Tuesday, November 23, 2004

The Joy of Thanks

I'm thankful there are wonderful people who prepare Thanksgiving Dinner for the less fortunate down at the homeless shelter...and that for once, I won't be there, loitering in the kitchen with a betacam on my shoulder, and drooling over discount turkey..

I'm thankful the good people of our fair city put on one hell of a holiday parade... and that some other schlub will get to discover the joy of backpedaling with one eye open while cub scouts pelt him with candy and trombone players try to blind him.

I'm thankful that the day AFTER Thanksgiving, a shooter other than I will delve into the retail hell of Black Friday, prowling the local mall for talkative store owners and sober shoppers, all while keeping an eye on the rent-a-cop eyein' him from the food court.

And I'm thankful that once the sun sets on the eve of that extended holiday weekend, I won't be the one perched on some interstate overpass, untangling extension cord and trying not to strangle the on-air goob while he plucks his eyebrows in the side view mirror.

I'm thankful for a little time off. But I know that come next week, I'll be back on the front lines, checking the center court Santa's criminal background, hovering around bell-ringers as they lay jolly guilt trips on Wal Mart patrons, and launching an unflinching televised manhunt for that perfect poinsettia.

Is that so wrong?

Monday, November 22, 2004

Brushes With Greatness(?)

When I was a kid, I thought nothing would be cooler than sharing air with a celebrity; then I met a few and quickly realized they cut farts in the car just like me. Since that epiphany, the thrill ain't quite been the same.

Remember the guy who played dumber-than-dirt deputy 'Enos' on "The Dukes of Hazzard"? He wasn't acting! Met him a dozen years and was befuddled to find him reeking of liquor at ten in the morning. I guess I'd drink too if my clame to fame was being the dumb one on THAT show.

Here's another newsflash: Geraldo Rivera is an insufferable jerk. I sat in on a promotions junket luncheon with him back during his talk show heyday, and within ten minutes he erased all find memories I had of him on the early days of 20/20. Nice suit, though.

Furniture Market is always good for a surreal episode involving folks of marginal fame. Kathy Ireland was incredibly sweet last year, going out of her way to talk to us dirty camera trolls. Serena Williams was nice also, but none too eager to appear in my viewfinder. Interior decorator Christopher Lowell was hospitable enough, but had more make-up on than my ninety year old Grandma on Easter Sunday. Not that there's anything wrong with that.

We won't even touch on politicians, as during campaign swing season, they're a dime a dozen. However, I did spend an odd ten minutes in a very small room with then Texas Guv George W. Bush, and a disturbingly skeletal Charlton Heston. It was all I could do to keep the 'Planet of the Apes' quotes to myself. As for W, he seemed to be dozing with his eyes open. Wish I could do that...

Speaking of walking cadavers, Richard Petty could double for Skeletor from the old He-Man cartoons. He's a familair figure around these Nascar-infested parts, but if he ever removed his trademark hat and shades you might very well walk right past him. I once told him how I covered my childhood bicycle seat with STP stickers, to which he said, "Boy - get away from me!"

One of my favorite celebrity encounters involved a hugely popular musician I used to make ALOT of fun of. It was the tail-end of the 'Hat Acts' era of country music and Garth Brooks sold out three straight nights at the local coliseum. At a pre-show press conference, he graciously hung out long enough to go live in our early shows. While waiting to go on, I asked him if he ever got tired of singing 'Achy Breaky Heart'. To his credit, he guffawed with gusto, and we had a large time chewing the fat for a few minutes. Then he snapped his fingers and disappeared in a cloud of dry ice. I kid you not.

My most recent famous person interlude was during my extended imprisonment at Camp American Idol in Washington, D.C. Simon Cowell was mellow enough, as long as he was allowed to smoke his menthol cigarttes. Randy (Fo Shizzle, Dawg!)Jackson was also agreeable, though I rarely understood everything he said. (Excuse me, Mr Jackson? Flava Flav is one the phone, he wants his schtick back...) Guest judge Mark McGrath (of psuedo-band Sugar Ray) was an absolute riot, humble, accommodating and always good for a one-liner.

Then there was Paula Abdul. Bitter, coiled and seemingly on the verge of a nervous breakdown, she kept all the PR yaks busy with her every whim. I'm not sure what crawled up her mini-skirt but I sure kept my distance the whole time I was there. Maybe she's feeling guilty for judging others' talent. After all, the woman put Arsenio Hall in her music video! For that, she's given a career-saving second chance?

Come to think of it, I hate famous people. They're like news anchors, with bigger entourages.

Sunday, November 21, 2004

Taking the Tower 1

“Listen up ya’ll”, the training sergeant growled at his mean as he eyeballed me and my partner.

“If you see THE MAY-DIA during the exercise - do NOT engage them! Repeat - the MAY-DIA are NOT ENGAGED!”

The SWAT Team didn’t seem too concerned. They barely even looked up as they finished pulling on those awkward yellow chemical suits. Ignoring my lens, they checked their weapons and pulled on air tanks. Through my viewfinder I recorded two of them hunched over a checklist. “Shoot local camera crew” wasn’t on their agenda.

“I think they like us”, I said to my colleague. Erik smiled vacantly as he listened to the cell phone pressed to his well-groomed head. He was trying to book airline tickets to Jersey and the reporter in him was certain he could find cheaper fare.

Just then a heavy metal click sounded overhead as the training compound’s loudspeaker hummed to life.

“YA‘LL GO TO HAY-ELL! I’M A KILL ’EM ALL - I SWAR! A hint of sarcasm bled through the heavy Southern accent . Whoever was keying the microphone up there seemed to be enjoying his new role as hostage taker.

“I’M A KILL EVER ONE OF ‘EM! COME UP HERE AND I‘M A KILL YEW TOO!!”

With that the five man Emergency Response Team formed a single file line and began shuffling toward the four story training tower at the rear of the county compound. But my eyes fell on the building beside it - a red squat structure with a no nonsense sign that read “RESTROOM”. Wow - I thought, an actual brick shithouse…

But it was no time to gawk. It was time to punch in.

...to be continued...

The Level of Discourse 3



The last (for now) in a series of TV News Terms

SHOOTER: TV news photographer. Part plumber - part poet, this battered soul is the workhorse of your average newscast. See also PHOTOG, PHOTOJOURNALIST or the always hated VIDEOGRAPHER.

SLAP SHOT: "Stupid Live And Pointless." Refers to live shots that are done for no particular reason. See also DOG LICK LIVE SHOT.

SPRAY IT: Instruction to a photographer to quickly shoot as much video as possible, often in a situation where the photographer is working without a reporter. See also RUN N GUN, HOSE IT DOWN.

STAND UP TEASE: A brief "tease" or headline from a reporter on scene, promoting an upcoming story. Often shot as afterthought and usually looking like it.

STICKS: A camera tripod. Something for the reporter to carry. Reporter...re-Porter...Porter.

TALENT: Generic term for those who appear on the air, such as reporters, anchors, and meteorologists. See also HAIRCUT, LENS MEAT, TALKING HAIR-DO, MIKE STAND, GLASS READER.

TEAM SMOTHERAGE: aka team coverage, when not one, not two but three or more reporters are assigned to do a piece on a story that hardly deserves it. (Kole)

WALK N TALK: Technique in which reporter demonstrates story in visual, if awkward way. Often used as transitional element, but mostly due to lack of video. Works well sometimes, but over-used. (Volker)

WALLPAPER VIDEO: Nondescript, generic video used with a voice-over when there are no better pictures for a story, such as convenience store exterior long after robbery. See also REAL ESTATE, ARCHITECTURAL STUDY.

WARM N FUZZY: The hopefully visual story that ends the newscast, after being promoted to near extinction for 28 minutes. Provides harmless fodder for happy anchor-chat before closing wide shot. See also KICKER. One of my many specialties.

WEATHER WOODY: When the weather turns nasty and the meteorologists have something to do. Logic often flies out the window when stations are in the grip of Mother Nature's hype and fury. see also SNOWGASM, LOGO WARS.

WAR AND PEACE: What the reporter/anchor is said to be cutting when they hog up the audio booth for extended periods of time. See also OLD TESTAMENT

YAK: Any anonymous bystander who agrees to talk on tape. Sometimes derisive...Okay, always.

Saturday, November 20, 2004

I, Photog



My wife sometimes accuses me of ‘living inside my own head’, and perhaps she’s got a point. After all, when you spend your life wrenching images from a TV news camera, it’s easy to become a tad detached. Squander enough time peering through that glass and you’re sure to get tunnel vision. After a while, it all those black and white images look the same.

There may indeed be a millions stories in the naked city, but they could all be divided into a mere dozen categories. So instead of dwelling on the slow parade of pedestrian news events, we photogs concentrate instead on the art of the grab, working filmmaker flourishes into our commando-cam format. The revolving cast of victims, villains and grandstanders is often secondary.

Personally, I often wear my camera like a shield, brandishing it for battle but mostly just hiding behind it. It’s the facet of electronic news gathering I enjoy the most - the spectrum of broadcasting that has nothing to do with overstuffed anchors, delusional producers and smarmy consultants. TV news photography practiced at street level, where the almighty deadline rules the day. In the daily hunt, little else matters.

Except lunch, of course. Lunch is VERY important.

Shout Out?

At the behest of my newfound blogging buddies, I have added a 'shoutbox' (that little gray box of text to the right) to my site. Hopefully, one of these kind souls will now inform me as to how to use it. Ain't technology grand?

Thursday, November 18, 2004

The Level of Discourse 2

More Terms from the Newsgathering Vernacular...

GRIP N GRIN: A photo opportunity with a candidate for something or other who shows up to shake hands, smile and get on tv. See also DOG N PONY.

HOUSE CATS: Producer types who never leave the building. Usually quite blustery and full of bravado - as long as the nearest air-conditioning vent is pointed directly at them.

LANDSCAPE: Exterior shot of crime scene. What you may be stuck with if you arrive late. See also REAL ESTATE.

LOOK-LIVE: a pretaped segment that intentionally mimics the look and feel of a live shot, but never displays a 'LIVE' bug.

MAN BAG: A male reporter's make-up case.

NEWSGASM: An assignment editor's term for breaking news that actually breaks in time to cover it. Hurricane, Bigfoot, Plane Crash - all spawn Newsgasms. See also SNOWGASM.

NUTS N BOLTS: On a big story with team coverage, one crew does 'nuts and bolts' (the basic facts)

ONE MAN BAND: a person who shoots, edits and reports their own news story. Once relegated to smaller market positions, this electronic multi-tasker's role is enjoying a comeback, due to smaller cameras, and laptop editing. See also BACKPACK JOURNALIST.

PACKAGE: A reporter's story told on tape with video clips of people he or she has interviewed, plus animation, graphics, stills or other visual elements.

"PUT SOME EYES ON IT": A common assignment editor directive, used when sending a photog to a questionable story in a far off region. Sure to make the average shooter's blood boil.

More to follow...

The Gathering

Huddled with a few strangers at a cafe last night and found we all spoke the same language. The Greensboro Blogaholics (or whatever they/we call it) was an invigorating scrum of personalities, from the published poets to the broadcast junkies to the politically apoplectic. Not sure where I fit into the mix, but I'm glad to have shared air with a group of people who have a thing or three to say. This site has already evolved thanks to their help and I implore everyone (all three of you) who visit this humble place to visit the many "Others" links listed on the right below.

Happy Blogging! (Did I just say that?)

Tuesday, November 16, 2004

TV Panhandling

The Man On the Street (M.O.S.) Interview is a time honored tradition in television news. But as the person who often has to ask total strangers dopey questions, I hate them. really, it's one step above pan-handling - especially when you're doing it solo. Lurking in the bushes outside of a post office and trying to figure out which passerby to ask about Bosnia - these are not things normal people do.

I once worked for a station that relied on a good chunk of Man On the Street interviews to pad out their early afternoon newscasts. It fell on us in the field to gather this fascinating material and I grew to loathe the process. As anyone who's stuck a lens in a passserby's face knows, you get ALL kinds of responses - from the thoughtful pause to the drunken shout-out. Or worse yet, the dreaded "Well, I don't wanna be on camera, but I tell ya what I think..."

Here's a hint: If you DON'T want to share it ON camera, the guy behind the lens couldn't care less about your thoughts on The War on Terror. Or Global Warming. Or Paris Hilton's Lost Dog, or whatever inane query some moron back at the shop came up with. KEEP MOVING PEOPLE!

Hmmm Mmm. I remember a particular low point in the public opinion pendulum. A law regarding abortion rights had just passed and some producer wanted a whole string of citizen reaction soundbites. With more than a little trepidation I took to the field, loitering outside a busy shopping center with wireless microphone and betacam in tow.

I don't remember the particulars - only that I nearly sparked a holy war between one uptight soccer mom and two scary hillbilly chicks. That was a conversation I didn't need to have and I soon told the desk where they could shove their questions. I know other newsgatherers who really dig this kind of thing, but it ain't me.

Now if you'll excuse me, this skinny dude in the Black Flag t-shirt looks like a talker. Wonder how he feels about the county's new waste-management program?

Monday, November 15, 2004

Things Isabel Taught Me

A Tale of Hurricanes, Friendship, & Granola Bars

The Level of Discourse 1

Like every profession, we TV News people have our own language. Always instructive and usually indelicate, the following terms describe a world of deadlines, crisis and gadgetry. The first in a series...

ANCHOR-PACK: A package that's written usually by someone (ME!) other than the anchor, but the anchor's voice is on it.

BRICK: Camera battery.

DOG LICK LIVE SHOT: A live shot performed at a place and/or time that is fundamentally irrelevant to the story. Spawned by consultants, done by rote. Named for the old joke "Why does a dog lick himself? Because he can."

ELBOW FIESTA : Colorful name for hurried, crowded group interviews. See also GANG-BANGS.

FACE TIME: The amount of time each anchor gets in a show. More calculated than you might think.

FIFTEEN MINUTES: How long assignment editors think it takes to get from one story location to another, regardless of what the map might indicate. Often used in conjunction with the term "just swing by." (Robert Carver)

FLAK: Derisive term for Public Information Officer. See also SPIN DOCTOR, HACK, SUIT, FACE, PEEPS.

FLOAT: What happens to a videotape package that doesn't get finished in time for its scheduled airing (e.g., it "floats" until the producer can slip it in later that block or into the next block). Guaranteed to make producers upset.

FUZZ N WAS: sensational stories involving cops & dead bodies. See also CRIME N GRIME.

More to follow...

Sunday, November 14, 2004

More to Come...

MUCH LOVE to the Triad blogging community for assisting me with this work in progress...

Focus on the edge of the viewfinder and you’ll find you can watch just about ANYTHING. But don't be surprised if the World's out of focus when you put that camera down.

It's called VIEWFINDER BLUES, a condition I was diagnosed with shortly after peering through the lens for the first time. That's been many years ago and while there is no known cure, I've found it does help to talk about it.

So join me here, as I make endless jaunts into the Great Unknown - all for a few more fleeting moments of pixelated gossip.

It's a living.

I 40 U-Boats

"The Interstate's UNDERWATER!" a voice spat through the phone.

'YEAH it is,' I thought. But fifteen minutes later I was perched on a overpass exit ramp, looking down on a patch of interstate that resembled a concrete waterpark ride. As I cursed the rain and flipped the gain, I saw four rows of parked headlights idling at the water's distant edge. Those motorists no doubt wanted nothing more than to continue their journey West. But as the sparkle of emergency flares lit up the water's surface, the cars stayed put, while the highway behind them turned into a four-lane five-mile parking lot.

Eventually of course, one brave traveler gave it a go. A high sitting narrow pair of headlights entered the watery breach, slowly at first and then faster as the driver's confidence increased. As it passed through my raindrop-spotted viewfinder, I saw it was a Toyota Forerunner plowing past. The SUV kicked up quite a wake as it slowly made it's way through the temporary river. Panning my camera back to the row of headlights, I watched another vehicle inch forward into the drink.

But these headlights were farther apart and sat a good deal lower than the Forerunner. I pulled them into focus and once again wished a spotlight-wielding helicopter would hover overhead and light this mother up. No luck though, I was reduced to reading silhouette edges on the one-inch screen, seeking details through the noisy static of artificial camera light. Luckily, I was dead center over the watery breach and the second pair of headlights slowly filled my screen.

But as the twin beams of light came closer, they took on a weird muted appearance. I realized they were completely submerged. As the vehicle's top-half passed in front of my perch I got a better look at it. An Acura maybe, or a Lexus - one of those low-slung roadsters that look so good on the showroom floor but so lousy underwater.

Low-slung or not, the car inched forward until the dirty floodwater splashed around the bottom edges of the windshield. That's when the engine seemed to sputter and die, and a diminutive figure started crawling out of the driver's side window.

"I'm on the highway! There's water EVERY-WHERE!"

It took me a moment to realize the voice was coming from the shadowy figure emerging from the car. Abandoning my viewfinder, I squinted into the rainy darkness and saw the driver was a small woman, a soccer mom with purse held high and a cell-phone cradled in her ear and shoulder.

"The highway! It's CRA-ZEE!"

The woman continued shouting her litany of exasperation as she crawled off the hood and down into the waist-high water.

"I'm gonna be LATE! Call Max and tell 'em...."

Pushing forward, the woman stomped through the water, leaving her car behind and continuing to shout into her phone, totally oblivious to my camera's gaze just feet above her. She never even looked up when a firemen yelled for her to climb up the embankement. She simply proceeded to slow-motion walk through the water, deeper into swirling impasse and eventually disappearing into the stormy night.

I was on scene for hours after, and never saw the woman again. Her car continued to sit and the water soon covered it completely. After awhile, it began to float and scraped against the divider wall before coming to a undignified rest. I perched just above it from the safety of the exit ramp and recorded funky close-ups of the car's side hazard lights flashing underneath the dirty water's surface.

As for the woman, I'd like to think she walked all the way to her destination - late, soaking wet, and with one hell of a story for Max. Whatever the case, her one-woman flash-flood stampede made for yet another surreal episode, one of those weird photog moments that will bounce around my skull until something even more absurd takes it place.

In my business, that shouldn't take too long.

Saturday, November 13, 2004

Temple of the Tripod



Lens Aloft!

A Camera On Your Shoulder Gets You Into Many A Cockpit...

Getting to fly aboard various aircraft is one of the many things I love about my job. I've shot video from the co-pilot's seat of a many a Cessna, always fearing I'd send us plummeting to the Earth by nudging the wrong cockpit control with my betacam. So far it hasn't happened, but the thought of it always weirds me out.

Early in my career, a small group from my station went tandem sky-diving. Our chief photog shot it from the ground and jump-shooters flew along side us as we free-fell to terra firma. The memory of that experience is a personal treasure, as is the 30 minute private documentary I later produced on it.

Once I rode along with Cherry Point marines aboard a CH-53 Super Stallion helicopter. We flew at tree top level along the sand dunes and scrub brush of the Crystal Coast. Then we rendezvoused with some kind of tanker aircraft for a mid-air refueling. Hovering under a giant airplane in flight as we took on fuel is an experience I'd never have had if I managed a shoe store.

Then there was the time we did morning live shots from a hot air balloon. The reporter was in one balloon with a wireless mic and a cell phone - a producer and myself flew in another balloon with a camera and a two-gig transmitter. We bunny-hopped each other over the rolling Piedmont hills as the sun rose on a gorgeous fall morning. We eventually landed in a remote field where all the virgin passengers were treated to the champagne-filled first flight ceremony. Bank tellers don't get paid to do that.

But my favorite flying experience was aboard the Goodyear Blimp. The local Goodyear Plant was celebrating an anniversary and their bigwigs had managed to pull off a visit from the famous dirigible. Only a few select employees and top managers were allowed to go up in the blimp, but I was welcomed to tag along thanks to the battered camera on my shoulder.

Blimps ascend at a steeper angle than you might guess and as my fellow passengers giggled nervously I was reminded of the closing scene in 'Willie Wonka'. Once we reached our desired altitude the pilot 'parked' the flying bladder and passed out Goodyeqr trading cards. He had the steady patter of a stand-up comedian and it occured to me that blimp pilot was one of the few jobs cooler than mine.

Access to exotic aircraft is one of the many perks of our jobs as professional insiders. I for one relish my role as a video interloper - it's afforded me a wealth of extreme experiences, from the tragic to the terrific to the trite. It will never make me rich but I'm always a hit at cocktail parties. It sure beats my old job at the windshield wiper factory.

Friday, November 12, 2004

Snowblind On the Overpass

The Feeling of Accomplishment Outlasted the Frostbite…

Here in the South, we're still a couple of months away from snow. Not that it will take much precipitation to spark the Annual Media Sno-gasm. Yankees may scoff at our excitement - but here where the local viewers begin stockpiling food and weapons before the first flake ever hits the ground...well, three to five inches of snow and ice is a BIG DEAL.

Big enough to shake me out of my soft-news coma, anyway. In times like these (snow, frogs, locusts) , frantic desk jockeys with too much caffeine on board drag me out of my cozy edit bay and out into the Great Frozen Unknown. Be it chasing salt trucks, shooting future E.R. patients at the sled gatherings, or whipping the bread and milk crowd into a freeze-dried frenzy - it’s always a blast when snow clouds take a dump on the Land of Dixie.

I remember the last snow storm. When the alarm clock started screaming at 3:15 a.m. (same time as the Amityville Horror murders), I jumped from my bed, wrapped my self in logo wear and jumped in my pick-up. Say what you want about southerners not being able to drive in the snow, but I for one am getting plenty of practice. By the time I fish-tailed into work I was pretty damn confident of my maneuvering skills, even if stopping on target still eluded me.

Still, I managed to safely bring my five-speed tractor to a reasonable halt and within minutes I was behind the wheel of one rolling billboard with retractable mast. As the wacky morning traffic guy riding shotgun fished out his first discount cigarette of the day, I cranked the crappy radio and pretended I could actually see out of my thoroughly opaque windshield - all the while humming along and wondering, who Did let the dogs out?

I never found out. For soon, we had reached our destination - there, up ahead. That snow-covered grassy knoll by the interstate overpass - that looks like a perfect place for some live morning television! Within minutes my chain-smoking partner and I were busy dragging out all manners of outdated TV equipment - all in the name of keeping our neighbors safe. Sure, the generator fumes were making me hallucinate and I soon couldn’t feel my toes, but this is public safety we’re talking about here! Somewhere an old lady in a bad housecoat was dying to hear the words “wintry white stuff’ emanating from her kitchen TV set. Moms and Dads who had no intention of leaving their homes yearned to see frost-bitten correspondents shiver on cue and kick at the ice with their designer boots. Senior citizens were relying on us to keep them updated on every single salt truck in town - even the one half-dismantled out behind the County garage. Yes, all over the Greater Piedmont Triad Googolplex, the good citizens were counting on us. Across the region they leaned into their set s and hung on every word - hoping against all hopes that somewhere out there, some crazy kid of a reporter would be clever enough to pack along an oversized thermometer, and repeatedly refer to it throughout the morning.

And we didn’t disappoint. In fact, we gave our loyal viewers the best four hours of our life. Feigned snowball fights, mock excitement at passing snow-scrapers, even a few heartfelt words of caution for the army of ice-sled daredevils currently bundling up. As the wind picked up and I lost most of the feeling in my fingers, my nicotine-addicted reporter dug deep, offering up every snowbound cliché he knew, which as it turns out - was quite a few. Before either of us was ready to regain sensation in our lower extremities, the show was over and we were left with nothing to do but seek the proper shelter our southern bloodlines demanded. But the feeling of accomplishment lasted far longer than my third degree frostbite…

Yes, when the ivory expanse under the live truck was scorched an angry black from the exhaust pipe, when the last of my partner’s low-dollar smokes were crushed under his boot, when the mysterious spot of yellow snow by the wood-line had reached it’s full growth, we packed up our ice-covered toys and made a beeline for the nearest greasy spoon- knowing deep down inside that on this cold, snowy morning, we sir, were living our dreams.

At least that's the kind of crap my news manager was selling when he signed me up for day two.

The Adventures of Lenslinger

"I've carried more beauty queens than a dozen parade floats..."

Wednesday, November 10, 2004

The Joy of Scanner Junkies

The Frog Saved my Bacon a Number of Times...

Many moons ago, when I took over a news bureau from a departing one-man-band, I also inherited his scanner hounds. Most were old coots I was familiar with, having turned alot of cop-shop fodder for the competing station.

But there was one caller whom I came to think of as 'The Frog'. He'd call pretty often, never introducing himself, just issuing a declarative statement in his distinctive gravely voice.

"Log truck just t-boned a semi on Hiway 11." -CLICK-

"The old cotton plants goin' up in flames. -CLICK-

"Deputies got a busload of hippies pulled over by the college." -CLICK-

"Bigfoot just ran out of the woods and gave the Mayor the middle finger." -CLICK-

He'd never say more than a sentence or two at most before hanging up. And he never, EVER steered me wrong. (Minus the Bigfoot call, I made that up.)

To make it all even stranger, 'The Frog' used some kind of whacked-out speaker phone that made it sound like he was calling from the bottom of a deep, metallic hole. I got to where I could recognize the particular aural qualities of his set-up before he even croaked out another mysteriously accurate missive.

In the two years I pulled that bureau gig, I never never met 'The Frog', but I quickly learned to trust his disembodied directives. Though I had many other scanner-hound buddies, I never mentioned 'The Frog' to them - afraid I'd somehow scare off my spot-news Yoda.

Before selling my soul to the devil and entering the Evil World of Promotions, I almost figured out who 'The Frog' was. I'd see him on two out of four breaking news scenses: A leathery old African-American gentleman in a wrinkled ballcap and an oversized portable scanner in his hand. As far as I could tell, he wasn't part of any of the responding fire departments or emergency crews, just some old cat who added to the background of a thousand fires, head-on collisions and fender-benders.

Loking back I can't explain why I never approached the old fellow. I never even heard him speak. But his look fitted the voice on the phone, and I came to assume he was indeed 'The Frog'. A time or two, I locked eyes with the guy and he nodded in silent acknowledgement. Or maybe I was just hallucinating, a not-so-outlandish possibilty given my extracurricular activities back then.

Whatever the case, I got great love for the man. It was a spot news market and I was competing with a whole station of ambulance chasers just down the street. 'The Frog' saved my bacon a number of times. In fact, I have no doubt he's doing the same for whatever young news punk is making his bones back there today. At least, I hope he is.

Monday, November 08, 2004

Granny Crack Pipe and Cousin Spit

Her Nephew Seemed to be Missing a Few Fairly Important Chromosomes...

YOU might get excited when the TV cameras show up, but trust me - not everyone's so gracious. I know one photog who's come face-to-barrell with the business end of a angry homeowner's shotgun. Nothing that dramatic here thankfully, but one memorable reaction DOES comes to mind...

I was in an outlying county doing the obligatory drug round-up report when the deputies led the scariest hillbilly family I've ever seen right by me. Freakiest of all was the family matriarch - a beady-eyed little grandmother in a faded yellow housecoat who was facing crack-trafficking charges, of all things. While the rest of her kin turned their faces from the cameras, she glared defiantly into my lens as she filed past in shackles.

Hoping she hadn't already vexed me with some kind of backwoods outhouse voodoo, I positioned myself to get a beter shot of her clan on the inevitable return trip acros the police department parking lot. When Granny Crack-Pipe saw me lying in wait, she nudged her oversized nephew, a lumbering giant who seemed to be missing a few fairly important chromosomes.

Still, he had enough of his D.N.A. strand intact to dig deep and come up with the biggest, nastiest redneck loogie ever captured on videotape. When he passed back by me he let it fly - the lethal concoction of snot, Mountain Dew and tobacco juice warbling in slow-motion right for me.

Lucky for me, the inbred saliva projectile fell just short of full contact splashdown and only a little spittle struck the center of my lens. Instinctively, I racked focus to highlight the hillbilly spit running down my camera's eye.

It made for a great piece of tease video and my esteemed colleagues played it back in the edit suite about a million times before eventually losing interest. But not before a half dozen photogs offered their finest analysis of the snot-rocket's aural qualities, phlegm-consistency and intended flight path.

Come to think of it, we broke down that seven seconds of tape like it was the Zapruder Film. "Back, and to the left...back, and to the left..."

Sunday, November 07, 2004

Suggested Reading

Memoir and Intrigue...

Ever since I could add letters together to form words, I've been plowing through books. As a result I have a home bursting with tomes of every description. If I live long enough, I plan to be a dottering old man, wandering from bookshelf to bookshelf in a ratty robe and slippers. Hopefully my children (book lovers themselves) will make sure I'm fed and cared for.

I used to consume innumerable novels, and Stephen King was an early hero. But the older I've gotten, the less I've wanted to read anything that wasn't true. Maybe it's the newsman in me, maybe I'm subconciously trying to make up for my glaring lack of edumacation. Maybe it doesn't matter.

Whatever the case, I've devoured a strict diet of NON-fiction for about ten years now. I'm a sucker for all those repackaged tales of the past that swell your local bookstore's history section. And being an ex-sailor I have a special place in my heart for tales of the sea. Which brings me to my first selection:

IN THE HEART OF THE SEA by Nathaniel Philbrick
Everyone's heard of Moby Dick (a few of us have actually read it) but that famous work of fiction was based on true events. In 1820 a rogue sperm whale attacked a Nantucket whaler, setting off circumstances that would end in death, treachery and cannabilism.

NEWJACK by Ted Conover
Conover wanted to shadow a recruit at the New York State Corrections Academy but was refused by the state. So he took a job as a rookie prison guard at Sing Sing. What he found inside those esteemed prison walls is enough to make you drop all plans for that tri-state crime spree. I know I did.

INTO AFRICA by Martin Dugard
"Doctor Livingstone, I presume"...if those words sound familiar but you don't know why, then you need to read this book. In the mid 1860's the age of exploration turned it's eye toward the heart of Africa. After a famous expedition goes awry, a journalist steps in, saves the day and exploits everyone around him. Sound familiar?

THE LAST DIVE by Bernie Chowdbury
Not since JAWS has a book made me so re-think the sea. This harrowing tale of a father and son pushing the limits of deep sea diving is enough to make you strap on floaties the next time you hit the pool. A freaky peek at a whole different world.

THE CIRCUS FIRE by Stewart O'Nan
This one is grisly. In 1944, while the men were away at war, a circus tent filled with women and children caught fire and went up in mere minutes. The unfolding tragedy can be hard to stomach at times, but it includes an excellent look at journalists responding to spot news in 1944.

BLUE BLOOD by Edward Conlon
New York City cop Conlon redefines the cop memoir genre. A Harvard grad who follows families ties back to the thin blue line that is daily law enforcement. Once on the beat, Conlon takes note, and delivers a beast of a book in the process, detailing the insanity and righteousness of being a cop.

KITCHEN CONFIDENTIAL by Anthony Bourdain
A Journeyman Gourmet Chef takes you through the incredibly seedy world of Big City Five Star Restaurants. Though I didn't understand much of the french food being discussed in these pages, this hilarous and frightening account of a Big City's chef's misadventures convinced me I could do the same with the role of the local TV News Photographer. Wish me luck!

VIEWFINDER BLUES by Stewart Pittman
A veteran local TV news photographer puts the lens aside for a moment and scribbles madly in his worn notebook. The resulting manifesto skewers the righteous and the absurd in this all-out indictment of an increasingly silly business. Currently Under Construction...

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Punching the Subconscious Clock

Light Static and Heavy Southern Accents Filled the Air...

It's a dream I've had a couple of times - a particularly frustrating episode that’s more distorted memory than random delusion...

The first sensation is overwhelming heat - sweat pouring down my brow as I realize I'm running down a railroad track. Ahead is a dusky tree line with angry black smoke pouring forth. Blue and red lights dance seductively on the horizon and I am literally hauling ass to get there.

Trouble is I'm packing old-time heat - the kind of three-quarter-inch-tape television gear that documented the early 70's. An old orange and oversized Ikegami camera bounces off one shoulder with every jarring step -- a heavy strap cuts into my other shoulder as the low-slung VCR-in-a-bag threatens to take out my knees - an overly long cable connecting the two devices dances between my feet.

As I struggle to stay upright I sense I'm not alone, and looking around me I see a swarm of fellow news crews from my past catching up. Digging in, I almost lose balance, loping along on uneven railroad ties are not quite finding my rhythm. The sun beats down on my future bald spot, as a corded lapel microphone bounces out of a pocket and trails behind me.

Up ahead, the tree line horizon doesn't seem any closer despite the fact my chest is about to explode from running so hard. Emergency strobe lights pierce the smoke up ahead, flashing angry silhouettes. Radio chatter and southern-fried voices fill the air but I can't make out what they're shouting about.

There's no time to wonder though, since the loosey-goosey recording equipment jostling all around me is about to bounce away. Worse yet, the other news crews are catching up with me - the sounds of their footfalls outpacing mine.

One of them brushes by and is soon followed by a crowd of photogs, each one with smaller, lighter, newer gear. As they blow by me, I hear a few snort about my outdated equipment. Soon the last of them is ahead of me and pullin away, the sound of an out-of-market news chopper echoing my defeat.

Still, I run like a madman, hauling at least 100 pounds of the very finest in 1970's newsgathering technology with me. As the hazy figures of my competitors fade into the distance I curse my bosses and reach deep down inside for one last resolve of strength.

And it works! I pick up speed, begin catching up with the others, closing in on the scene. I see the other crews gather together for the first interview. But there's still time! I kick in all I have, my heels and knees threatening to shatter with every loping misstep along the jagged railroad ties. Just as I'm sure I'm finally going to make it...the microphone cable trailing behind me snags on an upturned nail and SNAP! - yanks me backwards off my feet.

That's when I awaken with a jolt, and wonder why in the heck I'm wasting valuable dream energy on something as mundane as work.

Friday, November 05, 2004

Chasing Strangers

The Jug-Eared Driver Zigged When I Was Sure He'd Zag...

I was pursuing a freshly-convicted NASCAR rookie down a darkened Courthouse stairwell the other day and it just wasn't going well. For starters, the jug-eared driver zigged when I thought sure he'd zag - ducking into a side stairwell exit the moment he left the courtroom. Of course I dashed after him, but only to give him a chance to talk about his brand new DUI - and maybe give him one of our nifty station fridge magnets.

But it seems the freshly-scrubbed race car driver didn't want to talk shop (or anything else) and he fled down the stairs with great haste. Before I could get to the doorway, his posse of litigators and hangers-on drafted in behind him and blocked my path. As we jostled in unison down the winding stairs, the driver's entourage spread out into an impenetrable flank. The young racer pulled away and the only thing I caught on tape was a jarring series of well-tailored elbows.

Quickly we descended, four steps and to the left, four steps and to the left. Which each step my frustration mounted. By the time we'd made it past the second floor landing, I'd given up on any interior shots and was trying to recall the layout of the parking lot I would soon be bounding across. Below me, the race car driver within inches of the outside exit...

That's when I heard the sweet sound of a heavy metal door NOT giving way, followed by muffled cursing of a southern variety. Trouble in Turn Two, I thought as I rounded the final four stairs.

On the ground floor, the lanky NASCAR driver in his Sunday best stood rather meekly, surrounded by his lawyers, trophy girl, and gas man. They all looked up at me sourly as I paused on the landing. Slowly reaching up and turning on my camera‘s top light, I could barely suppress a smug grin. I rolled tape, slow-motion back-pedaled up the stairwell and bathed the reluctant racer and his crew in bright spotlight. Two flights up, I let them brush past. After all, rubbin's racin'...

Wednesday, November 03, 2004

Becoming Me

His Main Concern Was That His Cheek-Bone Implants Be In Focus...

I began my TV career cranking out commercials for fat lady dress shops and used car lots, until fate placed me on scene at a hostage situation with a betacam and a bad hangover. After that, I was hooked on Electronic News Gathering and soon found myself accompanying reporters to events both scintillating and dull. That went on for awhile and I learned alot. It was the dawning of the age of 'COPS' and I followed more drawn pistols into more drug-infested hovels than I could keep track of. But the most hazardous duty I ever pulled was babysitting a certain reporter we'll call 'Blayne'.

Blayne was a pretty boy wannabe from the monied enclaves of the Old South. Never one to be bothered with natural sound and sequenced video, he was only concerned with making sure I got his cheek-bone impants in focus. Here I was learning to be a spot-news lenslinger and day after day all this gentrified pansy cared about was where his overstuffed make-up case was.

So, in an effort to rid myself of this life-sized Ken doll, I made a deal with the devil and became a one-man-band. I bought a few suitcoats, a few ties and trimmed my mullet into something more suitable for broadcast. More importantly, I learned to shoot in the can, frame my own stand-ups and write under deadline. Everything I put on air wasn't perfect but I learned lessons during my time as a solo artist that pay off to this very day.

But after jumping ship to a rival station and becoming a 'one-man-band bureau chief' (ugh!), I started getting a little crispy. Though my newsgathering skills were honed to a razor sharp edge, I still cringed whenever I saw myself on-air. Truth be told, my on-camera schtick was the weakest part of my skill set, and while my bosses never complained, they didn't exactly shower me with the cushiest of gigs. Instead, they relied on me to fill their newscasts with enough crime and grime to choke a vice cop. So when an unlikely chance to take over my station's promotions department came up, I jumped on it - even though I knew I'd soon regret it.

Boy, did I. Two years of cranking out schlock for the world's most unsavory GM left me thinking about climbing the tower out back and picking off co-workers with my paint-ball gun. Instead, I thought long and hard about what it was I wanted to do in TV. I wasn't dying to get back on air, having never felt entirely comfortable with it in the first place. No, what I wanted to do was take pictures, capture sound, and mold it all into a cohesive story by each day's end. So I slapped together an escape tape, scored a photog gig in a larger market and told the GM where to stuff his promos.

Career-wise, it was the best thing I ever did. Free of small-market limitations and with the help of some truly kick-ass shooters, I took my skills to a whole new level. Whatsmore, I used what I'd learned as a one-man-band to perfect my own brand of the anchor package. Now, whenever staffing shortages don't tie me to a reporter, I operate solo - shooting writing and editing packages that our anchors voice. For me, it's great: I get to put the stories together the way I want to, never having to worry about reporter two-shots, unwatched shoot tapes, or being written into a hole.

Yes, my time in front of the lens and behind the pen has made me a better photojournalist. I even dabble in some on-air voodoo once in awhile in the form of the occasional morning live shot substitute gig. Why do I punish myself (and the viewers at large) with visions of my ugly mug over their morning coffee? Ego, perhaps. But more importantly, to slay that dragon I once only wounded - and to show that dry-cleaned blowhard Blayne that even an under-groomed, under-educated photog can make good TV.

Loitering With The Enemy

A Little Company at the Crime Tape Can Be a Good Thing...


Long ago a friend outside the business asked me how I reacted when a competing news crew pulled up on whatever 'news scene' I was covering.

When I told him that nine times out of ten I was grateful for the company, he seemed disappointed. He'd seen too many made-for-TV movies, I'm guessing - the kind where competing news crews treat each other like comic book super villains. I explained to him that when you're the poor schmuck picked to baby-sit the courthouse / train wreck / body search all day, a little company can be a good thing.

In fact, I've had some of the most bizarre and enjoyable field encounters with employees of rival TV stations... be it poker games in the drowning-scene sat truck, practical jokes at the tornado-strewn trailer park or hushed information swaps at the triple-homicide crime tape. Hey, I'm all for eating the other guy's lunch - but in the field, collusion with the enemy is sometimes useful.

That is of course, barring any and all personality disputes. Our business is rife with pompous fools and over-groomed blowhards, and it doesn't take very long for members of the local media to recognize who the righteous jerks are. Some bone-head pulling up late to a gang-bang interview brandishing a microphone flag and an attitude are a natural occurrence in the news gathering wildlife. Natural selection is a wonderful thing.

However, most news people I come into contact with are clever, astute and interesting. We are, as a breed, wary observers of life with a low threshold for bullshit and a penchant for cynicism. I like that. And unless the person at the tripod beside me is a total worm, I'm prone to converse. I've made far more friends than enemies doing so, and I've learned lots in the process.

Is that so wrong?

Monday, November 01, 2004

Dreading the Election

By the Time the Candidate Emerges from Seclusion, I'll No Longer Care...

Ahhh, Election Day! There's no other twelve hour shift I'd rather spend making widgets than the day we put Democracy to the test. No matter where my news camera and I end up, it's usually an exercise in slow-motion.

There's the early morning polling place live shots where the only thing more annoying than the anchor banter in my earpiece are the steely-eyed Election Grannies clocking my every move - fearing I'll knock over one of the booths with my tripod and spill the popular vote all over the gymnasium floor.

A little later there's all the free-for-all stalk-fest of the local Congressman/Dog Catcher candidate casting his vote, when suddenly the guy in all those scathing campaign spots DOESN'T want to talk on camera. Instead, he just wants to look Presidential as he emerges from behind the voting curtain, hoping no cameras caught him fumbling with the 'Vote For Me' thingy seconds earlier.

Don't forget the noon live shot, a totally useless broadcast moment staged outside of the polling place in which well-coiffed reporters judge local turn-out by the number of people they spotted in their three minutes of being on-scene. Minus the ninety seconds they spent checking their look in the camera's lens reflection. Take that, Zogby!

It's much the same scene for the five and six o clock newscast, except by now the production staff back at the station is in full campaign swing, gorging on free pizza while the field crews spread Chap-Stick on a cracker and call it Dinner. Expect the cheesy anchor chick to add to the overall indigestion by recanting a cute story from her own polling place during cross-talk. Hey, it's not an election until the Anchor Queen votes!

Things really start popping when the polls begin closing around 7 pm, and all the live trucks break camp from the local gyms and churches to head straight for the posh ballrooms, where glassy-eyed constituents wear funny hats and huddle around TV screens. If you're lucky they want even notice you scarfing a few rubber chicken plates from the back tables.

Before the internet there was more to shoot at these overdressed gatherings, but the days of dry-erase boards and frantic bag-phone calls are long gone. Now there's little more to accomplish than check out the opposite sex and of course, go alive every fifteen minutes with continuing team smotherage of "Slogan Wars '04".

This being a Presidential Election, most of the focus will be on the ubiquitous wide-screen TV at campaign headquarters. At least try and switch the channel to that of your employer. The suits back at the shop will appreciate it and you may just start a turf war among the reporter-types. That's always good for a few laughs.

If you're unlucky enough to be camped out with a local candidate (as most of my breed will be), you don't even have to check the tally to see how your guy is doing. If all is well the assembled movers and shakers will meet you with warmth and revelry, but if your candidate's falling behind, expect accusatory stares and the occasional rude hand gesture. Before you know it, those who welcomed you in earlier with a hardy backslap will be eyeing you with icy disdain - as you document their last great hope's utter downfall. Not the time to get caught swiping a chicken plate.

Win or lose, it'll be a long evening. By the time the local candidate emerges from seclusion to accept his mandate or merely thank all his supporters, I'll no longer care - knowing only a half dozen more live shots and three morning show re-cuts stand between me and bedtime.

Did I mention I hate Election Day?

Sunday, October 31, 2004

The Legend of 'LIVE 3'

The Lumbering Beast Drove Like a Runaway Stagecoach...

Until a couple of years ago, my station had an old school live truck - a mid-80's Chevrolet Suburban forever designated as "LIVE 3."

LIVE 3 was a beast, one with more than a few battle scars. In some ways it was a rolling history lesson. A quick glance over the bleached-out white paint job revealed at least four generations of faded logos. To open the side doors and peek inside was to look back in time: an outdated tape deck that whizzed and hummed like a printing press, dials and levers from the golden age of radio, ancient cell phones the size of lava lamps.

But to really experience LIVE 3, one had to crawl behind the wheel and crank its sputtering, wheezed-out engine. After a few puffs of black smoke, you were ready to roll, but it could be an awful lonesome ride - for Live 3 offered few amenities. No A/C, no speedometer, no fuel gauge, no power steering...the radio was so ancient it only picked up static and oldies stations.

But that wasn't the worst of it, the great lumbering beast handled like an runaway stagecoach. In fact, one didn't drive Live 3, one held on for dear life and hoped for the best. It had two speeds - stopped and fully floored, touching it's accelerator was like tipping over a brick. The steering wheel shook so violently, photogs couldn't shoot handheld for days after driving it. I'm telling you, it was bad.

Despite it's legendary status among the shooter set as a rolling deathtrap, the suits insisted it remain in service. Once they vowed only to use it in cases of emergencies, or spot news. But soon after, flower-shows and bloodmobiles were considered reason enough to kick-start the sleeping giant. And when we did, it usually kicked back. I'll never forget the time I was breaking down after a crime-tape live shot. When I killed the engine it issued two sharp backfires, sending officers and citizen scrambling for drive-by cover. Making the SWAT team piss themselves is no way to win friends on the force.

As for LIVE 3, it took an army of photogs to kill it. Though it lurched along on it's last legs for far too long, it eventually expired of natural causes: Death by E.N.G. (Electronic News Gathering). Mercifully, a shiny new WolfCoach model rolled in soon after, and the bosses held off on a much discussed engine overhaul exorcism of LIVE 3. A naive production grunt actually bought the damn thing from the station, incurring the ridicule of anyone ever held hostage behind its wheel. Not surprisingly, the grunt's big plans for LIVE 3 didn't pan out and he quickly unloaded it on a local grease-monkey. Occasionally I'll catch sight of it in the overgrown lot, and wonder of the stories it could tell.

Just don't make me drive the bloody thing.

Another Day at the Office


On the Job
Originally uploaded by Lenslinger.
Morning Drive to the Mountains = 2 hours

Drive-thru Lunch = $5.97

Digging Your Job = Priceless

Saturday, October 30, 2004

Bones of Calamity

Deskbound Producers Hurling Me Into The Void...

If one wants to romanticize it, the role of TV news photog can be considered fraught with peril. After all, we race to the edge of tragedy at every chance - brandishing betacams and bellicosity. We prod the vanquished with provocative questions, swarm handcuffed strangers like hungry jackals, and rip apart the still-warm bones of calamity.

Once we've secured out electronic bounty, we hold up inside our great lumbering beasts, raise their awkward masts and pray they don't bristle with electricity. If we survive, we find the highest perch, hoist our mic flags and shout at the tops of our lungs, a braying screech filled with hype, laced with pablum and peppered with natural sound.

The bravest amongst us pull off these daring feats in hostile territory - documenting the unfolding history of the world for cash and bragging rights. You'll know them by their swagger, and all the free drinks they enjoy.

Trouble is - I'm not much of a romantic. Instead, I 'm a grizzled realist - one who used to knock down old ladies to be the first on scene, but now travels at a more leisurely pace. The older I get the safer I feel. What scares me most are desk-bound producer-types who think nothing of hurling me into the void.

Provide the improbable enough times, and they'll begin to expect broadcast miracles on a daily basis. The haste to satiate their E.N.G. hunger is a dangerous force, and one that can end your pulse in the most unglamorous of locales.

Frankly, I worry more about being t-boned by a semi, than about being fried on the insides by bolts from above, or felled by a conical projectile. When I worry at all.

Friday, October 29, 2004

Backstage Pass

News Photography Is A Backstage Pass To Life...

The camera on my shoulder act as a passport to every side of life imaginable, from the triple homicide deep in the hood to the posh enclaves of the super rich. Only fifteen years in and I've witnessed, recorded and broadcast more tragedy and triumph than most people experience in a lifetime.

True, you'll make more money selling shoes, or cars, or insurance but those pasty schlubs don't hold a candle to my breed at cocktail parties. After all, we know what a meth lab smells like, what a hurricane feels like, and how to act when the President blows through town. I know what it's like inside the referee's locker room at the coliseum, at the homeless shelter on Thanksgiving morning, and at the scene of the plane crash.

These experiences don't exactly line my pockets with silver, but they've already enriched me with a real-world education available nowhere else. Along the way I've hoisted a mug with many a fellow camera pirate, chain-smoked over the crime-tape with burly vice cops, and willingly hob-knobbed with martini-swilling celebrities.

Is every day a mind-bending exercise in insider shenanigans? Hell No. Some days suck profusely. But I'll take my chances out in the field, where I can jump in my news car and get up close and personal to whatever obsession is currently ruling the airwaves.

You might find more rewarding work elsewhere, but it's not for me. You can have your endless cubicle farms, where everyone's idea of adventure is raiding the snack machine every morning, where self-expression is confined to what Dilbert cartoons you attach to your computer, where the height of rebellion is wearing a golf shirt on Fridays instead of the normal tie.

I'll be down at the courthouse, the airport, the convention center, the drive-by, the clubhouse, the ghetto, the beauty contest, the hostage stand-off, deciding what little of it you'll experience on tonight's evening newscast.

And oh yeah, if a flying saucer lands on town square and three-headed aliens pour out, if Bigfoot himself stumbles out of the woods and demands an interview, if Osama Bin Laden pops out of a spider hole at the local Kwickie Mart, I'm assured a front-row seat. Try getting past the barricade with YOUR company's I.D. badge.

Thursday, October 28, 2004

Market Madness

C-List Celebs Turn Out To Glad-hand The Furnituratti...

Fifty weeks a year, my adopted hometown of High Point, N.C. is pretty quiet. An unremarkable community of 90 thousand, High Point is wedged in between Greensboro and Winston-Salem. It's known as the Furniture Capitol of the World and with 125 furniture plants and more than 60 retail outlets, it's easy to understand why. But drive through this sleepy hamlet's business district and it feels like a ghost town. Shuttered store fronts stare back in silence, their plush showrooms empty, their ornate neon logos forever dimmed. It's enough to make one think of backlot movie sets and weird tales of post-apocalyptic empty cities.

That is, until the two very unusual weeks in April and October Officially known as 'The International Home Furnishings Market', we locals call it simply 'Market', and we usually do so through gritted teeth. You would too, if 70 thousand furniture industry sleazeballs invaded YOUR town. Buyers, sellers, manufacturers, exhibitors, and assorted hangers-on. For two weeks a year they all pour into High Point's downtown to wheel, deal and get their schmooze on. As a result, the sleepy streets of my little working-class 'burg transform overnight into a scene straight out of Midtown Manhattan. Sidewalks and avenues that usually bask in quiet sunshine fill up with enough cheesy sales-types, registered hotties and European weirdos to make a passing truckload of Klan members rip out their transmission trying to stop and be offended. Not that that's a bad thing.

As one who's forced to navigate this madness at street level, I have a love-hate relationship with 'Market'. Like any good photog, I like to people-watch and with an army of thin-socked retail weasels marching up and down every square inch, it doesn't take long to fill up your tape with big-city hustle and bustle. But therein lies the rub. With all the odd out-of-towners making the local police force nervous, your average news crew is quickly forgotten. Parking spaces evaporate, vital corridors shut down and the local authorities forget our call letters.

In short, it's a logistical nightmare, a fact instantly grasped by every shooter that's waded into the fray, but utterly unfathomable to the deskies who dispatch us to every dog and pony show featuring a C-list celebrity hawking a new line of ottomans. Kathy Ireland, Serena Williams, Jack Palance, even Uber-Bitch Martha Stewart comes to High Pockets to glad-hand the furnitur-atti. And like Pavlov's dog, our news managers jump at every press release touting the latest has-been with a furniture line.

So, why am I telling you all this? I dunno, beats paying a therapist to listen to my tripe.

Fluff Man Confesseth

...If It Didn't Involve Handcuffs, It Wasn't A News Story...

Life as a TV news photographer is wearing thin. The average day on an average story with an average reporter leaves me feeling, well...average. Sure, there are small victories: lighting, nat sound, tight editing, but truthfully, it's not enough to keep me from daydreaming about a writing career.

Like alot of young male news-shooting rookies, I used to live and die by spot news. Luckily for me, I made my bones in a market that chased every car wreck, woods fire and domestic stabbing that came over the scanner. Not knowing any better, I thought if it didn't involve handcuffs or flashing lights, it wasn't a news story.

But it was the days of 'COPS', and the relationship between media and police was alot murkier than it seems to be now. Maybe it was just the good ole boy small market I toiled in, but I got in so tight with a few sheriff departments, I started to freak out my stoner buddies. I didn't care though - I was under the influence of E.N.G., and suffering from testosterone poisoning to boot.

Early morning drug round-ups, moonshine still raids, redneck hostage stand-offs, I couldn't get enough of it. One southern-fried Sheriff took a special liking to me, probably because I didn't have the good sense to see he was playin' me for positive press. He and his hillbilly henchmen would call me whenever something was about to go down (which was often) and I'd invariably be rolling tape before the competition ever rolled up.

One time, they even invited me to sit in on an autopsy, but I declined. Later, they insisted on showing me footage they shot themselves of the procedure. I lasted about thirty seconds before calling a halt to the post-mortem critique. They may have the law on their side, but some of those cats with badges are sick pukes indeed. But I digress (what'd you expect?)

These days I don't do a lot of cop-shop. My current market doesn't really work that way and that's fine with me. No, you'll find me down at the school bus rodeo, the butterfly ranch, the Hispanic Jazz camp. Other shooters in my life take great pleasure in disparaging my fluff news tendencies, but usually they do so by cell-phone. From a live truck. At the Courthouse. With the jackass reporter nobody likes. I sometimes think about them later in the day, when I'm watching the sun set over my favorite bike trail. Mostly not, though.

But it's not just the better working conditions I'm after. I honestly enjoy telling the little stories, the ones involving regular folk doing regular things - though hopefully in a highly visual manner involving lots of natural sound and well-lit repetitive action. Is that too much to ask?

Bovine Castaways

A Dozen More Carcasses Floated In The Toxic Sludge...

I gripped my camera and leaned into the wind as the bass-boat plowed through the murky water. Beside me a stoic wildlife officer in designer rain gear stared ahead and gripped the wheel, piloting the skiff through a gauntlet of half-submerged telephone poles. The craft cut a deliberate path through the muddy water, and as we plowed forward, I realized we were traveling a route usually reserved for cross-state truckers. The bow of the small boat slapped the filthy water without mercy, and I tried to fall in synch with its rhythm. I pulled the rain-cover tight around my station’s camera, and squinted at the horizon. In every direction ugly brown water swirled and fermented, courtesy of one bastard of a rainmaker we called Hurricane Floyd.

Cradling my camera in my lap, I recorded a few low angles as we skimmed along, before pointing the lens at the craft’s third passenger, a stooped little man in ball cap and soaked overalls. He didn’t return my camera’s gaze; instead he stared into the distance and continued the silence he’d embraced since we left dry land thirty minutes earlier. Bracing myself on the pitching deck, I peered through the blue haze of my viewfinder. I zoomed in on the old man’s weathered face, the shiny water strobing behind him. His eyes were dry, but they conveyed a quiet sadness I’d see a lot of over the coming days. He pulled a tattered rag from a pocket and dabbed his face, perhaps trying to wipe away the vision of the unnatural lake that eclipsed everything around us. The image in the viewfinder muttered something, but the roar of the boat’s engine drowned out the old farmer’s words.

After what seemed like forever of straight trajectory, our square-jawed captain made a sharp starboard turn, and we rounded a stand of battered pine trees. As he eased up on the throttle, the high pitch of the outboard engine subsided to a low throaty rumble. I took the opportunity to dab water drops off my lens as the old man across from me uttered his first words of the trip.

“’Bout a half mile more, just past ’em trees,” he twanged matter-of-factly. “There’s a hun-erd head if there’s a one of ‘em”

I thought about what he said as the Wildlife Officer goosed the accelerator and the small boat chortled forward. Up ahead, a box-like structure stood guard in the middle of the watery expanse. As we got closer, I saw it was a single-wide trailer, the water-line just below its curtain-less windows. Large, indistinctive shapes bobbed all around the pathetic building. I shouldered my beta cam and pushed in with my lens to get a better look, but the pitching deck offered little purchase. Instead, I followed a glint of sunlight as it danced along the metal edges of a nearby road sign - the marker barely poking above the roiling water.

‘River Road’ it proclaimed. Without a thought I steadied up and rolled tape. I was still congratulating myself on bagging my first important image of the day when I heard the old man’s voice break…

“Sweet Jesus…”

The smell hit me before my eyes landed on the target. Just a few feet off the starboard bow, the bloated carcass of a full-grown steer stared back at us. The pungent odor of the rotting beast raced through my sinuses and I hid my face behind the viewfinder. Through it, I watched a delirious green fly pull a piece of flesh from the waterlogged animal’s swollen tongue. I looked away quickly, only to catch sight of another bovine corpse bobbing alongside, followed by another, and another. The Wildlife Officer pulled a state-issued bandana over his emotionless face and piloted the craft through the swirling brown sea of long-dead cattle.

“Never had a chance”, the old farmer said. The worn creases around his eyes squeezed even tighter and he stared off into oblivion, addressing no one in particular. He seemed unaffected by the stench, his weather-beaten nostrils long since given up on unpleasant odors.

“People’s got boats, a damn head a cattle ain’t got a chance in hell --”. AT that, the old man’s voice cracked and he turned even further away, taking in his loss and nursing his pride. I watched the short speech through the artificial blue haze of my viewfinder, punctuated by the steady red glow of the ‘RECORD’ light.

As the twin-engine pushed the boat forward, the age-old mobile home came into sharper focus. As we closed in on the only man-made structure in sight, the number of dead cattle increased. In a desperate lunge for higher ground, the panicking herd had apparently converged on this abandoned trailer, as the passing hurricane had dumped more water on this old pasture than man, or cow, could have imagined. Many of the doomed beasts choked on their own tongues as dirty water filled their lungs. Others had been gored and stomped in the closing minutes of the frantic stampede, their rubbery entrails now exposed to the midday sun. A dozen more carcasses floated in the toxic sludge surrounding the trailer, their lifeless forms rubbing against the metal walls and making a scrubbing, haunting sound.

Our stoic boat pilot pushed in within feet of the mobile home and turned to circle it. At the far end of the front side, the trailer’s thin walls lay splayed open, itself a victim of the storm and ensuing onslaught of frightened cattle. One cow in particular, seemed to have perished during the fight to get inside, his whole left flank ripped open by the sharpened tin. Holding my breath, I rolled tape and tried to picture what it must have been like during those last few horrible moments. The great lumbering beasts thrashing and kicking at each other, fighting to the death in a frenzy of adrenaline and instinct, as the emotionless water rose, and rose, and rose.

“Well, I’ll be damned…” The farmer’s voice snapped me back to reality as the boat rounded the far side of the trailer and we came face to face with the lone survivor of the watery death march. Solid brown with a mask of white on his muzzle, the cow snorted with fear and excitement as he stuck his head out of a shattered window frame.

The look in his dark eyes was wild and knowing, totally unlike the look of bored vacancy usually found in the breed. As our boat made a slow arc around him, he stepped in accordance - tracking our every move. Around him, two more swollen carcasses bumped against his hind legs. Taking us in, the animal roared lowly, seeming to plead for help. I pulled out to a wide shot and wondered if this simple beast understood his perilous state. He had, after all, watched his companions died a horrible death al around him. Bracing myself against the low bulkhead, I zoomed in on his dilated pupils, catching for a second the real (or imagined) guttural pleading within.

On board, the old farmer took off his dirty ball cap and ran his leathery fingers through a shock of white hair. “Been livin’ on this land for more than seventy years, never would ‘a believed it. The good Lord may know what’s best, but I’ll be damned if I can figger it out.”

With that, the man seemed satisfied with the visit and he asked the silent Wildlife Officer to take him back to the command center. As we made our way back through the maze of drowned cattle, the old farmer slumped in a corner of the craft and pulled a plug of tobacco from a pouch hidden in his drenched overalls. No one spoke a word the whole way back, and as the motor droned on behind me, I realized I had a new answer the next time someone asked me what was the weirdest thing I ever saw with a camera on my shoulder.

A Day in the Strife

THERE ARE DAYS I LOVE MY JOB...

Last Friday wasn’t one of them. Nothing earth shattering happened, just a prolonged series of predictable events that the average photog might call typical. Thing is, I ain’t average - or typical. I work hard to produce solid packages WITHOUT a reporter, and as a result, I enjoy a bit more autonomy than most shooters. However, two days ago forces outside my control conspired to screw me and at times, I took it like a rookie. Along the way, there were moments of great déjà vu - certain episodes and aspects of the daily chase that strike me as almost universal. I may be wrong, but perhaps this has happened to you…

FIRST MAN DOWN

I knew I was screwed the moment I entered the newsroom. As usual, I’m the first photog in. Say what you will, it is a long-held habit that pays great dividends in story selection. Today however, I would not get to cherry-pick my gig. I’d barely made it to my desk when a burly assignment editor scurried up, shuffling papers and radiating panic. Seems a shooter called in sick and since we were down he needed me to ’load up and hit the road’ with the tall well-dressed fellow standing behind him. I recognized the tall guy as our most recently hired reporter, and as the assignment editor babbled on, I realized resistance was futile. Minutes later, my partner-for-the-day and pulled out of the station parking lot, passing several arriving photogs along the way. Knowing I’d taken a bullet for at least ONE of them, I grinned and flipped-off them ALL.

THE NEW GUY

He seemed nice enough, and was awful cheery -but as I merged on the interstate, I could barely bring myself to look over at my reporter. When I did, a well- groomed twenty-five year old grinned back innocently. He’d only been with us for a week or two and the constantly grinning chap was bubbling with wholesome enthusiasm. His hair cut-close, his dark slacks pressed, and his tie a sensible one - the guy looked like he should be selling bibles somewhere in the Midwest. I know reporters come in all flavors, and I ‘m pretty sure I’ve tried them all. But at the moment, I was more in the mood for some bitter, disillusioned hack than the starry-eyed choirboy seated to my right. As we sped down I-85, I chewed a toothpick and fought the urge to throw his bright Tupperware lunch out the window.

SUDDENLY LATE

It was then my colleague unfurled our itinerary. Our mission was to package the latest chapter in a controversial school re-districting plan. A press conference was scheduled for eleven o clock and according to the desk, sparks were certain to fly. Not a great story, but okay. I was soothing my veteran feathers with thoughts of one-stop-shopping when The New Guy ruffled them all over again. “Oh yeah, before that we gotta swing by and pick up a vosot. We need to hurry though, it started an hour ago and is probably almost over” Biting my toothpick in half, I spat out the remains and stood on the gas. Racing the clock for forty seconds of forgettable television is something I’ve spent way too much of my life doing, and all familiarity breeds contempt. As I once again made that mad dash, I drove imaginary spikes though assignment-editor voodoo dolls in my head. The fact that I knew we’d make it in time (as we always do) made doing so all the more unpleasant.

LATE MORNING COLLAPSE

The finger sandwiches told me all I needed to know. As my tall colleague and I sauntered in early to the Department of Education boardroom, I couldn’t stop staring at the decorative lunch items on the corner table. They don’t serve happy food like that at heated confrontations, that is mere workshop fare. I didn’t know all the details of the debate at hand, but I did know my bosses back at the station were desperate for a decent lead story. The ongoing school board saga had provided fodder for weeks, and the suits back at the shop smelled blood. I however, smelled pimento cheese and it told me there would be no controversy here. Pulling my reporter close, I told him of my fears. This ain’t what we thought it was, we’re gonna end up shooting enough for a lame-ass package and they ain’t gonna want it…” I handed him the cell phone and told him to call the bosses, hoping against hope I was wrong. As it turned out, I wasn’t.

MIDDAY RESHUFFLE

“What else ya got for us?” I could hear the head-deskie’s voice coming out the cell phone receiver. My partner, still cheery but growing confused, stammered an answer. I sat behind the wheel and stared at the school board building parking lot through the windshield. ‘What ya got for us? How ‘bout an empty stomach and a bad attitude?’ I chewed over other replies as Too Tall nodded and repeated okay’s into the phone. He hung up and looked over at me. His grin was still there, but it was growing a little vacant. “They want us to go to the strip. The Women’s ACC Tournament’s in town and….”

“They want us to talk to local businesses about the economic impact”, I answered. “I did that same weak piece last year”. Dropping the gearshift into drive, I pulled away and grimaced. If they want me to repeat myself, FINE, but sweeps ended two days ago, it’s now Friday afternoon and I already got thirty minutes of tape in the can. It’s a hell of a time to ask for one of Stew’s Greatest Hits.

SIZZLE AND SALIVATE

Fifteen minutes later, I was loitering in the kitchen of a Sports Bar Steak House. After a few too many in-camera questions for the restaurant manager, I shouldered my camera and began collecting b-roll. Busy cooks squeezed past me and passing waiters did double takes at the floating betacam in the prep area. I stared though my viewfinder and bent over the grill, bringing the image of a thick sizzling burger into focus. A plump cook leaned in and made matters infinitely worse by adding bacon. The glorious smell of the savory bacon burger washed over me and I nearly grew feint with imaginary hunger pains. Swallowing my drool, I tried to act casual as I worked the lens into submission. After a few more minutes of deprived taste-bud delirium, I stumbled out of the kitchen and made eye contact with the grinning tall man. “We got enough - get me to a drive-thru, quick!”

PAGES FROM BEYOND

The burger I soon devoured was a pale imitation of the one I’d caught on tape. Still, I sat in my mobile office and polished off the McSomething as my reporter exited his fourth hotel in ten minutes. Opening the door to my idling news unit, he hopped in and slammed the door. “Guy said business sucked! Then he went corporate on me.” I chewed my straw and watched passing traffic. I was about to lay out my umpteenth smartass assertion of the desk’s incompetence when the cell phone rang. There wasn’t just one idiot on the line, a half dozen voices called out, sounding as if they were at the bottom of some metallic hole. Speakerphone, the communication choice of the think-tank set. “ Guys, head over to the Mall - It’s been sold - We’re sending you a truck!” The straw dropped from my lips as I processed what I was hearing. When the voices fell silent, I knew they were waiting for a reply. ‘Eff the Mall!’ I wanted to yell. ‘The next time you wanna play jack-around-the-new-guy, LEAVE ME THE HELL OUT OF IT!” Instead, I looked over at my no-longer grinning partner. “Tell whoever’s bringing the truck to meet us on the JCPenney’s side.”

SWAPPING GEAR

At its best, a truck swap can be a moment of reprieve from battle, like the scenes in the Highlander where the far-flung immortals rendezvous briefly at some unlikely spot. It can be a chance to vent, bum a battery or cigarette. Unless of course, the person pulling up in the rolling billboard is LESS than a buddy, a friend or a pal. Then the transaction takes on the air of a tense prisoner swap at some hostile border checkpoint. As you switch gear from the news vehicle to the larger live truck, you try to maintain eye contact with the driver, and wonder if he’s there to aid and assist or merely gather Intel for the goons back at the shop. For better or worse, my would-be rescuer seemed anxious to unload the live truck and be on his way. He did just that, and I found myself hoping I had what I needed as he pulled away in my beloved Ford Explorer - no doubt planning to race it’s engine and pilfer it’s contents.

THE LONGEST WAIT

What with having to interview uneasy Mall officials, shoot exteriors, process our four stories and cut countless teases, my tall partner and I had our hands full. As curious shoppers rubbernecked their way past our live truck, we juggled the phones, tapes and papers required for your average live shot. And average it was. With a view of the Mall, nearby Convention Center and interstate exchange, there was plenty to look at it and nothing to see. Once the stories were cut, I set up the camera, raised the mast and tuned in the shot. After feeding the tape back to the station and talking trash with the head edit chick, I settled in the back seat of the truck and started the long wait. The generator engine rumbled and the air reeked of exhaust fumes. Up front, my favorite Tall Guy was applying make-up and cheerfully mumbling the lines he would soon deliver live on camera. Amid all this technology and preparation, I sat frozen in the back - my eyes glazing over like some spaced-out junkie. Forty minutes to Showtime, then another fifty-five minutes before our hit at six. As the generator rumbled its long pathetic song, God pressed the pause button and went out for a sandwich.

MOPPING UP

By the time we made it back to the station, my reporter was no longer grinning. He’d been used and abused by the desk this day, and he was smart enough to know it would happen again. Still, he took the punches and rebuffs well, never losing focus and cursing far less than I. This makes Him the winner and I told him such before dropping him off at the station. Looking down at the gas gauge, I saw that I was well under half a tank. Knowing a half-empty tank would lead to terse voice mails from the chief, I steered the live van back out on the street. The gas station was a block away, and besides after this quick errand my day would truly be done. That was when my pager began vibrating and as I struggled in the darkness to decipher the feint letters I already knew what it probably said. “Don’t forget your ten o clock re-cuts” Once again, I was right when I didn’t want to be.