Camera-Monkey. Tape-Ape. Lens-Simian. We've ALL heard the uncivilized terms reserved for TV news shooters. Now, NBC News hotshot Dwaine Scott has captured an image that forever crystallizes the derision. I don't know whether to congratulate him or file some kind of charges. Either way it's a safe bet this picture will grace the cages of television newsrooms the world over. To make matters worse, Scott tells me he was thinking of a certain blowhard photog when he snapped this shot. I don't know quite how to take that, but as soon as I finish peeling these bananas with my feet, I'm gonna fling some poo at him...
Wednesday, September 16, 2009
Brutes on a Shoot
Camera-Monkey. Tape-Ape. Lens-Simian. We've ALL heard the uncivilized terms reserved for TV news shooters. Now, NBC News hotshot Dwaine Scott has captured an image that forever crystallizes the derision. I don't know whether to congratulate him or file some kind of charges. Either way it's a safe bet this picture will grace the cages of television newsrooms the world over. To make matters worse, Scott tells me he was thinking of a certain blowhard photog when he snapped this shot. I don't know quite how to take that, but as soon as I finish peeling these bananas with my feet, I'm gonna fling some poo at him...
What About Bob?
"You been robbed, Lenslinger! All I heard on the 10-year hurricane anniversary was Bob Buckley, Bob Buckley. The video was the THING!"
I had to chuckle when I received this tweet, for A.) it's from a local newspaper editor who probably watches more TV news than I do and B.) it's spot on. But lest you think I'm feeling sorry for my own beleaguered breed, understand this: It's an accepted part of the gig. As much as we TV news shooters might like a little credit, most viewers rarely care. I'm cool with that; if I yearned for televised attaboys, I'd still be shooting my own stand-ups at the end of the day. I walked away from that a long time ago and not just because I grew tired of changing into a dress shirt by the side of the road. No, I turned photog 'cause it just felt natural. That and nobody was demanding this average white guy keep stepping in front of the lens. Sure I could probably worm my way back on-air but I learned a long time ago that being gestured at in the Wal-Mart parking lot don't feed the bulldog. I'm far more interested in visual storytelling, be it my preferred solo methods or as part of our continuing team smotherage of calamities past.
That's exactly what Buckley and I have been up to this past week, slicing, dicing and spicing up the footage we gathered weeks ago in Hurricane Floyd's decade old wake. Though my eyeballs have bled from the extended edit sessions, I'm reasonably proud of the assembled pixels. For photogs like me, that's enough. See, no TV shooter worth his (or her) first white-balance sticks with this gig for plaudits alone. There's more glory in gutter-repair. So while those still shooters have their photo credits and the news anchors have their promos, we lenslingers generally do it for the love of the game. Why else would we break our collective backs erecting spotlights? Trust me, it ain't the money. It's the access to continuous intrigue. As for Mr. Bob Buckley (seen above flanking Floyd survivor Monika Barkley along with some unknown techie), he's a master of the form with a gift for explaining the esoteric. Hey, who else can work Copernicus into a story about silly string?
No photog I know...
That's exactly what Buckley and I have been up to this past week, slicing, dicing and spicing up the footage we gathered weeks ago in Hurricane Floyd's decade old wake. Though my eyeballs have bled from the extended edit sessions, I'm reasonably proud of the assembled pixels. For photogs like me, that's enough. See, no TV shooter worth his (or her) first white-balance sticks with this gig for plaudits alone. There's more glory in gutter-repair. So while those still shooters have their photo credits and the news anchors have their promos, we lenslingers generally do it for the love of the game. Why else would we break our collective backs erecting spotlights? Trust me, it ain't the money. It's the access to continuous intrigue. As for Mr. Bob Buckley (seen above flanking Floyd survivor Monika Barkley along with some unknown techie), he's a master of the form with a gift for explaining the esoteric. Hey, who else can work Copernicus into a story about silly string?
No photog I know...
Monday, September 14, 2009
Attempted Sousacide
Never mind those freshly shackled crackheads, a cameraman's gotta keep his one good eye on those pesky marching band members - especially when they're in the throes of spelling something special. Such was the case this past weekend when Ohio State University sousaphone player Frank Cosenza "dotted the i", nearly lopping off the lens of an ESPN fancycam. DOH! Now, to be fair Cosenza told the loitering lenslinger to "Watch Out!" a full second before he brought the horn in question crashing downward. Parts flew, the photog stumbled off and somewhere Kanye West kicked a girl scout in the teeth. All's fair in love and college football, I guess...
Floyd's Lost Flock
It was the boat ride that changed my life. Okay, maybe that's overselling it - but the forty five minutes I spent cruising through a newborn lake ten years ago finally convinced me it was time to start writing. Since then I've scribbled an encyclopedia's worth, but this rather overwrought tale remains one of my favorites. If you've read it before, forgive me. If you haven't, check it out and then watch this newly produced piece that brought the footage and the feelings flooding back.
I gripped my camera and leaned into the wind as the bass boat plowed through the murky water. Beside me a stoic wildlife officer in designer rain gear stared ahead and gripped the wheel, piloting the skiff through a gauntlet of half-submerged telephone poles. The bow of the small boat slapped the filthy water without mercy, and I tried to fall in sync with its rhythm. I pulled the rain-cover tight around my station’s camera, and squinted from the spray. In every direction ugly brown water swirled and fermented, courtesy of Hurricane Floyd.
Cradling my camera in my lap, I recorded a few low angles as we skimmed along, before pointing the lens at the craft’s third passenger, a stooped little man in ball cap and soaked overalls. He didn’t return my camera’s gaze; instead he stared into the distance and continued the silence he’d embraced since we left dry land thirty minutes earlier. I zoomed in on the old man’s weathered face, the shiny water strobing behind him. His eyes were dry, but they conveyed a quiet sadness I’d see a lot of over the coming days. He pulled a tattered rag from a pocket and dabbed his face, perhaps trying to wipe away the vision of the unnatural lake that eclipsed everything around us. The image in the viewfinder muttered something, but the roar of the boat’s engine drowned out the old farmer’s words.
After what seemed like forever, our square-jawed captain made a sharp starboard turn, and we rounded a stand of battered pine trees. As he eased up on the throttle, the high pitch of the outboard engine subsided to a low throaty rumble. I took the opportunity to dab water drops off my lens as the old man across from me uttered his first words of the trip.
“’Bout a half mile more, just past ’em trees,” he twanged. “There’s two hun-erd head if there’s a one of ‘em”
I thought about what he said as the Wildlife Officer goosed the accelerator and the small boat chortled forward. Up ahead, a box-like structure stood guard in the middle of the watery expanse. As we got closer, I saw it was a single-wide trailer, the water-line just below its curtain-less windows. Large, indistinct shapes bobbed all around the pathetic building. I shouldered my beta cam and pushed in with my lens to get a better look, but the pitching deck offered little purchase. Instead, I followed a glint of sunlight as it danced along the metal edges of a nearby road sign - the marker barely poking above the roiling water.
‘River Road’ it proclaimed. Without a thought I steadied up and rolled tape. I was still congratulating myself on bagging my first important image of the day when I heard the old man’s voice break…
“Sweet Jesus…”
The smell hit me before my eyes landed on the target. Just a few feet off the starboard bow, the bloated carcass of a full-grown steer stared back at us. The pungent odor of the rotting beast raced through my sinuses and I hid my face behind the viewfinder. Through it, I watched a delirious green fly pull a piece of flesh from the waterlogged animal’s swollen tongue. I looked away quickly, only to catch sight of another bovine corpse bobbing alongside, followed by another, and another. The Wildlife Officer pulled a state-issued bandanna over his emotionless face and piloted the craft through the swirling brown sea of long-dead cattle.
“Never had a chance”, the old farmer said. The worn creases around his eyes squeezed even tighter and he stared off into oblivion, addressing no one in particular. He seemed unaffected by the stench, his weather-beaten nostrils long since given up on unpleasant odors.
“People’s got boats, a damn head a cattle ain’t got a chance in hell --”. At that, the old man’s voice cracked and he turned even further away, taking in his loss and nursing his pride. I watched the short speech through the artificial blue haze of my viewfinder, punctuated by the steady red glow of the ‘RECORD’ light.
The twin-engine pushed the boat forward and the old mobile home came into sharper focus. As we closed in on the only man-made structure in sight, the number of dead cattle increased. In a desperate lunge for higher ground, the panicking herd had converged on this abandoned trailer, as the slowly passing storm had dumped more water on this old pasture than man, or cow, could have imagined. Many of the doomed beasts choked on their own tongues as dirty water filled their lungs. Others had been gored and stomped in the closing minutes of the frantic stampede, their rubbery entrails now exposed to the midday sun. A dozen more carcasses floated in the toxic sludge surrounding the trailer, their lifeless forms rubbing against the metal walls and making a scrubbing, haunting sound.
Our stoic pilot pushed in within feet of the mobile home and turned to circle it. At the far end of the front side, the trailer’s thin walls lay splayed open, itself a victim of the storm and ensuing onslaught of frightened cattle. One cow in particular, seemed to have perished during the fight to get inside, his whole left flank ripped open by the sharpened tin. Holding my breath, I rolled tape and tried to picture what it must have been like during those last few horrible moments. The great lumbering beasts thrashing and kicking at each other, fighting to the death in a frenzy of adrenaline and instinct, as the water rose and rose and rose.
“Well, I’ll be damned…” The farmer’s voice snapped me back to reality as the boat rounded the far side of the trailer and we came face to face with the lone survivor of the watery death march. Solid brown with a touch of tan on his muzzle, the cow snorted as he blinked at us through the empty window frame.
The look in his dark eyes was wild and knowing, unlike the look of bored vacancy usually found in the breed. As our boat made a slow arc around him, he stepped in accordance - tracking our every move. Around him, two more swollen carcasses bumped against his hind legs. I pulled out to a wide shot and wondered if this simple beast understood his perilous state. He had, after all, watched his companions died a horrible death all around him. Bracing myself against the low bulkhead, I zoomed in on his dilated pupils, catching for a second the real (or imagined) guttural pleading within.
On board, the old farmer took off his dirty ball cap and ran his leathery fingers through a shock of graying hair. “The good Lord may know what’s best, but I’ll be damned if I can figger it out.”
With that, the man seemed satisfied with the visit and he asked the silent Wildlife Officer to take him back to the command center. As we made our way back through the maze of drowned cattle, the old farmer slumped in a corner of the craft and pulled a plug of tobacco from a pouch hidden in his drenched overalls. No one spoke a word the whole way back, and as the motor droned on behind me, I realized I had a new answer the next time someone asked me what was the weirdest thing I ever saw with a camera on my shoulder.
Cradling my camera in my lap, I recorded a few low angles as we skimmed along, before pointing the lens at the craft’s third passenger, a stooped little man in ball cap and soaked overalls. He didn’t return my camera’s gaze; instead he stared into the distance and continued the silence he’d embraced since we left dry land thirty minutes earlier. I zoomed in on the old man’s weathered face, the shiny water strobing behind him. His eyes were dry, but they conveyed a quiet sadness I’d see a lot of over the coming days. He pulled a tattered rag from a pocket and dabbed his face, perhaps trying to wipe away the vision of the unnatural lake that eclipsed everything around us. The image in the viewfinder muttered something, but the roar of the boat’s engine drowned out the old farmer’s words.
After what seemed like forever, our square-jawed captain made a sharp starboard turn, and we rounded a stand of battered pine trees. As he eased up on the throttle, the high pitch of the outboard engine subsided to a low throaty rumble. I took the opportunity to dab water drops off my lens as the old man across from me uttered his first words of the trip.
“’Bout a half mile more, just past ’em trees,” he twanged. “There’s two hun-erd head if there’s a one of ‘em”
I thought about what he said as the Wildlife Officer goosed the accelerator and the small boat chortled forward. Up ahead, a box-like structure stood guard in the middle of the watery expanse. As we got closer, I saw it was a single-wide trailer, the water-line just below its curtain-less windows. Large, indistinct shapes bobbed all around the pathetic building. I shouldered my beta cam and pushed in with my lens to get a better look, but the pitching deck offered little purchase. Instead, I followed a glint of sunlight as it danced along the metal edges of a nearby road sign - the marker barely poking above the roiling water.
‘River Road’ it proclaimed. Without a thought I steadied up and rolled tape. I was still congratulating myself on bagging my first important image of the day when I heard the old man’s voice break…
“Sweet Jesus…”
The smell hit me before my eyes landed on the target. Just a few feet off the starboard bow, the bloated carcass of a full-grown steer stared back at us. The pungent odor of the rotting beast raced through my sinuses and I hid my face behind the viewfinder. Through it, I watched a delirious green fly pull a piece of flesh from the waterlogged animal’s swollen tongue. I looked away quickly, only to catch sight of another bovine corpse bobbing alongside, followed by another, and another. The Wildlife Officer pulled a state-issued bandanna over his emotionless face and piloted the craft through the swirling brown sea of long-dead cattle.
“Never had a chance”, the old farmer said. The worn creases around his eyes squeezed even tighter and he stared off into oblivion, addressing no one in particular. He seemed unaffected by the stench, his weather-beaten nostrils long since given up on unpleasant odors.
“People’s got boats, a damn head a cattle ain’t got a chance in hell --”. At that, the old man’s voice cracked and he turned even further away, taking in his loss and nursing his pride. I watched the short speech through the artificial blue haze of my viewfinder, punctuated by the steady red glow of the ‘RECORD’ light.
The twin-engine pushed the boat forward and the old mobile home came into sharper focus. As we closed in on the only man-made structure in sight, the number of dead cattle increased. In a desperate lunge for higher ground, the panicking herd had converged on this abandoned trailer, as the slowly passing storm had dumped more water on this old pasture than man, or cow, could have imagined. Many of the doomed beasts choked on their own tongues as dirty water filled their lungs. Others had been gored and stomped in the closing minutes of the frantic stampede, their rubbery entrails now exposed to the midday sun. A dozen more carcasses floated in the toxic sludge surrounding the trailer, their lifeless forms rubbing against the metal walls and making a scrubbing, haunting sound.
Our stoic pilot pushed in within feet of the mobile home and turned to circle it. At the far end of the front side, the trailer’s thin walls lay splayed open, itself a victim of the storm and ensuing onslaught of frightened cattle. One cow in particular, seemed to have perished during the fight to get inside, his whole left flank ripped open by the sharpened tin. Holding my breath, I rolled tape and tried to picture what it must have been like during those last few horrible moments. The great lumbering beasts thrashing and kicking at each other, fighting to the death in a frenzy of adrenaline and instinct, as the water rose and rose and rose.
“Well, I’ll be damned…” The farmer’s voice snapped me back to reality as the boat rounded the far side of the trailer and we came face to face with the lone survivor of the watery death march. Solid brown with a touch of tan on his muzzle, the cow snorted as he blinked at us through the empty window frame.
On board, the old farmer took off his dirty ball cap and ran his leathery fingers through a shock of graying hair. “The good Lord may know what’s best, but I’ll be damned if I can figger it out.”
With that, the man seemed satisfied with the visit and he asked the silent Wildlife Officer to take him back to the command center. As we made our way back through the maze of drowned cattle, the old farmer slumped in a corner of the craft and pulled a plug of tobacco from a pouch hidden in his drenched overalls. No one spoke a word the whole way back, and as the motor droned on behind me, I realized I had a new answer the next time someone asked me what was the weirdest thing I ever saw with a camera on my shoulder.
Thursday, September 10, 2009
In Scruff We Trust(ed)
And so it was written in 1947, laying down a legacy of leisure-wear modeled by sloppy photogs the world over. That's right, cabana fans, we're here to talk about what you're wearing. Me, I got no problem with it. Then again, I got more Hawaiian shirts and cargo shirts hanging in my closet than every other Dad in the cul-de-sac combined. They more than make up for it with their fancy cars and holidays off, but do they know the rush of waltzing into a stuffy Republican fundraiser dressed like they're fresh off a fly-fishing trip? Have they ever rolled up on a train-wreck wearing actual hobo-clothes? Can they fathom what it's like to ask a world leader a question while rockin' darkened armpit circles and hiking boots? Highly. Unlikely.
If they did, they'd stop giving us photogs the stink-eye, for then they'd realize half the fun of being an assignment roadie is dressing like one. Until then, count on the gentler set to continue judging you at a dozen paces. Sure, they'll stop to kiss your glass when it's to their advantage but otherwise that rather gamey concert T will only ruffle their designer feathers. I ain't sayin' that it's right; only that it IS. Ever since the first horn-rimmed engineers erected the first empty tube, those of us tasked with filling it with pictures have focused far more on what we see than how we look. Our on-air cohorts know it's true. More than one reporter has raised a sculpted eyebrow over how their shooter chose to cover himself that day. We as a breed tend to shrug it off, but now a new animal is threatening to unravel our sartorial gnarl...
Vee-Jays. Multi-mediums. Ratpack Journalists. Whatever you call them, these crews of one are popping up everywhere and it's a safe bet they look better than you. Hell, I know one statuesque 'slinger who could find steady work modeling for one of those aircraft nose art calendars. Technically, that's a sexist statement - but what did you expect from a guy sporting a Cannonball Run press-on decal where most folk park a polo player...decorum? Perhaps, but I for one can't help but notice how the new breed of newsgatherer eschews the look of old and aims for something a bit more respectable. Chalk it up to those tiny cameras they sport - or the fact that so many of them double as their own on-camera talent. That's a tough gig and if you can pull it off in something other than lumberjack clothes, well - my non-ironic trucker hat's off to ya. Now if you don't mind I gotta gubernatorial debate to attend....
Anybody seen my serial killer pants?
Wednesday, September 09, 2009
Shakes on a Plane
It's the only way to fly.
Tuesday, September 08, 2009
Breaching the Fiefdom
"Why am I still hanging around?"
That query is answered of course every time I pull into Castle Pittman. Let's face it: no one's going to pay me to sit around and pen venomous epistles for the internet. Not yet anyway. There's plenty of TV in my future and not just the 42 inch Sony I sit with my back to most every night. No, I make my living off the evening news and while it ain't the deep kick it was back in '91, I still dig it more days than not. Truthfully, it's all I know. Running around mass communicatin' is something I've done for most of my adult life. Thus, I see the world through a prism of lenses, one eye buried in the 'finder while the other scans the room for the very next view. It ain't a habit that lines your pockets with silver. Dead 9-volts, maybe, but not silver. That kind of currency's reserved for folks with far duller gigs that mine. I get paid in access, perspective and two week increments. It'll never land me a shopping spree in Belize but I knew that the moment I first dedicated myself to the pursuit of news. I just never realized how quickly the world would change.
But it has.
Audience, technology, resources and rewards are at levels unthinkable just a few years back. Even us squatting quadrupeds have had to sit up and take notice - a tough enough nut when you're forever burdened with deadlines and live shots. From here, it's easy to bury your head in the morass of the next newscast, provided those newscasts keep on coming. I'm not so convinced they will, which is a helluva thing to mutter out loud, for when I first hoisted a fancycam it was generally agreed the evening news would last forever. Well, score one for the odd oracle out there who predicted a renaissance. Most of us weren't listening, cleaving instead to our individual disciplines as the calendar pages fanned before us. Me, I got lost in the pixels and fell in love with a form of communication that never had much respect for itself. That's cool; I didn't have much else planned anyway. But as the rub of unending updates has worn away my reserves and I find myself wondering if I should have a crack at my shackles and at least attempt to fly away. Sure beats choking on the coming rubble...
Now help me up, would ya? My haunches are killing me.
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