves were NOT invited to come in and do Botox with them. No surprise there. I knew before I ever left the parking lot that I stood a better chance of running over Osama Bin Laden somewhere outside Thomasville than score any onscreen time with Mr. Dimples. So I eyed the perimeter for other prey...
And then I saw them. Like birds on a wire, they huddled close in the shadows, heads bobbing in unison with the glimmer of every distant gaffer's laminated backstage pass. Balding father-in-law types with birdwatcher lenses, thug-wannabes sporting Unabomber hoodies and shiny camera-phones, grinning grandmothers with lawnchairs and homemade signs - just the kind of homemade paparazzi that could help fill the ninety second void that would go between the anchor intro and outro I'd already written. Aaron noticed them too, and five seconds after the PR chick stopped talking, we were engaged in an awkward foot-race as we hauled glass toward the clamoring crowd. Mistaking us for friendlies, they foolishly cheered our approach.
That's when things got blurry. Like a scene from the Matrix, Aaron and I dove into the throng all slow-motion like - separating the chatty from the drifter, pinning tiny microphones to the lucid and the cute, fending off those who thought we wielded authority - instead of zoom lenses and silly questions. Mere minutes later, young Mr. Mesmer and I had worked the crowd of Clooney goons for every angle and entendre that sprang to mind. Even the extras dressed in itchy 1920's garb across the street looked form the craft services tent, stretching their per diem necks to see what was going on over in the cheapseats.
TV news, that's what. Mr. Million Dollar Grin may be whining and dining flight attendants in his trailer somewhere, but I got a slot to fill. If that means televising giddy housewives instead of pampered matinee idol, so be it. I'll still eat at home tonight. Of course, the suits will probably send me back here tomorrow, so if you could just pass Mr. Clooney my card, I really would appreciate it. If you need me, I'll be over in the park, trying to get an interview with that guy berating the big oak tree. Hey, I know my place on the food chain...
Sunday, April 08, 2007
Bliss at 20 MPH
Wednesday, April 04, 2007
Escape from Chocowinity
Rolling a big red barrel stuffed with postcards over a warped studio floor so a catatonic weatherman could sleepwalk through one more post-forecast grand prize drawing. Huddling just off-screen with stopwatch and praying he wouldn’t mangle the winner’s name again. Cringing every time he did.
Corralling hundreds of high school seniors together in stifling heat as fellow production grunts struggle to keep antique cameras going for one last wide shot. Cajoling college dean through his six words of on-camera dialogue. Suppressing rage when ass-hat GM repeatedly apologizes to crowd for the fact that I was wearing shorts.
Working for weeks on a campaign to promote GM’s latest slapdash scheme. Nodding emphatically as Pinpoint Mobile Weather van concept was explained. Stifling concern as ballyhooed vehicle arrives at station in the form of stripped Ford Aerostar. Learning the power of hype when the silly thing becomes minor sensation.
Scrambling to produce quick-turn promos on station’s ongoing hurricane coverage. Trying to get used to spacious office as heartless boss dictated latest whim over speakerphone. Watching with envy as old news buddies broadcast live from storm-lashed coast. Realizing I’d made a horrible mistake.
Backpedaling over horseshit as jacked-up cub scout troop showers my lens in fresh taunts and frozen tootsie rolls. Trying not to get run over by Santa’s float as the director in my headset screams for a shot. Wiping out hard when hippie grip girl behind me gets distracted and wraps camera’s cord in a passing elf.
Attempting to ignore jiggling Budweiser girls as local basketball star mumbles incoherently into my lens. Sighing with relief as tuxedo-clad anchor breaks in to mention tote board for the twenty-seventh time that hour. Shifting from foot to foot in hopes of ending fiery lumbar pain. Swearing off telethons forever.
Collapsing in cushy office chair after an extended seafood buffet lunch, happy that boss and chief lackey were out of town. Pushing aside paperwork and gathering shoot tapes. Retreating to soothing confines of dimly-lit edit bay for soul-cleansing edit session. Receiving phone call from receptionist that the platoon of girl scouts I’d forgotten about scheduling had just arrived for their station tour.
Staring at GM’s massive aquarium as he droned on and on about all I didn’t know from the jaunty perch of his in-office dentists chair. Fixating on bosses beloved fish as fellow department heads chuckle and nod at station head‘s smug soliloquy. Digging my nails into my palm as floating menace stared back. Seriously contemplating Piranha-cide.
Okay, so I never did kill that damn fish. Instead I slunk away to the comparative sanctum of midnight murder scenes, county commissioner temper tantrums and flipped-over semi's on the interstate. That’s been ten years ago this September and while my return to news hasn’t been total bliss, it sure has provided better fodder than the tortured sacraments of a junior executive. May I never sell out again.
Tuesday, April 03, 2007
Kisses and Curses
Wide-eyed adulation however, throws me for a loop. Hey, it’s perfectly normal for a passing motorist to gun the engine to see if the news car up ahead contains that guy with the hair they see in their living rooms every night. But nine times out of ten, all they see is some bearded nobody polishing off the last of his dollar menu cheeseburger while staring holes through his windshield. A look of disappointment I understand; fevered waving and ecstatic shout-outs make me slowly reach for the power-locks. I remember once when I pulled into a corner gas station in a very small town. Lost in thought as always, I proceeded to fill up the tank when that unmistakable sensation of being watched caused me to look over my shoulder. There, standing in a semi-circle around me, was a collection of good ole country folk with wide eyes and scarier grins. Seems they’d never seen an honest to God news car before - let alone some scruffy dude in a wrinkled Hawaiian shirt. By the time my tank was full, I’d signed autographs, kissed a few babies and fondled the 9-1-1 pre-set button on my cell phone. Watching my new best friends grow smaller in my rearview mirror, I made a mental note not to stop there the next time I was blowing through town with an anchor riding shotgun.
Yeah, I’d much rather someone just flip me off…
With Great Dread
While I craft winking features on marathon basketball games, Ken Corn covers the kind of story that keeps you up at night...
You never know what to expect when you're a photographer working the night shift on a Saturday night in a city as large as Charlotte. I've pointed my lens at riots erupting in uptown after a New Year's Eve countdown. I've witnessed the aftermath of a shoot out between two rival gangs at a neighborhood block party. I've seen more twisted metal and broken glass piled high in city streets than your average tow truck driver. Yeah, you just never know what kind of images you will record when covering the news on a Saturday night.
Reporter Frances Kuo and I had just wrapped up an eleven o'clock live shot at a DWI checkpoint when my cell phone started ringing. Our work shift usually ends after the eleven o'clock show. But more often than not, we have to visit another crime scene or two before we can turn in the live truck keys for the night. Knowing the ringing box on my hip probably meant there was a scene somewhere waiting for us, I hesitated to unclip it from my belt.
I did not expect the words that flowed out of the electronic speaker pressed to my ear.
"We have a cop shot, up off of Milton Rd."
News photographer auto pilot kicked in when my brain registered the magnitude of the sentence I just heard. I handed the phone over to Frances so she could write down the details while I looked for the next exit off of the beltline. I could feel adrenalin seeping into my blood stream making my foot heavy on the gas petal. My mind started running scenarios of what we should do when we arrived on scene. We needed to find witnesses to interview. I needed to capture officers and other emergency workers rushing to the scene with my lens. Frances needed to find the public information officer to confirm the information our assignment editor had heard over the scanner. We needed to be on the scene right now instead of twenty minutes away.
Continue reading With Great Dread...
You never know what to expect when you're a photographer working the night shift on a Saturday night in a city as large as Charlotte. I've pointed my lens at riots erupting in uptown after a New Year's Eve countdown. I've witnessed the aftermath of a shoot out between two rival gangs at a neighborhood block party. I've seen more twisted metal and broken glass piled high in city streets than your average tow truck driver. Yeah, you just never know what kind of images you will record when covering the news on a Saturday night.
Reporter Frances Kuo and I had just wrapped up an eleven o'clock live shot at a DWI checkpoint when my cell phone started ringing. Our work shift usually ends after the eleven o'clock show. But more often than not, we have to visit another crime scene or two before we can turn in the live truck keys for the night. Knowing the ringing box on my hip probably meant there was a scene somewhere waiting for us, I hesitated to unclip it from my belt.
I did not expect the words that flowed out of the electronic speaker pressed to my ear.
"We have a cop shot, up off of Milton Rd."
News photographer auto pilot kicked in when my brain registered the magnitude of the sentence I just heard. I handed the phone over to Frances so she could write down the details while I looked for the next exit off of the beltline. I could feel adrenalin seeping into my blood stream making my foot heavy on the gas petal. My mind started running scenarios of what we should do when we arrived on scene. We needed to find witnesses to interview. I needed to capture officers and other emergency workers rushing to the scene with my lens. Frances needed to find the public information officer to confirm the information our assignment editor had heard over the scanner. We needed to be on the scene right now instead of twenty minutes away.
Continue reading With Great Dread...
Monday, April 02, 2007
Navel Gazing Ahead...
So why am I telling you this? Hell, I don’t know. I merely made a pot of coffee, locked myself in my upper lair and threw myself into a trance. That’s what writing feels like to me - during the good times, anyway...that dreamlike sensation of watching my fingertips dictate my interior voice - the voice that has always been there - even back when I was unsure of everything around, about and inside of me. For the most part, those days are gone. I sit before you a working journalist with a nice house, a fantastic wife and two wonderful daughters who confound and enchant me on a daily basis. Were I struck by a bus tomorrow, I’d breath my last gasps knowing that somehow, I’d won the game of life. But it ain’t that simple. While mildly successful at what I do for a living, I - like everyone else on the planet - yearn for so much more. Not material possessions, mind you. I don’t lay awake at night coveting my neighbor’s new speedboat. Nor do I hunger for any degree of renown. I know way too many marginally famous people to ever think happiness comes with being recognized at the Food Court. No, I ache to simply write. To make love with words and perhaps leave something behind that will better explain my thoughts and actions to any descendants. I'm telling ya, life would be a whole lot simpler if all I wanted was a pair of jet-skis.
‘So, write!’ you say. For the past five years or so I’ve done just that - first with turgid short stories, then serial message-boarding and finally this very blog. It has been my salvation. Always one to marvel over simple written words, I knew from the moment I first learned to read that scribbling my thoughts made me happy. I just wish I’d gotten around to it earlier. At a young age, it occurred to me I expressed myself best on paper - but I thought everyone did. As a boy, my Uncle Jennings - a man of words himself - made a big deal over a letter I’d penned. I doubt he remembers it, but I sure as hell do. In the Navy, I earned the nicknamed ’Poet’ - after foolishly drooling over a particularly eloquent paperback passage to my porno-watching shipmates. As a rookie photog, I jumped at the chance to write my own scripts and not just to get away from vapid reporters. When I first moved to the Piedmont, I began haunting the periphery of local writer groups in hopes I’d learn the secrets of journaling. I didn’t. It took 35 years and one mother of a professional slump to force me to sit down and transcribe my more linear thoughts. I’m so very glad I did, though I foolishly assumed it would only get easier. It hasn’t. I still struggle with what in the hell I’m trying to say and lately, I delete more than I share. But don’t worry. I ain’t depressed; I’m just me. If writing truly is in my blood, it only makes sense that I occasionally have to open a vein. Sorry if I got any on ya.
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